One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Giorgio Morandi was one of the most admired Italian painters of the 20th century and is considered the quintessential 'artist's artist'. This volume is published to accompany a detailed exhibition that gives an incite into the mind of an enigmatic, almost obsessive and highly respected artist.
Giorgio Bassani’s acclaimed novel of unrequited love and the plight of the Italian Jews on the brink of World War II has become a classic of modern Italian literature. Made into an Academy Award—winning film in 1970, The Garden of the Finzi—Continis is a richly evocative and nostalgic depiction of prewar Italy. The narrator, a young middle-class Jew in the Italian city of Ferrara, has long been fascinated from afar by the Finzi-Continis, a wealthy and aristocratic Jewish family, and especially by their daughter Micol. But it is not until 1938 that he is invited behind the walls of their lavish estate, as local Jews begin to gather there to avoid the racial laws of the Fascists, and the garden of the Finzi-Continis becomes an idyllic sanctuary in an increasingly brutal world. Years after the war, the narrator returns in memory to his doomed relationship with the lovely Micol, and to the predicament that faced all the Ferrarese Jews, in this unforgettably wrenching portrait of a community about to be destroyed by the world outside the garden walls.
This volume, now available in English, explores how Mesopotamia’s urban revolution in the late fourth millennium B.C. shaped a new mentality, leading to new forms of social interaction, and to the development of the state, its laws and its religion to consolidate new managerial hierarchies in the region. How is it that the phenomenon of the state, a society structured along lines of power that frame individuals in a new supra-organism, suddenly came into being during the fourth millennium B.C.? In this book, Buccellati explores the emergence of statehood and power structures in ancient Mesopotamia against the background of the long prehistoric period. It was the arena in which the earliest cities and states were born and that offers us the first and richest documentation of the development of political life in antiquity. This book provides rich documentation of the causes that led to the formation of the territorial state, tracing its evolution from city-states to universal empires from ca 3500 B.C. to 500 B.C. At the same time, it examines the tension between individual rights and supra-personal systems of power during this period and explores new forms of social interaction that coincided with the economic dimension of the urban revolution. This paradigmatic history, newly translated into English for Anglophone readers, offers a key to understanding modern political forms and their transformations. At the Origins of Politics provides a thorough examination of the development of the state in ancient Mesopotamia, suitable for students, scholars, and researchers working on Near Eastern history and society, and ancient societies and politics more broadly.
Robinson Sr. by Pier-Giorgio Tomatis The aliens are back. Save yourself ... Robinson Sr. If you thought that the aliens of Blue Paradise were missing, you will have to change your mind. They are back. More deadly than ever. They still want our planet and they don't care about the fate of its inhabitants. Our only luck is to have Peter Cruise among us: the human who is the greatest killer of aliens in the entire Universe. Will it be enough to save us?
Global experts, in conjunction with the International Association for the Study of Lung Cancer, bring you up to date with today's best approaches to lung cancer diagnosis, treatment, and follow-up. IASLC Thoracic Oncology, 2nd Edition, keeps you abreast of the entire scope of this fast-changing field, from epidemiology to diagnosis to treatment to advocacy. Written in a straightforward, practical style for the busy clinician, this comprehensive, multidisciplinary title is a must-have for anyone involved in the care of patients with lung cancer and other thoracic malignancies. - Offers practical, relevant coverage of basic science, epidemiology, pulmonology, medical and radiation oncology, surgery, pathology, palliative care, nursing, and advocacy. - Provides authoritative guidance from the IASLC – the only global organization dedicated to the study of lung cancer. - Includes new content on molecular testing, immunotherapy, early detection, staging and the IASLC staging system, surgical resection for stage I and stage II lung cancer, and stem cells in lung cancer. - Features a new full-color design throughout, as well as updated diagnostic algorithms. - Expert ConsultTM eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, Q&As, and references from the book on a variety of devices.
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