Walking around the commercial streets of New York, San Francisco, Milan, London, or Paris and looking at the succession of multinational chain stores’ windows, you can easily forget what country you are in. However, if you hear the small talk among the employees, you hear very different stories. In New York, a 30-year-old woman is worried because she does not know if she will work enough hours to make a living the following week—whereas, in Milan, a mother of the same age knows she will work 20 hours a week but is concerned about whether her contract will be renewed at the end of the following month. Following three years of fieldwork, which included 100 in-depth interviews with front-line retail workers and unionists in New York City and Milan, Front-Line Workers in the Global Service Economy investigates both the lived experiences of salespersons in the "fast fashion" industry—a retail sector made of large chains of stores selling fashion garments at low prices—and the possibilities of collective action and structured forms of resistance to these global trends. In the face of economic globalization and vigorous managerial efforts to minimize labor costs and to standardize the retail experience, mass fashion workers’ stories tell us how strong the pressure toward work devaluation in low-skilled service sectors can be, and how devastating its effects are on the workers themselves.
Walking around the commercial streets of New York, San Francisco, Milan, London, or Paris and looking at the succession of multinational chain stores’ windows, you can easily forget what country you are in. However, if you hear the small talk among the employees, you hear very different stories. In New York, a 30-year-old woman is worried because she does not know if she will work enough hours to make a living the following week—whereas, in Milan, a mother of the same age knows she will work 20 hours a week but is concerned about whether her contract will be renewed at the end of the following month. Following three years of fieldwork, which included 100 in-depth interviews with front-line retail workers and unionists in New York City and Milan, Front-Line Workers in the Global Service Economy investigates both the lived experiences of salespersons in the "fast fashion" industry—a retail sector made of large chains of stores selling fashion garments at low prices—and the possibilities of collective action and structured forms of resistance to these global trends. In the face of economic globalization and vigorous managerial efforts to minimize labor costs and to standardize the retail experience, mass fashion workers’ stories tell us how strong the pressure toward work devaluation in low-skilled service sectors can be, and how devastating its effects are on the workers themselves.
On the day after the tragic terrorist attacks of 9/11, newspapers across Europe proclaimed, We Are All Americans in many different languages, crystallizing the solidarity that so many people around the world felt at that time. But in the years since, that beautiful friendship between Americans and Europeans evaporated, leaving in its place a growing resentment so deep that Americans traveled overseas with Canadian flags stitched to their backpacks while Europeans held candlelight vigils for the removal of President George W. Bush. Dell'Orto argues persuasively that the answer to the question of where do we go from here lies in whether non-Americans keep believing in the American dream. Only if that dream continues to be the root of America's power—as this book shows it has been since the United States first stepped onto the international stage—can America not go the way of all other superpowers in history: down and out. Through analysis of thousands of Western European media articles and government publications about the United States, this book, for the first time, shows what the essence of America is to non-Americans and why that matters to Americans in a very practical way—because it sets limits to what the nation can accomplish. Dell'Orto argues persuasively that Europe's United States is the revered concept America—the exceptional dream that the land of (plenty of) opportunity can really exist, that the experiment in democracy can really work for all those who choose to become Americans. This is a great U.S. asset, since it makes America uniquely powerful in Europe's eyes, infinitely mightier than the march of Marines and McDonald's alone would warrant. Herein lie the uniqueness and the urgency of this book. European public opinion shape's Europe's reaction at least as much as U.S. actions do.
This textbook offers a unique introduction to hydraulics and fluid mechanics through more than 100 exercises, with guided solutions, which students will find valuable in preparation for their preliminary or qualifying exams and for testing their grasp of the subject. In some exercises two different solution methods are proposed, to highlight the fact that the level of complexity of the calculations is often linked to the choice of method, though in most cases only the simplest method is presented. The exercises are organized by subject, covering forces on planes and curved surfaces; floating bodies; exercises that require the application of linear and angular momentum balancing in inertial and non-inertial references; pipeline systems, with particular applications to industrial plants; hydraulic systems with machines (pumps and turbines); transient phenomena in pipelines; and uniform and gradually varied flows in open channels. The book also features appendices that contain selected data and formulas of practical interest. Instructors of courses that address one or all of the above topics will find the exercises of great help in preparing their courses, while researchers will find the book useful as an accessible summary of the topics covered.
The Halfords' book is an achievement. For the first time ever, any Westerner who reads English can obtain a real insight into the plots and stories, the texts and characteristics of Kabuki dramas, and in terms which a Western-trained mind can readily understand. For this the entire Kabuki world must be grateful." -- From the Foreword by Faubion Bowers, author of Japanese Theatre and Theatre in the East Kabuki has been described as "in the main, the finest theatre art in the world," and its ever-growing popularity both in Japan and abroad bears witness to its tremendous dramatic effectiveness. The fact that many persons tend to regard it as mere spectacle, thus missing the greater part of its moving appeal, has been due to the lack of any key to the intricacies of its plots and its unfamiliar stage conventions. Here at last is a genuine key, one which opens wide vistas of understanding and appreciation. Included here are lucid synopses and crystal-clear explanations of the hundred odd plays which form the backbone of the classical Kabuki repertoire and constitute over twice that many individual program items. Equally as valuable as the synopses are the informative and entertaining Notes explaining the many points that have proved perplexing to the non-Japanese spectator. Both synopses and notes are provided with a careful system of cross references and an indispensable index, all making for ready use and saving the spectator from "dwelling so much on some minor, but incomprehensible, point that the thread of the drama is lost." Kabuki is drama -- drama par excellence -- and now, thanks to this invaluable handbook, may at last be enjoyed as such. The authors have well fulfilled their aim of allowing the playgoer to concentrate on the performance and appreciate both the Kabuki actor's amazing virtuosity and the unique art of the Kabuki theatre.
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