Si percepisce fin dalle prime pagine il profondo intimismo di Senza Fine. Un romanzo che non è romanzo, fatto di liriche, saggi, brani. Una storia intricata costruita secondo il principio del flusso di coscienza. Immagini. Pensieri. Il grande legame che lega Govinda a Siddhartha. Gli amici, le feste a base di yagé, le tragedie, l‘obiettivo di diventare un bodhisattva, le esperienze extracorporee grazie all‘autoipnosi, l’Islanda. Senza Fine è simile a un mandala, fragile, dai mille significati. L‘opera possiede un’accurata inventiva stilistica e un linguaggio anticonformista che unisce le caratteristiche tipiche del Bildungsroman più mistico a quelle della narrativa «on the road» in cui le avventure e le oscenità sono elementi cardini del racconto.
The exhaustion of neoliberal globalization is marked by three great tendencies or inflections: the first is the scornful failure of the South-American attempt to construct a neo-developmentalist exit; the second is the increasingly unavoidable Chinese-effect macro and micro dynamics within globalization; the third is the combination of austerity policies and monetary emissions (Quantitative Easing) that characterize, for instance, the financial conduct of the Central European Bank. The dramatic failure to renew traditional state interventionism in the sphere of Pink Tide in Latin American politics—in particular with the violent recession of the biggest economy on the Latin American continent, Brazil—shows and confirms that the escape from neoliberal regulation does not pass through the return of the traditional role of the state. At the same time, the Chinese economy came to play a double role. On one hand, it appears to represent the great and irreversible novelty of neoliberal globalization, particularly when our point of perspective is South America. While almost nothing remains of the legacy of the center-left-leaning regimes, the last South American decade appears to have genuinely been a Chinese decade. The Chinese advance is seen, especially by voices of the critical globalization studies, as a new “outside” of Empire, as something that stands for an alternative path, even if it is nothing more than an “old new” outside. Meanwhile, the role played by the financial sector continues to be regarded per se as the fundamental problem of contemporary capitalism. For some, this is a case of a deviation from an otherwise “good capitalism, the misleading result of a fictitious and unreal sphere (as opposed to the sphere of material economy, of good old bosses and hard workers), while for others, it is a case of one of the moral characteristics of Western civilization: infinite debt, and capitalism happens to be its modern drift.
(Amadeus). An idealistic artist, a celebrated opera singer, and a corrupt police chief engage in a fierce battle of wills in this tempestuous tale of passion, intrigue, cruelty, and deception. Puccini's great melodrama may be set in 1800, amid the Napoleonic wars, but the conflicts between love and loyalty, the state and the individual, and hypocrisy and principle are anything but dated. Floria Tosca, the beautiful, glamorous singer who has all of Rome at her feet, is one of the iconic soprano roles in the Italian repertoire. She's caught between two men: her lover, the handsome painter Cavaradossi, who defies the law to hide a rebel friend; and the villainous Baron Scarpia, Rome's all-powerful chief of police, who will stop at nothing to crush the rebels and conquer Tosca for himself. This gripping story of torture, attempted rape, murder, suicide, and general mayhem is as thrilling and dramatic as anything seen on the operatic stage.
Castellammare di Stabia tra settecento e ottocento durante il periodo borbonico. Il Palazzo Reale di Quisisana, il Real Cantiere Navale, le Antiche Terme, le prime analisi chimiche delle acque termali, alcune figure di intellettuali, il Grand Tour.
Born in Naples, he spent his childhood in various Italian cities since his father was a banker. In Bologna he began to attend intellectual circles at Roberto Roversi 's renowned Palma Verde bookstore. It was in one of the magazines published by this cultural center that the first part of "James Joyce, Rome & Other Stories" was first published. He later worked for various radio producers, especially Radio Capodistria and the Italian Swiss Radio so he moved to Tuscany. Finally he was able to devote himself to reading and to pursue his literary work. His main literary influence was Calvin, author of extraordinary literary intellectual subtlety and intelligence. Giuseppe Cafiero continuously reads Borges, another great sublime, inimitable author who also worshiped Joyce. Yes, Joyce is intriguing, beautiful, but Borges ... Giuseppe Cafiero has written renditions, free adaptations, reductions for the radio, translations from French. The spectrum of names is extensive, from Shakespeare to O'Neill, from Raspe to Daudet, from Toller to Brecht. But his strongest point is the "bio-fiction," as this book about Joyce in Rome, another published in 2008 about Vincent van Gogh, and one about Monsieur Gustave Flaubert in 2010. The three characters were revolutionary in their own field. Van Gogh, with his extraordinarily beautiful explosion of colors. Joyce, who broke with the literary realism of the 1800's. Hence, his books boast a great command of his characters' voice thanks to his experience writing for the radio. Giuseppe Cafiero wrote such a program called "James Joyce in una notte in Valpurga" in 1990 and after that he finished the fictionalized story about Joyce's stay in Rome in 1906 and 1907. Giuseppe Cafiero lives in the Tuscan countryside, in Lucignano, Italy.
In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems--the cycle of the liberal arts, ethics, politics, and theology--interacted with poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias, especially in the twelfth and thirteenth centuries; the medieval classification of knowledge; the battle of the arts; the role of the imagination; the tension between knowledge and vision; and Dante's theological speculations in his constitution of what Mazzotta calls aesthetic, ludic theology. As a poet, Dante puts himself at the center of intellectual debates of his time and radically redefines their configuration. In this book, Mazzotta offers powerful new readings of a poet who stands amid his culture's crisis and fragmentation, one who responds to and counters them in his work. In a critical gesture that enacts Dante's own insight, Mazzotta's practice is also a fresh contribution to the theoretical literary debates of the present. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
James Joyce, Roma e altre storie" descrive i mesi in cui scrittore irlandese James Joyce ("Ulisse", "Finnegans Wake", "A Portrait of the Artist as a Young Man"), ha vissuto a Roma, tra il 1906 e il 1907. E' un rendiconto degli incontri tra Joyce e il detective Herr David Mondine, delle lettere scritte dal Mr. Joyce al suo fratello Stanislaus e di un diario tenuto da Herr Mondine, che costruisce una coinvolgente narrazione di quei giorni. Joyce, frustrato dalla vita che conduceva a Trieste - allora parte dell'Impero d'Austria-Ungheria - fugge, con Miss Nora Barnacle, una moglie non sposata, e con il loro figlioletto Giorgio, a Roma per una nuova avventura pur detestando questa città così devota a un ritualismo volgare e a una smodata pompa liturgica. Mr. Joyce si aggirerà per la città di Roma come un spaesato visitatore catturato da luoghi che trova orribili e spettrali e che si accontenta di sostare piacevolmente in taverne e locande per mangiare e bere. Nel suo vagabondare Joyce tratteggia sovente affascinanti analogie tra la sua nativa Dublino e Roma, fra una città legata a vecchi e bizzarri miti e un'altra segnata da glorie mummificate tra maestose rovine e orribili edifici eretti in onore di un nuovo secolo. "Il libro è arricchito da ben 140 foto d'epoca che mostrano personaggi e luoghi frequentati da James Joyce e da Mr. Davide Mondine, il suo alter ego" +++ "James Joyce, Roma y otras Historias" describir los meses en que el autor irlandés James Joyce ("Ulises", "Finnegans Wake", "Retrato del Artista como un Hombre Joven") vivió en Roma, entre 1906 y 1907. Narraciones de los encuentros entre Mr. Joyce y el detective Herr David Mondine, y las cartas escritas por Mr. Joyce a su hermano Stanislaus, así como el diario escrito por el Sr. David Mondine constituyen una emocionante reconstrucción de esos días. Joyce se siente frustrado con su vida en Trieste -entonces parte de Austria-Hungría y hoy parte de Italia-así que, acompañado por su mujer Nora Barnacle y su pequeño hijo Giorgio, sale huyendo de esa ciudad puerto en el Adriático en busca de nuevas aventuras en Roma, esa capital tan Católica, a la que llega a aborrecer por su vulgar ritualismo e inmoderada pompa litúrgica. Mr. Joyce vaga como un nómada de corazón capturado por una ciudad que encuentra horrenda y fantasmal y pasa el tiempo en tabernas y hosterías, comiendo y bebiendo. El artista encuentra fascinantes similitudes entre su nativa Dublín y Roma, hija legítima de una ciudad de mitos viejos y glorias momificadas, establecida entre ruinas majestuosas y edificios ridículos erigidos en honor de un nuevo siglo. El libro se enriquece con unas 140 fotografías antiguas que muestran a personas y lugares frecuentados por James Joyce y el Sr. David Mondine, su alter ego.
It used to be thought that Verdi miscalculated with this attempt at a "e;grand opera"e; in the French style. This guide demonstrates that Don Carlos was - and remains - an extraordinary achievement in melding two opposing visions of opera: the spectacular public aspect of the French tradition with the dramatic concision of the Italian. And because of the variety of versions which Verdi sanctioned, this debate is open-ended.Contents: A Grand Opera with a Difference, Julian Budden; Off the Beaten Track, Gilles de Van; "e;A Family Portrait in a Royal Household"e;: 'Don Carlos' from Schiller to Verdi, F.J. Lamport; Stendhal's 'Don Carlos': "e;The most moving opera ever written"e;, by Nicholas Cronk; Don Carlos: Grand Opera in Five Acts by Joseph Mery and Camille du Locle; Don Carlo: Italian translation by Achille de Lauzieres and Angelo Zanardini with additional material translated by Piero Faggioni; Don Carlos: English translation by Andrew Porter; Introduction by Jennifer Batchelor
Winton Dean relates how Otello came into being as much because of the persistence of Verdi's publisher as of the composer's lifelong passion for Shakespeare, and the collaboration of the brilliant poet Arrigo Boito. Benedict Sarnaker argues that this magnificent large-scale opera rivals Shakespeare in intensity and profundity. William Weaver's lively review of Shakespeare on the Italian stage in the last century enables us to make a wholly fresh appraisal of Verdi's stature as a dramatist. The libretto itself is a masterpiece, and Andrew Porter has also translated the third-act revision which Verdi came to prefer and which has not been performed outside France before the 1981 ENO production.Contents: 'Otello': The Background, Winton Dean; 'Otello': Drama and Music Benedict Sarnaker; Verdi, Shakespeare and the Italian Audience, William Weaver; Otello: Libretto by Arrigo Boito; Otello: English Translation by Andrew Porter
This book provides not only the theory of biostatistics, but also the opportunity of applying it in practice. In fact, each chapter presents one or more specific examples on how to perform an epidemiological or statistical data analysis and includes download access to the software and databases, giving the reader the possibility of replicating the analyses described.
In the age of aggressive and persuasive food globalization, all over the world one can see the slow but inexorable decline of local traditional food whilst uniform global cookery takes its place as a direct result of the globalizing tendencies. This book aims at show the English speaking people that our cuisine is high in quality, it is unadulterated and it guarantees a long healthy life.
From mass-produced lagers to craft-brewery IPAs, from beers made in Trappist monasteries according to traditional techniques to those created by innovative local brewers seeking to capture regional terroir, the world of beer boasts endless varieties. The diversity of beer does not only reflect the differences among the people and cultures who brew this beverage. It also testifies to the vast range of plants that help give different styles of beer their distinguishing flavor profiles. This book is a comprehensive and beautifully illustrated compendium of the characteristics and properties of the plants used in making beer around the world. The botanical expert Giuseppe Caruso presents scientifically rigorous descriptions, accompanied by his own hand-drawn ink images, of more than 500 species. For each one, he gives the scientific classification, common names, and information about morphology, geographical distribution and habitat, and cultivation range. Caruso provides detailed information about each plant’s applications in beer making, including which of its parts are employed, as well as its chemical composition, its potential toxicity, and examples of beers and styles in which it is typically used. The book also considers historical uses, aiding brewers who seek to rediscover ancient and early modern concoctions. This book will appeal to a wide audience, from beer aficionados to botany enthusiasts, providing valuable information for homebrewers and professional beer makers alike. It reveals how botanical knowledge can open new possibilities for today’s and tomorrow’s brewers.
Giuseppe Mazzotta provides both a powerful framework for reading the Decameron and an important contribution to medieval and contemporary debates in esthetics. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Verdi's Simon Boccanegra exists in two versions: that of the 1857 original and that of the 1881 revision. The texts of the libretto of both versions are included in this guide, with a number of essays which focus on the differences between the two. Rodolfo Celleti provides the story's historical context, setting the events of the real life of Simon Boccanegra against the unification of Italy, which formed the political backdrop to the composition of both versions of Verdi's opera. James A. Hepokoski gives a detailed synopsis of the 1881 score, and indicates the ways in which Verdi radically revised the original and reworked it to fit his late style. Lastly, Desmond Shawe-Taylor discusses Verdi's attitude to his singers, and the critical reception that performances of both versions of the opera received.This edition contains over twenty illustrations, a thematic guide and the texts of the libretti in the original with literal translations. There is also a bibilography, discography and DVD guide, together with a list of websites that will allow the reader to explore the opera further.Contents: An Historical Perspective, Rodolfo Celletti; An Introduction to the 1881 Score, James Hepokoski; Verdi and his Singers, Desmond Shawe-Taylor; Simon Boccanegra: Libretto by Francesco Maria Piave with additions by Giuseppe Montanelli and additions and alterations by Arrigo Boito; Simon Boccanegra: English translation by James Fenton
Written in easy, conversational English, ECCO! reviews and explains all major points of Italian grammar, with special attention to those areas that appear more foreign to English speakers. Emphasis is also placed on vocabulary enrichment. The book presents about 6,000 Italian words, grouped thematically by structural or grammatical characteristics, many of them illustrated by examples. It also includes about 1,000 Italian idioms (particular turns of phrase peculiar to the language) and lists all irregular forms of verbs and nouns. Students wanting to move beyond an elementary acquaintance with Italian will fi nd the book useful as a self-teaching tool, an adjunct to other textbooks or as a reference source
A lyric comedy unlike any other', wrote Verdi about his last opera. That the last work of a composer who was almost notorious for his preference for tragic and gloomy subjects should be a brilliant human comedy was and remains one of the wonders of music. Michael Rose considers its status in Italian comic opera tradition. Davis Cairns pours his enthusiasm for the piece into a detailed and illuminating musical analysis. Andrew Porter, whose translation almost matches Boito's original libretto for elegance and wit, explains the challenges and risks of the undertaking in his fascinating introduction.Contents: Introduction, Nicholas John; 'A Lyric Comedy Unlike Any Other', Michael Rose; 'Full of Nimble, Fiery and Delectable Shapes', David Cairns; Translating 'Falstaff', Andrew Porter; Falstaff: Libretto by Arrigo Boito; Falstaff: English Translation by Andrew Porter
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