This textbook represents a short update on original aspects of heart failure. It covers topics of heart failure management such as prevention, drug monitoring after heart transplant, and the critical care approach. There are also chapters on less common facets of this syndrome such as prevalence and features in a specific African region and the complexity of telemedicine in heart failure. In summary, it will be a valid adjunct to more exhaustive textbooks already available.
This book constitutes the refereed proceedings of the 14th International Colloquium on Structural Information and Communication Complexity, SIROCCO 2007, held in Castiglioncello, Italy in June 2007. The 23 revised full papers and four invited talks cover graph exploration, fault tolerance, distributed algorithms and data structures, location problems, wireless networks, fault tolerance, as well as parallel computing and selfish routing.
This book constitutes the refereed proceedings of the Third Italian Conference on Algorithms and Complexity, CIAC'97, held in Rome, Italy in March 1997. The 25 revised full papers included in the volume were carefully selected from a total of 74 submissions; also included is an invited paper and an invited abstract. All in all, the papers present an interesting snapshot of current research activities and recent results in theory and applications of sequential, distributed, and parallel algorithms, data structures, and computational complexity.
Tosca è un'opera lirica in tre atti di Giacomo Puccini, su libretto di Giuseppe Giacosa e Luigi Illica, una breve storia d'amore e di morte. Nella Roma del 1800 dopo il fallimento della Repubblica Romana, quando lo Stato Pontificio sta catturando i rappresentanti ed i sostenitori della Repubblica, le vite del pittore Mario Cavaradossi e della sua amante Tosca, incrociano Cesare Angelotti, patriota fuggito dalle carceri del Papa. Sulle tracce del fuggiasco c'è il capo della polizia pontificia, barone Scampia che, innamorato di Tosca, approfitta della situazione per conquistare la donna. L'opera drammatica finisce come deve finire una tragedia: muore il fuggiasco, muore il cattivo Scampia per mano di Tosca, muore il pittore ed infine muore Tosca suicida (Aonia edizioni).
Derived from the renowned multi-volume International Encyclopaedia of Laws, this practical analysis of the law of contracts in Italy covers every aspect of the subject - definition and classification of contracts, contractual liability, relation to the law of property, good faith, burden of proof, defects, penalty clauses, arbitration clauses, remedies in case of non-performance, damages, power of attorney, and much more. Lawyers who handle transnational contracts will appreciate the explanation of fundamental differences in terminology, application, and procedure from one legal system to another, as well as the international aspects of contract law. Throughout the book, the treatment emphasizes drafting considerations. An introduction in which contracts are defined and contrasted to torts, quasi-contracts, and property is followed by a discussion of the concepts of ‘consideration’ or ‘cause’ and other underlying principles of the formation of contract. Subsequent chapters cover the doctrines of ‘relative effect’, termination of contract, and remedies for non-performance. The second part of the book, recognizing the need to categorize an agreement as a specific contract in order to determine the rules which apply to it, describes the nature of agency, sale, lease, building contracts, and other types of contract. Facts are presented in such a way that readers who are unfamiliar with specific terms and concepts in varying contexts will fully grasp their meaning and significance. Its succinct yet scholarly nature, as well as the practical quality of the information it provides, make this book a valuable time-saving tool for business and legal professionals alike. Lawyers representing parties with interests in Italy will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative contract law.
The new wave of populism that has emerged over the last five years in Europe and in the US urgently needs to be better understood in a comparative and historical context. Using Italy – including the experiment of a self-styled populist coalition government – as a case study, this book investigates how populists in power borrow, use and manipulate categories of constitutional theory and instruments of constitutional law. Giuseppe Martinico goes beyond treating constitutionalism and populism as purely antithetical to dive deeply into the impact of populism on the activity of some instruments of constitutional democracy, endeavoring to explore their role as possible fora of populist claims and targets of populist attacks. Most importantly, he points to ways in which constitutional democracies can channel populist claims without jeopardizing the legacy of post-World War II constitutionalism. This book is aimed at academics and practicing lawyers interested in populism and comparative constitutional law.
This book constitutes the refereed proceedings of the 11th Annual European Symposium on Algorithms, ESA 2003, held in Budapest, Hungary, in September 2003. The 66 revised full papers presented were carefully reviewed and selected from 165 submissions. The scope of the papers spans the entire range of algorithmics from design and mathematical analysis issues to real-world applications, engineering, and experimental analysis of algorithms.
This study presents a new regional history of the middle Tiber valley as a lens through which to view the emergence and transformation of the city of Rome from 1000 BC to AD 1000. Setting the ancient city within the context of its immediate territory, the authors reveal the diverse and enduring links between the metropolis and its hinterland.
For fifty years, the first edition of The Italian Legal System has been the gold standard among English-language works on the Italian legal system. The book's original authors, Mauro Cappelletti, John Henry Merryman, and Joseph M. Perillo, provided not only an overview of Italian law, but a definition of the field, together with an important contribution to the general literature on comparative law. The book explains the unique "Italian style" in doctrine, law, and interpretation and includes an extremely well-written introduction to Italian legal history, government, the legal profession, and civil procedure and evidence. In this fully-updated and revised second edition, authors Michael A. Livingston, Pier Giuseppe Monateri, and Francesco Parisi describe the substantial changes in Italian law and society in the intervening five decades—including the creation and impact of the European Union, as well as important advances in comparative law methodology. The second edition poses timely, relevant questions of whether and to what extent the unique Italian style of law has survived the pressures of European unification, American influence, and the globalization of law and society in the intervening period. The Italian Legal System, Second Edition is an important and stimulating resource for those with specific interest in Italy and those with a more general interest in comparative law and the globalization process.
“I complain bitterly of the editions of my last operas, made with such little care, and filled with an infinite number of errors.”—Giuseppe Verdi The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer’s works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works. The Works of Giuseppe Verdi will be an invaluable standard reference work—a necessary acquisition for all music libraries and a joy to own for all lovers of opera. The new series of study scores presents an adaptation of each critical edition that provides scholars with an affordable and portable option for exploring Verdi’s oeuvre. The study scores have been designed to distinguish editors’ marks from Verdi’s own notations while remaining clear enough for use in performance. The introduction to each score discusses the work’s sources, composition, and performance history, as well as performance practices, instrumentation, and problems of notation. The newest editions of the study scores examine two of Verdi’s three-act operas: La traviata and Rigoletto.
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