The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.
The Conference OC Bologna 2000: Structure of the Nucleus at the Dawn of the CenturyOCO was devoted to a discipline which has seen a strong revival of research activities in the last decade. New experimental results and theoretical developments in nuclear physics will certainly make important contributions to our knowledge and understanding of Nature's fundamental building blocks. The interest aroused by the Conference among the scientific community was clearly reflected in the large number of participants. These represented the most important nuclear physics laboratories in the world. The Conference covered five major topics of modern nuclear physics: nuclear structure, nucleusOConucleus collisions, hadron dynamics, nuclear astrophysics, and transdisciplinary and peaceful applications of nuclear science. It reviewed recent progress in the field and provided a forum for the discussion of current and future research projects. Contents: Quark and GluonOCoPlasma Phase Transition and Relativistic Heavy-Ion Reactions; LiquidOCoGas Phase Transitions in Nuclear Matter; Nuclear Caloric Curve and Thermodynamics of Heavy Ion Collisions; Statistical and Dynamics Aspects of Fragmentation; Intermediate Energy Heavy-Ion Reactions; Reaction Mechanisms around the Barrier. Fusion and Fission in Heavy-Ion Reactions. Readership: Nuclear physicists.
This second volume in the seminal series on aerial combat, pilots, and tactics in Libya and Egypt in the middle of World War II. In volume two of this series, historian Christopher Shores begins by exploring the 8th Army’s movements after Operation Crusader when they were forced back to the Gazala area in northeastern Libya, as well as their defeat in June, 1942, the loss of Tobruk, and the efforts of Allied air forces to protect their retreating troops. Shores continues with the heavy fighting that followed in the El Alamein region. This features the Western Desert Air Force and the arrival of the first Spitfires. The buildup of both army and air forces and the addition of new commanders on the ground aided the defeat of Rommel’s Deutsche Afrika Korps at Alam el Halfa, after which came the Second Battle of El Alamein. With the arrival of the United States Army Air Force, the Allied air forces gained dominance over the Axis. Shores recounts the lengthy pursuit of the Italo-German forces right across Libya, including the capture of Tripoli and the breakthrough into Southern Tunisia. This allowed a linkup with other Allied forces in Tunisia (whose story appears in Volume 3). Included with the action are stories of some of the great fighter aces of the Desert campaign such as Jochen Marseille and Otto Schulz of the Luftwaffe, Franco Bordoni-Bisleri of the Regia Aeronautica and Neville Duke, Billy Drake, and “Eddie” Edwards of the Commonwealth air forces. Finally, Shores touches on the Allied and Axis night bombing offensives and the activities of the squadrons cooperating with the naval forces in the Mediterranean.
Risky Markets explores a crucial moment in marine insurance history, when tools to tackle risks are in the making. It accounts for one of the earliest attempts of a specialized insurance market is carried out in Renaissance Florence.
Among the numerous volumes dedicated to the Great War, this book stands out for its ability to trace, in a thorough but concise manner, an overall picture of the literature born from the conflict. After its introductory pages concerning the forms, times and places of war writing, the book focuses on the story of the months of the eve of the war, on the journey to the front and the discovery of the true face of war, on the stories of the trenches, on the accounts of the imprisonment, and on the return home accompanied by disappointment and disorientation. The book, focused on Italy, but rich in references to European literature, is a journey through history and the human soul, between hopes and fears, illusions and massacres. It is the story of an event that divided the collective history of Europe and individual lives. It is the account, passionate and exciting, of the literary writings born from trauma.
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