While humanists agreed on identifying the main requirement of the historical genre with truthfulness, they disagreed on their notions of historical truth. Some authors equated historical truth with verisimilitude, thus harmonizing the quest for truth with other ingredients of their histories, such as their political utility and rhetorical aptness. Others, instead, rejected the notion of verisimilitude, identifying historical truth with factuality. Accordingly, they sought to produce bare and exhaustive accounts of all the things that pertained to their historical explorations, often resorting to innovative disciplines, such as archeology, philology, and the history of institutions. The humanist historiographical debate is especially significant because the notion of verisimilitude encompassed crucial elements required for the development of methods of critical assessment. By perceiving verisimilitude and factuality as irreconcilable, Quattrocento humanists reached a critical impasse—those who were interested in factual truth mostly lacked the means to ascertain it, while those that developed embryonic notions of historical criticism were not eminently concerned with the factual account of the past. This critical weakness exposed humanists to considerable risks, including that of accepting non-verisimilar historical forgeries passed off as factual. Such forgeries eventually served as a testing ground for sixteenth- and seventeenth-century scholars, who sought to restore factual truth by means of critical criteria grounded in verisimilitude, thus overcoming the humanist impasse. Historical Truth in Fifteenth-Century Italy addresses Renaissance history, philosophy, rhetoric, and jurisprudence to shed light on how humanists conceptualized truth and, more specifically, historical truth.
While humanists agreed on identifying the main requirement of the historical genre with truthfulness, they disagreed on their notions of historical truth. Some authors equated historical truth with verisimilitude, thus harmonizing the quest for truth with other ingredients of their histories, such as their political utility and rhetorical aptness. Others, instead, rejected the notion of verisimilitude, identifying historical truth with factuality. Accordingly, they sought to produce bare and exhaustive accounts of all the things that pertained to their historical explorations, often resorting to innovative disciplines, such as archeology, philology, and the history of institutions. The humanist historiographical debate is especially significant because the notion of verisimilitude encompassed crucial elements required for the development of methods of critical assessment. By perceiving verisimilitude and factuality as irreconcilable, Quattrocento humanists reached a critical impasseâ€"those who were interested in factual truth mostly lacked the means to ascertain it, while those that developed embryonic notions of historical criticism were not eminently concerned with the factual account of the past. This critical weakness exposed humanists to considerable risks, including that of accepting non-verisimilar historical forgeries passed off as factual. Such forgeries eventually served as a testing ground for sixteenth- and seventeenth-century scholars, who sought to restore factual truth by means of critical criteria grounded in verisimilitude, thus overcoming the humanist impasse. Historical Truth in Fifteenth-Century Italy addresses Renaissance history, philosophy, rhetoric, and jurisprudence to shed light on how humanists conceptualized truth and, more specifically, historical truth.
Alien DNA spawned humans, also an alien species on Earth. The gods are extra-terrestrials; in their image we are created. Humanoids were designed to serve as slave labour, given a short life span, and a severely stunted genetic code. We carry within encoded traits of violence, greed, rivalry, amongst others. There will always be wars, as we respond to a programmed pattern of behaviour, and cannot change. The ET gods regarded humans as a failed experiment, after trying to uplift their creation to no avail. The island of Atlantis gave rise to homo sapiens sapiens, and educated eartlings were in turn sent out to the colonies, in order to spread knowlege. Atlantis, up to its final destruction, is the epicenter of this record of events. The conflicts and forces causing its final demise are as relevant today as then. The story is narrated by the Et god Michael. It encompasses his love for Ondina, an earthling, and their children. It is a love story like any other, the story of a family, like any other family. Michael's friendship with Ondina's brother Rogan, and other humans, is part of his journey in understanding that deep down we are all the same.
This book presents an experimental and theoretical investigation of the interplay between information structure, word order alternations, and prosody in Italian. Left/right dislocations, focus fronting, and other reordering phenomena are analyzed, taking into account their morphosyntactic and prosodic properties. It is argued that a restricted set of discourse-related properties are inserted in the numeration as formal features. These discourse-related features drive the syntactic derivation and the formation of the prosodic representation in compliance with the T-model of grammar. Based on the cartographic approach, this study proposes a model of the syntax–prosody interface in which the phonological computation of prosody is fed by syntactically encoded properties of information structure. However, this computation is also governed by structural requirements intrinsic to the phonological domain, and thus, a bijective relation between information structure and prosodic representation is not guaranteed. The monograph will be of interest to any linguist concerned with syntax, information structure, and prosody.
Giuliano Pancaldi sets us within the cosmopolitan cultures of Enlightenment Europe to tell the story of Alessandro Volta--the brilliant man whose name is forever attached to electromotive force. Providing fascinating details, many previously unknown, Pancaldi depicts Volta as an inventor who used his international network of acquaintances to further his quest to harness the power of electricity. This is the story of a man who sought recognition as a natural philosopher and ended up with an invention that would make an everyday marvel of electric lighting. Examining the social and scientific contexts in which Volta operated--as well as Europe's reception of his most famous invention--Volta also offers a sustained inquiry into long-term features of science and technology as they developed in the early age of electricity. Pancaldi considers the voltaic cell, or battery, as a case study of Enlightenment notions and their consequences, consequences that would include the emergence of the "scientist" at the expense of the "natural philosopher." Throughout, Pancaldi highlights the complex intellectual, technological, and social ferment that ultimately led to our industrial societies. In so doing, he suggests that today's supporters and critics of Enlightenment values underestimate the diversity and contingency inherent in science and technology--and may be at odds needlessly. Both an absorbing biography and a study of scientific and technological creativity, this book offers new insights into the legacies of the Enlightenment while telling the remarkable story of the now-ubiquitous battery.
After Empires describes how the end of colonial empires and the changes in international politics and economies after decolonization affected the European integration process. Until now, studies on European integration have often focussed on the search for peaceful relations among the European nations, particularly between Germany and France, or examined it as an offspring of the Cold War, moving together with the ups and downs of transatlantic relations. But these two factors alone are not enough to explain the rise of the European Community and its more recent transformation into the European Union. Giuliano Garavini focuses instead on the emergence of the Third World as an international actor, starting from its initial economic cooperation with the creation of the United Nations Conference for Trade and Development (UNCTAD) in 1964 up to the end of unity among the countries of the Global South after the second oil shock in 1979-80. Offering a new - less myopic - way to conceptualise European history more globally, the study is based on a variety of international archives (government archives in Europe, the US, Algeria, Venezuela; international organizations such as the EC, UNCTAD, and the World Bank; political and social organizations such as the Socialist International, labour archives and the papers of oil companies) and traces the reactions and the initiatives of the countries of the European Community, but also of the European political parties and public opinion, to the rise and fall of the Third World on the international stage.
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