This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
Glen, Dennis and Murray Storrings were young children in the 1940s when they were made wards of the child welfare department in British Columbia. In the following years, the three brothers would live in over a hundred foster homes between them, sometimes together but often separated. After a childhood of instability, abuse, and neglect, they turned to lives of crime and were sent to reform schools and prisons before eventually becoming hardworking men who married and had children of their own. In their early years, an ever-changing network of social workers kept meticulous files, and this riveting memoir weaves together the Storrings brothers’ memories, with entries from their case files, to tell the harrowing, heart-breaking yet inspiring story of three boys who were repeatedly failed by a system that was meant to protect them.
The towering peaks of the Canadian Rockies and Columbia Mountains rival the European Alps in fame. When travelling or climbing, hiking or skiing in these areas, have you ever wondered where the names of the peaks, rivers and lakes came from, or who named them and why? In Canadian Mountain Place Names, the authors have used their scope of knowledge and expertise, along with many outside sources, to compile an entertaining and informative treatise on the toponymy of this increasingly popular alpine region. Originally published as Place Names of the Canadian Alps, this new edition is completely revised and updated. Illustrated with Glen Boles' and Roger Laurilla's stunning photographs, as well as Boles' intricate line drawings, this book is a must-have not only for avid mountaineers, skiers and hikers, but also for locals and visitors with an interest in these regions. For the authors, this book has been a labour of love: for the mountains, as well as for all those who care about the mountains.
This is the first book to cover the British people’s late twentieth century engagement with water in all its domestic, national and international forms, and from bathing and household chores to controversies about maritime pollution. The British Isles, a relatively wet and rainy archipelago, cannot in any way be said to be short of liquid resources. Even so, it was the site of highly contentious and revealing political controversies over the meaning and use of water after the Second World War. A series of such issues divided political parties, pressure groups, government and voters, and form the subject matter of this book: problems as diverse as flood defence to river and beach cleanliness, from the teaching of swimming to the installation of hot and cold running water in the home, from international controls over maritime pollution, and from the different housework duties of men and women to the British state’s proposals to fluoridise the drinking water supply.
This memoir by a Scottish doctor who was born and went on to work in Govan was found among family papers long after his death in 1972. Less an account of the author's inner life, it is a graphic narrative, by a practitioner in the hospitals and homes of a major city, of hands-on medical care during much of the twentieth century. After training as a medical student on the wards of Glasgow hospitals, at the outbreak of the First World War the young doctor joined the army and served as a medical officer for the duration. Early on he provides a shattering account of the hopeless slaughter at Gallipoli,where he survived almost certain death many times as his companions fell around him. Only 100 men survived of his battalion of 1,000. His later service in the Middle East and Mesopotamia is an astonishing tale of courage and endurance, interwoven with spells of leave, during which the Scot encountered exotic experiences undreamed of in Govan. After the war Glen became a GP in Govan, one of the poorest areas in Britain, at a time long before the National Health Service. Preventable illnesses were often a death sentence for old and young alike. The extremes of poverty and suffering he witnessed brought home to him that he was in the front line once more, but in a different kind of warfare. The Second World War brought new challenges, and a post-war transformation when the NHS was finally came into being. Glen's shrewd commentary on the birth-pangs of the new institution provides valuable insights for the ongoing debate about this most controversial of public services.
For decades, free trade was advocated as the vehicle for peace, prosperity, and democracy in an increasingly globalized market. More recently, the proliferation of foreign direct investment has raised questions about its impact upon local economies and politics. Here, seven scholars bring together their wide-ranging expertise to investigate the factors that determine the attractiveness of a locale to investors and the extent of their political power. Multinational corporations prefer to invest where legal and political institutions support the rule of law, protections for property rights, and democratic processes. Corporate influence on local institutions, in turn, depends upon the relative power of other players and the types of policies at issue.
A listing of almost 9000 kinds of plants known to be cultivated in Southern Africa, or to have been tried here. The information is derived from a database containing details mainly of specimens archived in the National Herbarium, Pretoria.
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
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