This book provides a comprehensive and up-to-date overview of the continuously evolving field of dual-energy CT (DECT). An introductory section presents information on the physical and technical background of DECT and considers nonspecific and specific software advantages. Clinical applications of DECT in the evaluation of retroperitoneal viscera are then addressed in detail with the help of high-quality illustrations. Particular attention is devoted to the most recent DECT study protocols, software, and applications in aortic, renal, pancreatic, and adrenal disease. A number of case studies are reported that elucidate the advantages of DECT, and the relevant literature is extensively discussed. The book closes by considering radiation dose and dose-saving measures. The simple and practical approach offered by this book will assist radiologists in the optimal routine use and interpretation of DECT in different retroperitoneal sites and radiology technologists in the choice of settings and parameters.
Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic—the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives - daunting because of its sheer magnitude - has remained relatively obscure to English-speaking theatre historians.
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