Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
Ischia is a portrait of an unnamed narrator and her friends: wandering through the margins of different cities, especially Buenos Aires, they search for purpose in an increasingly uncertain world. An intricate, gutsy, and raw novel, Ischia is populated with outsiders who navigate the vicissitudes of life in Argentina and the world. Ischia, the female narrator, is the youngest in a family of seven brothers and relates her experiences as she waits for a ride to the airport. Told through dizzying would-have, could-have conditionals, Ischia overlaps and blurs the past, present, and future of three young characters defined by lack of certainty or expectation. These three lives unfold between disenchantment and humor, and the narration transports readers into a world of memories, desires, and dreams. The novel advances lyrically through themes both solemn and lighthearted, shaping the contours of imagined, hilarious, and surreal experiences.
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