A comprehensive guide to Verdi's A MASKED BALL, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto, with Italian/English side-by side, and over 30 music highlight examples.
The subject cannot fail!' exulted Verdi, when recommending Victor Hugo's play Le Roi s'amuse to his librettist. But the censors made every effort to stop it, and the baritone was not easily convinced that a hunchback role would suit him. Jonathan Keates gives a vivid insight into the composition of a masterpiece. Verdi long afterwards thought it his best work, and Roger Parker explains why. Peter Nichols, author of several bestselling books in Italy, picks out some of the peculiarly Italian attitudes and characters in the opera which make it timeless - and incredibly modern.Contents: Introduction, Jonathan Keates; Musical Commentary, Roger Parker; The Timelessness of 'Rigoletto', Peter Nichols; Rigoletto: Text by Francesco Maria Piave after Victor Hugo's 'Le Roi s'amuse'; Rigoletto: English translation by James Fenton
Aída es una ópera en cuatro actos, obra del compositor italiano Giuseppe Verdi. Este álbum ilustrado pretende aproximar la ópera a los más pequeños y también a los adultos. Va acompañado por un cd.
The operas of the Italian composer Giuseppe Verdi are among the greatest achievements of nineteenth century culture and remain at the heart of the opera repertory today. His extraordinary works took the opera world by storm, transforming and dominating the world of opera for over 30 years. Verdi modified the rigid conventions of the bel canto style, which had previously depended on the showcasing of singers at the expense of dramatic values. He changed this system to form an overall dramatic masterpiece, giving the singers melody and brilliance in ample measure. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Verdi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Verdi’s masterworks * Learn about the operas that made Verdi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces that you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Verdi’s complete works and links to popular streaming services * Includes a selection of English translations of the librettos * Also features three biographies, including Frederick James Crowest’s seminal study — explore Verdi's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Oberto Un giorno di regno Nabucco Ernani I due Foscari Macbeth Il corsaro La battaglia di Legnano Luisa Miller Rigoletto Il trovatore La traviata Les vêpres siciliennes Inno delle nazioni Don Carlos Aida Messa da Requiem Falstaff Complete Compositions Index of Verdi’s Compositions The Librettos Rigoletto Il trovatore La traviata La Forza del Destino Aida The Biographies Verdi: Man and Musician, by Frederick James Crowest Giuseppe Verdi by Harriette Brower History of the Opera by Henry Sutherland Edwards Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Verdi came to Shakespeare through Italian translation and had never seen Macbeth on stage when he wrote his first version of the opera in 1847. Giorgio Melchiori draws a parallel between the conditions in which the playwright and the composer were working and compares their achievements. The supernatural was a vital element in both conceptions: the opera is "e;in the fantastic style"e;, with bizarre music for the witches' dances and choruses. Theatre historian Michael Booth vividly introduces the staging of Shakespeare in the nineteenth century. Harold Powers discusses how the dramatic situations lent themselves to the forms and purposes of Italian opera.Contents: 'Macbeth': Shakespeare to Verdi, Giorgio Melchiori; Making 'Macbeth' 'Musicabile', Harold Powers; 'Macbeth' and the Nineteenth-Century Theatre, Michael R. Booth; A Note on Shakespeare's 'Macbeth', August Wilhelm Schlegel; The Preface in the Ricordi Libretto; Piave's Intended Preface for the 1847 Libretto; Macbeth: Libretto by Francesco Maria Piave (1865); Macbeth: English translation by Jeremy Sams
Once Verdi had become Italy s preeminent opera composer, he created only a few compositions for instrumental soloists, most notably the String Quartet in E Minor. He originally wanted to keep the string quartet which was first performed in his hotel for a few friends private, but eventually he allowed its publication and it soon became well known all over Europe and the United States. Though several recordings are available and the piece is regularly featured in performances, all of them use later editions that do not live up to Verdi s intentions as recorded in his autograph score. This critical edition is based on that score, preserved at the Naples conservatory library, and the composer s own instructions for performance. Verdi wrote as gifts for admirers the three original piano pieces Romance sans paroles, Valzer, and Album Leaf for Francesco Florimo also included here, and these critical editions are based on the autograph scores or, in the case of Romance sans paroles, on photographs of the never-released original. Editor Gundula Kreuzer details the origins, sources, and performance questions of all these works in her skillful introduction, and her critical commentary explains editorial problems and solutions.
One of Verdi's most popular operas — a compelling musical drama of a beautiful courtesan redeemed by love. Reprinted from the authoritative edition prepared by G. Ricordi, Milan.
Annotation -- Engaging Commentary and Analysis about the composer, the opera and its characters.-- Story Narrative with Music Highlight Examples-- A complete Libretto (newly translated) that incorporates Music Highlight Examples-- A Discography-- A Videography-- A Dictionary of Opera and Musical TermsEach Opera Classics Library edition is a comprehensive guide and complete analysis and evaluation of a specific opera; each is a unique "encyclopedia" that integrates important and pertinent information about each timeless classic. The objective of Opera Classics Library is to unlock opera's mysteries for the general audience, and enlighten and educate. Understanding and knowledge are the master keys to enhance enjoyment and appreciation of this great art form.After the premier of Verdi's 26th opera, Aida, the venerable composer commented quite humorously, "Aida is certainly not one of my worst operas." Aida is a grand opera spectacle achieved through a magnificent combination of a large cast that includes six major singing roles, a huge chorus and orchestra, three ballets, exotic scenery, and oriental ambience. But more importantly, Aida is a story about profound human passions, towering emotions, and passions of individuals as they face conflicts and tensions of love, honor, and duty.
Although Verdi began sketching the music for Il corsaro in 1846, a lengthy illness forced him to postpone further work. He finally completed the score in early 1848, but the revolutions of that year delayed its first performance. When it finally premiered on 25 October at the Teatro Grande of Trieste, Verdi was in Paris and did not participate as usual in the production, which was poorly received. Though more successful in subsequent stagings, Il corsaro was soon eclipsed by the operas of the noted "trilogy" and fell from the repertory.The full score of "Il corsaro", published here for the first time, as well as recent revivals based on pre-publication proofs of this critical edition, reveal the work to be far more rewarding than even Verdi himself would later admit. Showing the gradual consolidation of Verdi's mature style through his contacts with French opera, "Il corsaro" well repays the renewed attention it is receiving.
Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian Romantic opera composer, best known for Rigoletto, Aida, and La Traviata -- which follows the life, lioves and death of a courtesan, Violetta, from tuberculosis. Francesco Maria Piave (1810-1876) was an Italian opera librettist who worked with many of the significant composers of his day, writing 10 libretti for Verdi.
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