Warm like tea? Sweeter than red dates? A mother shares her love for her child as the two prepare a delicious meal together--perfect for fans of Guess How Much I Love You, Wherever You Are My Love Will Find You, and Mama, Do You Love Me? What is love? a child wonders. What does it feel like, smell like, taste like? How does it move? How long does it last? And as she prepares a traditional Chinese meal for her family, the child's mother replies: her love for him is rosy as wolfberries, warm like tea, sweeter than the red dates she puts in his soup. It shines through the water like its own brilliant sun. It goes round and round with no beginning and no end. Because a mother's love for a child is always there, warm and soft, broad and tender. In this tender story that pairs beautifully poetic words with brilliantly stunning art, a mother's love comes alive on the page and wraps readers in its warm embrace. Praise for My Love for You Is Always: * "This perfect marriage of illustrations and lyrical writing celebrates the affection that’s expressed through a lovingly cooked meal. . . . This lovefest is a feast for all the senses." --Kirkus Reviews, *STARRED REVIEW* * "Warm, wonderful . . . From start to finish, it's a charming and delicious tale." --BookPage, *STARRED REVIEW* "In the vein of such familiar titles as Guess How Much I Love You and Mama, Do You Love Me? Sze creates a warm, tender look at love [and] a timeless tale of a mother’s infinite love . . . Asian culture and food references add a layer of depth to this story, providing a fresh version of a time-honored conversation." --School Library Journal "As satisfying as a gentle hug—or a tasty dumpling." --Booklist
★ “A lovely visual lullaby to soothe youngest readers to sleep.”—Publishers Weekly, starred review Rich imagery, gentle rhythm and soothing repetition will lull your little one to sleep as the tulips close for the night, one by one. In this bedtime story written as an Italian villanelle, poet Gillian Sze makes use of the poetic forms of cyclic pattern and rhyme scheme to create a melodious lullaby. A young child comes in from picking flowers as the creatures around their home all settle down for the evening. Songbirds curl against their mothers’ sides, the house slumps and sighs low, a hush settles as times slows. And little readers are invited to rest their heads and be soothed to sleep as moonlight falls on eyes that close.
“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition. During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures. In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?
Vibrant language and rhythm celebrate the start of a new day in this uplifting poem about a city waking up. On a beautiful, sunny morning, a family runs errands along a city street. They visit a bakery, flower shop and fruit market. Exuberant in sounds and sights—a baker sugaring tarts, flowers greeting passers-by and pigeons cooing—the story ends as a new day of sparkling possibility begins. Written in pantoum form and illustrated with delightful three-dimensional diorama images that play with light and shadow, When Sunlight Tiptoes is sure to brighten the day of our littlest readers.
A lyrical story of parental love that celebrates and takes pride in the many shades of brown skin. Perfect for fans of I Am Enough, Hey Black Child, Hair Love, and Our Skin. When you ask me why your skin is brown, I will tell you that you are my favorite color. I will say that your skin was decided long, long ago. Time was just waiting for you. So begins a mother’s celebration of her children's brown skin, told through warm and vivid poetry. With sweeping descriptions of what brown skin means—it is the brawny bear whose paws know the ground of its home, the sequoia tree that reaches up and touches the sun, the glossy shell of roasted chestnuts—this is a book that empowers as it embraces, and that reminds young readers that they have shades of color that only they can discover and express. With beautiful, lyrical text by powerhouse poet Gillian Sze and vibrant, engaging art by illustrator Nina Mata, the #1 New York Times bestselling illustrator of LeBron James's I Promise, this is more than a story of love—it is a song that rings out for brown kids everywhere. Praise for You Are My Favorite Color: "This is a sweet, languorous celebration of brown skin in all its infinite shades and of multiracial, multifaceted families. Lovely." --Kirkus Reviews
ÒSucculent in its excellence, SzeÕs poetry insists that cultural ÔdifferenceÕ is what can make a beautiful difference in our apprehension of the Ôbeautiful.ÕÓ Ñ George Elliott Clarke on Peeling Rambutan In Panicle, Gillian Sze makes her readers look and, more importantly, look again. ItÕs a collection that challenges our notion of seeing as a passive or automatic activity by asking us to question the process of looking. The bookÕs first section, ÒUnderway,Ó deals with the moving image and includes both poetic responses to film theory and lyrical long poems while also reimagining fairy tales. The next section, ÒStagings,Ó takes its inspiration from the still image and explores a wide range of periods, movements, and media. SzeÕs focus on the process of looking anticipates ÒGuillemets,Ó a creative translation of Roland GigureÕs 1966 chapbook, Pouvoir du Noir, which contains a series of poems accompanied by his own paintings. SzeÕs approach to Gigure is two-fold: she ÒtranslatesÓ his text, and artist Jessica Hiemstra provides a visual response to her translation. The final section, ÒPanicle,Ó continues the meditative quality of ÒGuillemetsÓ in a suite of poems that ruminate on nature, desire, and history.
A little green envelope longs to go on a journey. Will it be chosen to deliver Olive’s letter to her far-away friend? Olive’s friend has moved away, and Olive wishes she could visit her. A little green envelope, lost in the bottom of the desk drawer, knows how Olive feels. It, too, wants so much to travel, and imagines zipping up and down conveyer belts and bouncing along in a mail bag, on its way to deliver an important letter. An old postcard reassures that for every occasion, there is an envelope ... but it seems like it will never be the little green envelope’s turn. When Olive’s grandpa suggests writing her friend a letter, the little green envelope hopes and hopes that it will be chosen to carry the letter to its destination — but will it be a perfect fit? A diagram on the endpapers shows how readers can create their own little green envelopes! Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.6 With prompting and support, name the author and illustrator of a story and define the role of each in telling the story. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details.
In Fish Bones Gillian Sze takes a random walk through the art museum and finds the drama of life framed in a series precisely rendered and moving artefact poems. Working from Jeanette Winterson’s idea of a 'constant exchange of emotion' between the artist, the painting, and the writer, Sze’s ekphrastic verse is unrelenting in its commitment to action, so that each poem sparked by a picture comes to follow its own impetus, the origin of which is always a deeply felt encounter, whether familial, erotic, or strange. Vacillating deftly between the suspended space-time of a museum exhibit and the charged urgency of the lives she imagines via the art she describes, the result is a collection at once stirring and arresting, tender and coolly true.
Warm like tea? Sweeter than red dates? A mother shares her love for her child as the two prepare a delicious meal together--perfect for fans of Guess How Much I Love You, Wherever You Are My Love Will Find You, and Mama, Do You Love Me? What is love? a child wonders. What does it feel like, smell like, taste like? How does it move? How long does it last? And as she prepares a traditional Chinese meal for her family, the child's mother replies: her love for him is rosy as wolfberries, warm like tea, sweeter than the red dates she puts in his soup. It shines through the water like its own brilliant sun. It goes round and round with no beginning and no end. Because a mother's love for a child is always there, warm and soft, broad and tender. In this tender story that pairs beautifully poetic words with brilliantly stunning art, a mother's love comes alive on the page and wraps readers in its warm embrace. Praise for My Love for You Is Always: * "This perfect marriage of illustrations and lyrical writing celebrates the affection that’s expressed through a lovingly cooked meal. . . . This lovefest is a feast for all the senses." --Kirkus Reviews, *STARRED REVIEW* * "Warm, wonderful . . . From start to finish, it's a charming and delicious tale." --BookPage, *STARRED REVIEW* "In the vein of such familiar titles as Guess How Much I Love You and Mama, Do You Love Me? Sze creates a warm, tender look at love [and] a timeless tale of a mother’s infinite love . . . Asian culture and food references add a layer of depth to this story, providing a fresh version of a time-honored conversation." --School Library Journal "As satisfying as a gentle hug—or a tasty dumpling." --Booklist
A little green envelope longs to go on a journey. Will it be chosen to deliver Olive’s letter to her far-away friend? Olive’s friend has moved away, and Olive wishes she could visit her. A little green envelope, lost in the bottom of the desk drawer, knows how Olive feels. It, too, wants so much to travel, and imagines zipping up and down conveyer belts and bouncing along in a mail bag, on its way to deliver an important letter. An old postcard reassures that for every occasion, there is an envelope ... but it seems like it will never be the little green envelope’s turn. When Olive’s grandpa suggests writing her friend a letter, the little green envelope hopes and hopes that it will be chosen to carry the letter to its destination — but will it be a perfect fit? A diagram on the endpapers shows how readers can create their own little green envelopes! Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.6 With prompting and support, name the author and illustrator of a story and define the role of each in telling the story. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details.
ÒSucculent in its excellence, SzeÕs poetry insists that cultural ÔdifferenceÕ is what can make a beautiful difference in our apprehension of the Ôbeautiful.ÕÓ Ñ George Elliott Clarke on Peeling Rambutan In Panicle, Gillian Sze makes her readers look and, more importantly, look again. ItÕs a collection that challenges our notion of seeing as a passive or automatic activity by asking us to question the process of looking. The bookÕs first section, ÒUnderway,Ó deals with the moving image and includes both poetic responses to film theory and lyrical long poems while also reimagining fairy tales. The next section, ÒStagings,Ó takes its inspiration from the still image and explores a wide range of periods, movements, and media. SzeÕs focus on the process of looking anticipates ÒGuillemets,Ó a creative translation of Roland GigureÕs 1966 chapbook, Pouvoir du Noir, which contains a series of poems accompanied by his own paintings. SzeÕs approach to Gigure is two-fold: she ÒtranslatesÓ his text, and artist Jessica Hiemstra provides a visual response to her translation. The final section, ÒPanicle,Ó continues the meditative quality of ÒGuillemetsÓ in a suite of poems that ruminate on nature, desire, and history.
“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition. During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures. In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?
A lyrical story of parental love that celebrates and takes pride in the many shades of brown skin. Perfect for fans of I Am Enough, Hey Black Child, Hair Love, and Our Skin. When you ask me why your skin is brown, I will tell you that you are my favorite color. I will say that your skin was decided long, long ago. Time was just waiting for you. So begins a mother’s celebration of her children's brown skin, told through warm and vivid poetry. With sweeping descriptions of what brown skin means—it is the brawny bear whose paws know the ground of its home, the sequoia tree that reaches up and touches the sun, the glossy shell of roasted chestnuts—this is a book that empowers as it embraces, and that reminds young readers that they have shades of color that only they can discover and express. With beautiful, lyrical text by powerhouse poet Gillian Sze and vibrant, engaging art by illustrator Nina Mata, the #1 New York Times bestselling illustrator of LeBron James's I Promise, this is more than a story of love—it is a song that rings out for brown kids everywhere. Praise for You Are My Favorite Color: "This is a sweet, languorous celebration of brown skin in all its infinite shades and of multiracial, multifaceted families. Lovely." --Kirkus Reviews
★ “A lovely visual lullaby to soothe youngest readers to sleep.”—Publishers Weekly, starred review Rich imagery, gentle rhythm and soothing repetition will lull your little one to sleep as the tulips close for the night, one by one. In this bedtime story written as an Italian villanelle, poet Gillian Sze makes use of the poetic forms of cyclic pattern and rhyme scheme to create a melodious lullaby. A young child comes in from picking flowers as the creatures around their home all settle down for the evening. Songbirds curl against their mothers’ sides, the house slumps and sighs low, a hush settles as times slows. And little readers are invited to rest their heads and be soothed to sleep as moonlight falls on eyes that close.
Vibrant language and rhythm celebrate the start of a new day in this uplifting poem about a city waking up. On a beautiful, sunny morning, a family runs errands along a city street. They visit a bakery, flower shop and fruit market. Exuberant in sounds and sights—a baker sugaring tarts, flowers greeting passers-by and pigeons cooing—the story ends as a new day of sparkling possibility begins. Written in pantoum form and illustrated with delightful three-dimensional diorama images that play with light and shadow, When Sunlight Tiptoes is sure to brighten the day of our littlest readers.
We have never had it better so why aren't we happy?;The Significance Delusion explains why humans are so peculiarly vulnerable to mental disorders and social problems, and how understanding the backstory can help you learn the real value of life Today we have everything that previous generations could ever have dreamed of. So why is it that so many people continue to go through life unhappy and unfulfilled, with millions more young people now facing mental health issues? Does it have something to do with the way our brains have developed? Could it be that humans are just essentially delusional ;Now a compelling and insightful new book, The Significance Delusion, draws upon scientific research, ideas, facts and real-life anecdotes to explore the human obsession with meaning. It takes readers on a journey through time, history and the mysterious labyrinth that is the brain, to explore what it really takes for us (and our children) to thrive and survive as individuals and as a society, and even learn the meaning of life.;The author, Gillian Bridge, is a psycholinguistic consultant and expert in empowering people to get the most from their brain, whatever the challenge. The common link in her previous work as a teacher, a lecturer, an addiction therapist, an executive coach and a resilience consultant has been the way brain development and the use of language affect any individual's behaviour and communication. By understanding brain function and how it makes us behave the way we do, Gillian's work enables all people, whether they clearly need help or not, to gain better control of their lives;There are three interweaving strands throughout The Significance Delusion: brain matters, child-rearing matters and self-versus-community matters. By exploring these matters in a challenging, quirky and often humorous way, the book will not only help you answer some age-old questions about yourself (Who am I? What am I? How am I?), but also understand how to better promote the future mental and physical well-being of our children, for the benefit of them individually and society as a whole.;The Significance Delusion provides practical behavioural strategies to improve quality of life, making it a fascinating and invaluable book for parents, teachers, people working in social care, policy makers and anybody else who simply wants to understand themselves, or their relationships better.
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