This new study introduces the reader into Lou Andreas-Salomé's critical and creative engagement with modern thought. Through detailed explorations of some of her major texts, Brinker-Gabler examines Andreas-Salomé's unique perspective within contemporary discourses attentive to meaning, perception, memory and the unconscious. Making use of conceptual frameworks of Irigaray and Benjamin, Freud and Kristeva, among others, Brinker-Gabler argues that Andreas-Salome displaces dominant visions of gender and sexuality, culture, religion, and creativity with multifaceted revisions through the female lens of a creative thinker. With her aesthetics of the "in-visible," as Brinker-Gabler calls it, Andreas-Salomé seeks to retrieve the multilayered past that is embedded in the present and to give positive accounts of sexual and cultural difference, experience, narcissism, and becoming.
In Germany as Model and Monster Gisela Argyle details allusions in English novels to German social, cultural, and political life. Such allusions serve as criticism of English life and of English conventions of fiction. Beginning her study with Thomas Carlyle's "Germanizing" efforts in the 1830s and ending before Hitler's Third Reich and the Holocaust, Argyle concludes that current global conceptions of Englishness and of national literatures have made this kind of comparison in fiction obsolete.
This new study introduces the reader into Lou Andreas-Salomé's critical and creative engagement with modern thought. Through detailed explorations of some of her major texts, Brinker-Gabler examines Andreas-Salomé's unique perspective within contemporary discourses attentive to meaning, perception, memory and the unconscious. Making use of conceptual frameworks of Irigaray and Benjamin, Freud and Kristeva, among others, Brinker-Gabler argues that Andreas-Salome displaces dominant visions of gender and sexuality, culture, religion, and creativity with multifaceted revisions through the female lens of a creative thinker. With her aesthetics of the "in-visible," as Brinker-Gabler calls it, Andreas-Salomé seeks to retrieve the multilayered past that is embedded in the present and to give positive accounts of sexual and cultural difference, experience, narcissism, and becoming.
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