Measurement plays a fundamental role both in physical and behavioral sciences, as well as in engineering and technology: it is the link between abstract models and empirical reality and is a privileged method of gathering information from the real world. Is it possible to develop a single theory of measurement for the various domains of science and technology in which measurement is involved? This book takes the challenge by addressing the following main issues: What is the meaning of measurement? How do we measure? What can be measured? A theoretical framework that could truly be shared by scientists in different fields, ranging from physics and engineering to psychology is developed. The future in fact will require greater collaboration between science and technology and between different sciences. Measurement, which played a key role in the birth of modern science, can act as an essential interdisciplinary tool and language for this new scenario. A sound theoretical basis for addressing key problems in measurement is provided. These include perceptual measurement, the evaluation of uncertainty, the evaluation of inter-comparisons, the analysis of risks in decision-making and the characterization of dynamical measurement. Currently, increasing attention is paid to these issues due to their scientific, technical, economic and social impact. The book proposes a unified probabilistic approach to them which may allow more rational and effective solutions to be reached. Great care was taken to make the text as accessible as possible in several ways. Firstly, by giving preference to as interdisciplinary a terminology as possible; secondly, by carefully defining and discussing all key terms. This ensures that a wide readership, including people from different mathematical backgrounds and different understandings of measurement can all benefit from this work. Concerning mathematics, all the main results are preceded by intuitive discussions and illustrated by simple examples. Moreover, precise proofs are always included in order to enable the more demanding readers to make conscious and creative use of these ideas, and also to develop new ones. The book demonstrates that measurement, which is commonly understood to be a merely experimental matter, poses theoretical questions which are no less challenging than those arising in other, apparently more theoretical, disciplines.
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
These rare 17th-century views of celebrated Roman fountains and gardens constitute some of the finest landscape drawings of the Italian Baroque period. This is the only edition in print of these outstanding engravings.
This is a true story, happened in France in the XVIII century. It talks about the hunt, lasted for a good four years, against a mysterious anthropophagous beast, which plunged into terror the poor people of the Gevaudan and of the Auvergne, today Lozere. This is the story of the men in charge of killing what was simply nicknamed the Beast, of the strategies which were carried out, of the beatings that were made even with dozens of thousands of men and many packs of dogs, of the long posts in the wild mountains of that area with such a terrible climate, so described: "Nine months of winter, three months of hell." In spite of the soldiers and the famous hunters sent by the King of France, the monstrous beast continued committing slaughters most of all of women and children, attacking hundreds of times and making at least 131 victims, many of which were devoured. Only after years of terror the Beast was finally killed and they were able to ascertain which species it belonged to.
The family book, a kind of diary written by and about the family for its various members, was established by scholars as a genre in Italy in the 1980s. Although initially regarded as an Italian genre, the family book can also be found in other parts of Europe. Nevertheless, the genre can be traced back to Florence, where it first emerged and consequently flourished with the lavish production of such documents. This abundance springs from the social structure of the city, where such texts were essential for establishing and cultivating the basis for the social promotion of Florentine families. This book presents a reconstruction of the evolution and persistency of Tuscan family books, as well as a study of several aspects of social history, including: reading and private libraries, domestic devotion, and the memory of historical events. Starting with the Renaissance, the investigation then broadens to the 17th-18th centuries and considers other forms of memory, such as private diaries and autobiographies. A final section is dedicated to the issue of memory in the egodocuments of early modern Europe. This book was translated by Susan Amanda George.
This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.
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