From mass-produced lagers to craft-brewery IPAs, from beers made in Trappist monasteries according to traditional techniques to those created by innovative local brewers seeking to capture regional terroir, the world of beer boasts endless varieties. The diversity of beer does not only reflect the differences among the people and cultures who brew this beverage. It also testifies to the vast range of plants that help give different styles of beer their distinguishing flavor profiles. This book is a comprehensive and beautifully illustrated compendium of the characteristics and properties of the plants used in making beer around the world. The botanical expert Giuseppe Caruso presents scientifically rigorous descriptions, accompanied by his own hand-drawn ink images, of more than 500 species. For each one, he gives the scientific classification, common names, and information about morphology, geographical distribution and habitat, and cultivation range. Caruso provides detailed information about each plant’s applications in beer making, including which of its parts are employed, as well as its chemical composition, its potential toxicity, and examples of beers and styles in which it is typically used. The book also considers historical uses, aiding brewers who seek to rediscover ancient and early modern concoctions. This book will appeal to a wide audience, from beer aficionados to botany enthusiasts, providing valuable information for homebrewers and professional beer makers alike. It reveals how botanical knowledge can open new possibilities for today’s and tomorrow’s brewers.
In questo numero la parte monografica è dedicata al tema della rinuncia del Pontefice, con contributi sia di carattere storico che di diritto positivo di G. Boni, O. Condorelli, A. Errera, M. Ganarin, V. Gigliotti. La rivista presenta inoltre un intervento dal titolo Diritto e misericordia a firma di G. Dalla Torre; un approfondimento sul ruolo dell’economo diocesano di H. Pree, ed alcuni articoli di carattere storico di N. Alvarez de las Asturias, J. M. Cabezas Cañavate e S. A. Szuromi. Nota bibliografica sul diritto patrimoniale canonico di J. Miñambres.
In un medioevo tecnologico, un reduce di guerra si aggira smarrito alla ricerca di un impiego. Riceve la visita di un nano, che lo paga per un lavoro misterioso da svolgere. E' un errore di persona, che porterà il protagonista in un incubo. La sua storia si intreccia con quella di Selene, una donna selvatica, muta, che vive dentro un bosco accanto a una strana fortezza, e per un trauma subìto vede le persone in forma di nani ...
The sea is the limen between the known and the unknown, only the vital knowledge and its quest into the unknown allow man to free himself from the certainties and plunge into the abyss of knowledge. The path of knowledge is nothing but a journey, the journey ambitious man who has a goal to know and like the sea voyage, is always exposed to the risk of shipwreck. The sea and the shipwreck are metaphors of knowledge: the sea is the seat of knowledge, the wreck is the front door, the forced passage for knowledge.
This is the true story of Totò Riina, the Cosa Nostra boss who rose from nothing to become the most powerful man in Sicily. The picture emerges of a bloodthirsty, power-hungry monster who, despite his lowly beginnings, is able to outmanoeuvre the other Mafia chiefs and take control of the organisation. However, the story is not just that of Riina, but also of Sicily itself. D'Avanzo and Bolzoni have transformed a complex series of events spanning several decades into a gripping narrative. In prison for 18 years now, Totò Riina still remains the dictator of the Cosa Nostra. This book tells the haunting and disturbing tale, with thorough investigation and testimony of the Sicilian Corleone.
Tosca è un'opera lirica in tre atti di Giacomo Puccini, su libretto di Giuseppe Giacosa e Luigi Illica, una breve storia d'amore e di morte. Nella Roma del 1800 dopo il fallimento della Repubblica Romana, quando lo Stato Pontificio sta catturando i rappresentanti ed i sostenitori della Repubblica, le vite del pittore Mario Cavaradossi e della sua amante Tosca, incrociano Cesare Angelotti, patriota fuggito dalle carceri del Papa. Sulle tracce del fuggiasco c'è il capo della polizia pontificia, barone Scampia che, innamorato di Tosca, approfitta della situazione per conquistare la donna. L'opera drammatica finisce come deve finire una tragedia: muore il fuggiasco, muore il cattivo Scampia per mano di Tosca, muore il pittore ed infine muore Tosca suicida (Aonia edizioni).
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