Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi examines the recurrence of violent body figuration in the fiction of Pynchon, Puig, and Volponi, and also in the fiction of several other postmodern authors who published their literature during the last quarter of the twentieth century. Different as they may be, these authors engage in analogous representative strategies, as their prose is frequently and similarly disrupted by obscene images of wounded, torn, or deformed bodies. In their mix of irony and morbidity, in the hyper-reality of their depiction, in the unwarranted, apparently random nature of their occurrence, these shocking outbreaks exemplify an uncompromisingly «irritable» style which is one fundamental element of postmodernist representation. The author argues how through their fascination with obscene material, these writers address burning issues about the significance of the corporeal in a seemingly discourse-defined universe. This book is a great resource for literary graduate students who are interested in a comparative approach to contemporary literature.
Il confine orientale può essere considerato come uno spazio in cui per secoli si sono intrecciate e sovrapposte molteplici frontiere, di natura politica, culturale, religiosa e infine nazionale. Un luogo non solo fisico, in quanto parte dell’Adriatico e in sostanza limine fra la penisola italiana e quella balcanica, ma anche cesura tra l’Europa occidentale e quella orientale in senso generico. Proprio in quanto superficie di rottura, il confine orientale rimane certamente un nodo caratteristico nella storia d’Italia. Collocato geograficamente dalle sponde del fiume Isonzo alla displuviale alpina orientale, racchiude il Carso (triestino e goriziano) e la penisola istriana sino a Fiume e al litorale dalmata con i suoi arcipelaghi di isole fino a Cattaro. In esatta sintonia con i numerosi contrasti confinari avvenuti in Europa fra la seconda metà del XIX secolo e la prima del XX, la storia del confine orientale italiano perdura come tentativo emblematico di fissare all’interno di una regione multiforme ed eterogenea per vicende e popoli una frontiera egemonica. Limite mutevole perché sempre fissato su termini ideologici e proprio per questo di perpetua ardua demarcazione. Nel più generale panorama storiografico sulla questione, il volume intende porsi quale strumento accessibile anche a un pubblico non specialistico interessato alle tematiche istriano-dalmate. Dalla pace di Campoformio ai fermenti irredentisti di fine Ottocento, dalle rivendicazioni seguite alla Grande guerra sino alla politica fascista e all’esodo giuliano, il saggio approfondisce lo scenario diplomatico internazionale con le sue implicazioni - prima e dopo - la Seconda guerra mondiale per seguire (grazie a una ricca messe di riferimenti bibliografici italiani e stranieri) l’evolversi delle contese per la definizione confinaria. L’autore considera i molti aspetti endogeni ed esogeni in costante azione nell’area considerata, giungendo all’epoca più recente, dopo la crisi della Jugoslavia, ed esaminando i rapporti con l’Unione europea, la cooperazione interstatale e la politica culturale in atto fra Italia, Slovenia e Croazia.
Testo scientifico per infermieri si Sala Operatoria. Analizza aspetti generali della chirurgia ortopedico/traumatologica e aspetti specifici per una adeguata assistenza chirurgica. Per studenti e infermieri di Sala Operatoria.
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.
Profili giuridici ed economici del bilancio d'esercizio delle società di capitali (corporations) operanti negli Stati Uniti d'America. Vengono delineate le norme federali e statali applicabili, i principali principi contabili U.S. Gaap, e le problematiche che si riscontrano tra le società quotate (public company) e società non quotate. Inoltre viene trattato il bilancio d'esercizio, nell'Unione Indiana, la Rep. Popolare Cinese e la Svizzera. Legal and economic profile of the financial statements about the corporations operating in the United States of America . This book outline the applicable federal and state Acts, Statutes and regulations, the main US GAAP accounting standards, and the problems that exist between the listed companies (public company) and non-listed companies . Also it is outlined the financial statements in the Indian Union, in the Popular Rep. of China and Switzerland.
The volume presents the results of a research project (named “Legafight”) funded by the Luxembourg Fond National de la Recherche in order to verify if and how digital tracing applications could be implemented in the Grand-Duchy in order to counter and abate the Covid-19 pandemic. This inevitably brought to a deep comparative overview of the various existing various models, starting from that of the European Union and those put into practice by Belgium, France, Germany and Italy, with attention also to some Anglo-Saxon approaches (the UK and Australia). Not surprisingly the main issue which had to be tackled was that of the protection of the personal data collected through the tracing applications, their use by public health authorities and the trust laid in tracing procedures by citizens. Over the last 18 months tracing apps have registered a rise, a fall, and a sudden rebirth as mediums devoted not so much to collect data, but rather to distribute real time information which should allow informed decisions and be used as repositories of health certifications.
Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi examines the recurrence of violent body figuration in the fiction of Pynchon, Puig, and Volponi, and also in the fiction of several other postmodern authors who published their literature during the last quarter of the twentieth century. Different as they may be, these authors engage in analogous representative strategies, as their prose is frequently and similarly disrupted by obscene images of wounded, torn, or deformed bodies. In their mix of irony and morbidity, in the hyper-reality of their depiction, in the unwarranted, apparently random nature of their occurrence, these shocking outbreaks exemplify an uncompromisingly «irritable» style which is one fundamental element of postmodernist representation. The author argues how through their fascination with obscene material, these writers address burning issues about the significance of the corporeal in a seemingly discourse-defined universe. This book is a great resource for literary graduate students who are interested in a comparative approach to contemporary literature.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.