* 2021 Foreword INDIES, Finalist * 2022 IPPY MEDALISTS for Essay, bronze "A Best Book of 2021" —NPR "A Most Anticipated Book of 2021” —Refinery29, Thrillist, Book Riot, Lit Hub “In a horror movie, an infected character may hide a bite or rash, an urge, an unwellness. She might withdraw or act out, or behave as if nothing is the matter, nothing has happened. Any course of action opposite saying how she feels suggests suffering privately is preferable to the anticipated betrayal of being cast out.” Night Rooms is a poetic, intimate collection of personal essays that weaves together fragmented images from horror films and cultural tropes to meditate on anxiety and depression, suicide, body image, identity, grief, and survival. Whether competing in shopping mall beauty pageants, reflecting on childhood monsters and ballet lessons, or recounting dark cultural ephemera while facing grief and authenticity in the digital age, Gina Nutt’s shifting style echoes the sub-genres that Night Rooms highlights—spirit-haunted slow burns, possession tales, slashers, and revenge films with a feminist bent. Refracting life through the lens of horror films, Night Rooms masterfully leaps between reality and movies, past and present—because the “final girl’s” story is ultimately a survival story told another way. The audiobook of Night Rooms is available now, and narrated by the author.
After reading Gina Keicher's luminous collection of poems, I found myself thinking about America and about family, and about how those two words, so innocuous, so iconic and full of clear blue skies and yellow cornfields and white farm houses, how if they were pinned to a board and sliced in two, one could see the honeycombs of sadness and suffering and strangeness that would reveal themselves in cross section under close inspection, and I understood the woman in one of Gina's poems, who 'shined a bright light inside the cut to learn about sight, ' suddenly aware of the underlife. Attention to detail, unbridled imagination: these are the things of poetry, and they reside here in abundance at the nexus between the subconscious and the conscious, in the half-sleep, the waking dream, splat in the middle of the unsolved mystery of being alive." - Christopher Kennedy, author of Ennui Prophet// " 'All these colliding frequencies, ' Gina Keicher says in the gorgeous long poem, 'The General, ' that appears at the final section of this remarkable debut. Keicher herself is a radio that pulls in the escaping signals from the sideshows, peepshows, carnivals and sleeping nocturnal brains of America. It's complex and strange and endlessly fascinating. There is a weird connectivity and fearless fundamental seeking that goes on here where 'something always goes off' the family volcano, a pistol, a poem. These explorations are introductions into a body of knowledge which is also a body of mystery. Keicher kisses and wrestles her angels [her angles?] into submission, into a state of animal awareness." - Bruce Smith, author of Devotions// "You are holding more than a book of poems. These are missives from different dimensions, vital instructions to the moment; these are dreams floating in the atmosphere above us, transmuting the ordinary. Gina Keicher'sWilderness Champion lives up to its name and beyond. By reading this book you've already won something: a profound understanding of the human, the animal, and the mystical via a singular, fresh imagination." - -Ashley Farmer, author of Beside Myself
* 2021 Foreword INDIES, Finalist * 2022 IPPY MEDALISTS for Essay, bronze "A Best Book of 2021" —NPR "A Most Anticipated Book of 2021” —Refinery29, Thrillist, Book Riot, Lit Hub “In a horror movie, an infected character may hide a bite or rash, an urge, an unwellness. She might withdraw or act out, or behave as if nothing is the matter, nothing has happened. Any course of action opposite saying how she feels suggests suffering privately is preferable to the anticipated betrayal of being cast out.” Night Rooms is a poetic, intimate collection of personal essays that weaves together fragmented images from horror films and cultural tropes to meditate on anxiety and depression, suicide, body image, identity, grief, and survival. Whether competing in shopping mall beauty pageants, reflecting on childhood monsters and ballet lessons, or recounting dark cultural ephemera while facing grief and authenticity in the digital age, Gina Nutt’s shifting style echoes the sub-genres that Night Rooms highlights—spirit-haunted slow burns, possession tales, slashers, and revenge films with a feminist bent. Refracting life through the lens of horror films, Night Rooms masterfully leaps between reality and movies, past and present—because the “final girl’s” story is ultimately a survival story told another way. The audiobook of Night Rooms is available now, and narrated by the author.
This critical Flora provides a definitive account of the native species, naturalised species, frequent garden escapes and casuals found in the British Isles. Full keys and descriptions should enable the user to name all plants occurring in the wild, plus some ornamental trees and shrubs. For the first time detailed accounts of all the large apomictic genera are given and many infraspecific variants included. Each species entry begins with the accepted latin name, synonyms and the common English name. A detailed description follows, with separate descriptions being given for infraspecific taxa. Information on status, ecology and distribution is also included. Clear black and white line drawings illustrate an extensive glossary and also illuminate the diagnostic features of a number of groups of plants.
Planned in five volumes, this new, critical Flora provides a definitive account of the native species, naturalized species, frequent garden escapes and casuals found in the British Isles. Full keys and descriptions should enable the botanist, researcher or informed amateur to name all plants occurring in the wild, plus some ornamental trees and shrubs. Detailed accounts of all the large apomictic genera are given and many infraspecific variants. Each species entry begins with the accepted Latin name, synonyms and the common English name. A detailed description follows, with separate descriptions being given for infraspecific taxa. Includes information on status, ecology and distribution. Clear black and white line drawings illustrate an extensive glossary and also illuminate the diagnostic features of a number of groups of plants.
The literature, history, and thoughts of an ancient and great people THE WISDOM OF THE CELTS Proud, spiritual, artistic, scholarly—the ancient Celts were people ahead of their time, and the Celtic world, which stretched from the British Isles to Gallatia, was one of the most highly advanced in history. The Celts were the first people in Northern Europe to use and work with iron, and their art remains glorious. Theirs was a truly democratic and progressive society in which scholarship was held in the highest regard, sexuality was free and open, and women were fierce warriors. This absorbing, comprehensive guide brings to life one of history’s most progressive, vibrant societies and explores the Celts’ far-reaching impact on Western culture. Using a variety of authentic sources—ancient Celtic texts, folklore, legends, and literature from Ireland, Scotland, France, and Wales— The Wisdom of the Celts details the Celtic world from its expansion and decline to its modern revival, revealing a wealth of wisdom on all areas of life, including war, the Otherworld, King Arthur, nature, sexuality, freedom, spirituality, animals, the role of women, family, and beauty. A glorious and learned look at a remarkable civilization, this is a fascinating introduction to a people whose wisdom is more relevant today than ever.
This critical Flora provides a definitive account of the native species, naturalised species, frequent garden escapes and casuals found in the British Isles. Full keys and descriptions will enable the user to name all plants occurring in the wild, plus some ornamental trees and shrubs. For the first time detailed accounts of all the large apomictic genera are given and many infraspecific variants included. Each species entry begins with the accepted Latin name, synonyms and the common English name. A detailed description follows, including information on flowering period, pollination and chromosome number. Separate descriptions are given for infraspecific taxa. Information on the status, ecology and distribution (including worldwide distribution) of the species and infraspecific taxa is also given. Clear black and white line drawings illustrate an extensive glossary and also illuminate the diagnostic features in a number of groups of plants.
This critical flora provides a definitive account of the native species, naturalised species, frequent garden escapes and casuals found in the British Isles. Full keys and descriptions will enable the user to name all plants occurring in the wild, plus some ornamental trees and shrubs. For the first time detailed accounts of all the large apomictic genera are given and many infraspecific variants included. Each species entry begins with the accepted Latin name, synonyms and the common English name. A detailed description follows, including information on flowering period, pollination and chromosome number. Separate descriptions are given for infraspecific taxa. Information on the status, ecology and distribution (including worldwide distribution) of the species and infraspecific taxa is also given. Clear black and white line drawings illustrate an extensive glossary and also illuminate the diagnostic features in a number of groups of plants.
This book is fifth of the six-volume modern scholarly edition on the stories of real women's experiences. Written by the autodidact Mary Hays, it attests to the existence of active, learned and powerful women who produced new knowledge and made genuine contributions to cultural capital.
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Mary Hays was a radical feminist whose writings brought her to the attention of her contemporaries William Blake, Thomas Paine, Mary Wollstonecraft and William Godwin. Her Female Biography is an ambitious and acclaimed work, covering the lives of 294 women.
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