Charles Williams (1886-1945), the friend of T. S. Eliot, C. S. Lewis, and J. R. R. Tolkien, was both a writer with many gifts and a religious thinker of an unusual kind. Poet, playwright, novelist, biographer, critic, and theologian, in each capacity he displayed a distinctive and highly imaginative cast of mind. Here, in the first full-length study to appear for over twenty years, Glen Cavaliero discusses Williams's work in its entirety and pays particular attention to the manner in which his theological ideas were shaped and furthered by his various literary achievements. Following a brief account of Williams's life, the author examines the early poems, the criticism, biographies and plays, the novels, the Arthurian poems, and the assessment of Charles Williams's literary and theological importance. The book also illuminates the relationship between religious belief and the scope and working of the poetic mind. The discussion of Williams's place in twentieth-century literary history as a writer of "fantasy literature, and of his unique gifts as a Christian apologist in an age of skepticism, ensures that this book will be of immense interest to literary critics and theologians alike.
The Flash of Weathercocks: New and Collected Poems is a collection with a difference. Old meets new in The Flash of Weathercocks; an anthology comprising poems that have been previously printed as well as some that are unseen, arranged in fifteen thematic sections, containing landscape poems, portraits of people, love poems, satires, humorous poems, personal memories, etc. In a wide variety of styles, forms and moods, they were written by a man in middle life, and reflect the changes in contemporary beliefs and the tension between society as it was in the mid-twentieth century and the social habits and presuppositions experienced at the end of it. Taken as a whole, the collection reveals an interplay of contrasting responses to the frustrations, hazards and delights of human existence, each poem qualifying others in a manner that by implication converts monolithic attitudes into complementary relativities – a function of poetry that can, in Samuel Johnson’s phrase, enable responsive readers ‘the better to enjoy life and the better to endure it’. The Flash of Weathercocks intends to do just that.
The Flash of Weathercocks: New and Collected Poems is a collection with a difference. Old meets new in The Flash of Weathercocks; an anthology comprising poems that have been previously printed as well as some that are unseen, arranged in fifteen thematic sections, containing landscape poems, portraits of people, love poems, satires, humorous poems, personal memories, etc. In a wide variety of styles, forms and moods, they were written by a man in middle life, and reflect the changes in contemporary beliefs and the tension between society as it was in the mid-twentieth century and the social habits and presuppositions experienced at the end of it. Taken as a whole, the collection reveals an interplay of contrasting responses to the frustrations, hazards and delights of human existence, each poem qualifying others in a manner that by implication converts monolithic attitudes into complementary relativities – a function of poetry that can, in Samuel Johnson’s phrase, enable responsive readers ‘the better to enjoy life and the better to endure it’. The Flash of Weathercocks intends to do just that.
This is the only contemporary critical study to discuss the nature of comedy with exclusive reference to novels. It examines the comic styles of novelists from Fielding and Jane Austen to Waugh and Angus Wilson, as well as less familiar writers such as Ronald Firbank and Sylvia Townsend Warner. Distinguishing between different kinds of humor, it shows how comedy works in practice under changing literary, social, and environmental conditions, and is designed to interest academic and general readers equally.
Between the ages of 15 and 30 Beatrix Potter kept a secret diary written in code. When the code was cracked by Leslie Linder more than 20 years after her death, the diary revealed a remarkable picture of upper middle-class life in late Victorian Britain. The original diaries run to over 200,000 words so for this edition Glen Cavaliero has made a careful selection of complete entries and excerpts which provide an illuminating insight into the personality and inspiration of one of the world's best loved children's authors.
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