Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.
Revered as the father of European painting and the first of the great Italian masters, Giotto di Bondone was the leading Italian painter of the fourteenth century, whose pioneering works would lead on to the innovations and wonders of the High Renaissance. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Giotto’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Giotto — over 200 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Giotto’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Features three bonus biographies - discover Giotto's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights LIFE OF ST. FRANCIS — Assisi, Upper Church BADIA POLYPTYCH CRUCIFIX OF RIMINI SCENES FROM THE LIFE OF JOACHIM — Padua, Arena Chapel SCENES FROM THE LIFE OF THE VIRGIN — Padua, Arena Chapel SCENES FROM THE LIFE OF CHRIST — Padua, Arena Chapel VIRTUES AND VICES — Padua, Arena Chapel LAST JUDGMENT — Padua, Arena Chapel OGNISSANTI MADONNA SCENES FROM THE LIFE OF MARY MAGDALEN — Assisi, Lower Church SCENES FROM THE LIFE OF CHRIST — Assisi, Lower Church SCENES FROM THE LIFE OF ST. FRANCIS — Florence, Bardi Chapel SCENES FROM THE LIFE OF JOHN THE BAPTIST — Florence, Peruzzi Chapel STEFANESCHI ALTARPIECE MADONNA AND CHILD (WASHINGTON) BOLOGNA POLYPTYCH GIOTTO’S CAMPANILE The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Biographies GIOTTO by Giorgio Vasari GIOTTO AND HIS WORKS IN PADUA by John Ruskin GIOTTO by Harry Quilter Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
At the end of a program of restoration that lasted an incredibly short time, but for which preparations had been made down to the smallest detail over twenty years of scientific investigation, historical research, laboratory experimentation, essays, trials and monitoring, one of the most fundamental cornerstones and certainly the most dazzling incunbala of modern European painting has been reopened to the public. Preceded by long and complex preparatory work on the building and the surroundings, the intervention of conservation on the mural decoration has made it possible to arrest the acceleration of the process of decay. This decay was chiefly the result of the combined action of damp and pollution, but had been further aggravated by the use of unsuitable restoration materials during the intervention carried out in the early sixties. Once the problem that had prompted the decision to intervene on Giotto's cycle had been resolved, it was thought only proper to respond to the need to restore the paintings as much as possible to their original state. The result has been to render the revolutionary spatial layout of the work more legible, along with the formal values through which Giotto expressed himself, in particular the quality of his coloring, something that is usually (and inexplicably) undervalued. But several genuine discoveries have also emerged, such as his use of the technique required to make mock marble ("marmorino" or "Roman stucco") and of oil to "bind" the white lead, which as a consequence has not undergone any process of alteration. This has revealed, at an unparalleled level (at least as far as our current knowledge is concerned), effects of sunlight orluminosity that it would be hard to regard as produced by chance.
This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly-detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins, and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography, and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century.
This book, first published in 1933, reproduces the diary of the 1930 explorations by the great Italian traveller, Giotto Dainelli. In it he records his experiences as he travels the little-explored (by Westerners) region of Western Tibet, and the result is a detailed snapshot of Tibetan life, cultures and customs of the time.
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