Professor Jaynie Anderson is an internationally recognised scholar, renowned for her research and publications on the Italian masters. On this occasion she has concentrated on one painting, the National Gallery of Victorias famous Banquet of Antony and Cleopatra by Giambattista Tiepolo. This glorious work of art, considered a centre-piece of the collection has recently undergone restoration in preparation for the re-opening of the National Gallery on St. Kilda Road in December 2003. Jaynie Anderson has collected together a previously under-examined range of Tiepolos drawings and studies - and other versions of the theme by Tiepolo and other Italian artists. She has woven them into the spectacular history of the painting, its production and its various owners prior to coming to Australia (including the Hermitage in St. Petersburg) - not to mention the fascinating stories of Antony and Cleopatra and their suicides, which the author has researched and retells in great detail and considerable passion. The book concludes with a chapter written by the National Gallery of Victorias conservators, John Payne and Carl Villis.
Giambattista Tiepolo (1696-1770) was the greatest Italian painter of the eighteenth century, best known for his monumental frescoes and epic altarpieces. The scale of these paintings is immense, even overpowering. Yet some of Tiepolo's finest work can be found in the small oil sketches that he often made in preparation for these grand commissions. Published to coincide with an exhibition at the J. Paul Getty Museum, Giambattista Tiepolo: Fifteen Oil Sketches brings together a group of the artist's oil sketches from the Courtauld Institute in London that spans his entire career and reveals the amazing confidence and fluidity with which he created these paintings. The unusual intimacy of these preparatory sketches-made directly on the canvas with no preliminary underdrawing-reveals a great artist's vigorous imagination at work. The exhibit will run from May 3, 2005, to September 4, 2005. An introductory essay situates these works within the context of eighteenth-century art and Tiepolo's life and career.
The last great artist of the Baroque era, Giovanni Battista Tiepolo was a master of the Rococo style. He decorated numerous palaces across Europe with frescoes full of turbulent movement and vibrant colour. He excelled in painting magnificent ceiling frescoes, summoning aerial visions of the ancient world that have never been matched in their depth of expression and sheer scale of achievement. The inventiveness and variety that characterise his fresco cycles secure his place in the pantheon of great artists, continuing the tradition of Giotto and Michelangelo. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Tiepolo’s collected works, with concise introductions and hundreds of high quality images. (Version 1) * The collected paintings of Giovanni Battista Tiepolo – over 400 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Tiepolo’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view CONTENTS: The Highlights Scipio Africanus Freeing Massiva (c. 1720) Allegory of the Power of Eloquence (c. 1725) Frescoes for the Archbishop’s Palace, Udine (c. 1726) The Education of the Virgin (1732) The Virgin in Glory with Saints (1734) Jupiter and Danaë (1736) Saint Clement Adoring the Trinity (1736) The Institution of the Rosary (c. 1739) Armida Encounters the Sleeping Rinaldo (1742) The Transportation of the Holy House of Loreto (1744) The Banquet of Cleopatra (1744) Allegory of the Planets and Continents (c. 1753) The Death of Hyacinth (1753) Young Lady in a Tricorn Hat (c. 1760) Apollo Pursuing Daphne (c. 1760) The Apotheosis of Aeneas (1766) The Rest on the Flight into Egypt (c. 1770) The Paintings The Collected Paintings Alphabetical List of Paintings
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
Spotlights the graphic abilities of Giambattista Tiepolo's most famous son and closest collaborator. The catalogue accompanied an exhibition arranged in collaboration with the Indiana University Art Museum. Four essays pertaining to the artist and his work are followed by color and bandw reproductions and commentary. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
This volume, which accompanies the tricentenary exhibition of Tiepolo's work held at the Museo del Settecento Veneziano, Ca' Rezzonico in Venice and The Metropolitan Museum of Art in New York, explores the various aspects of Tiepolo's artistic production. In essays and in entries on every work shown, eight American and European authorities illuminate his formation (still poorly understood); his mastery of mythological and poetic subjects; his deeply moving religious pictures; his rare excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas - realized in dazzling small-scale oil sketches - to large canvases and frescoes. Written for the scholar and general reader alike, these texts are lavishly supported by illustrations of Tiepolo's works and those of his predecessors and contemporaries. A documented chronology of Tiepolo's life and art, detailed provenances, references, and a bibliography are provided.
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