Love’s Work is at once a memoir and a book of philosophy. Written by the English philosopher Gillian Rose as she was dying of cancer, it is a book about both the fallibility and endurance of love, love that becomes real and endures through an ongoing reckoning with its own limitations. Rose looks back on her childhood, the complications of her parents’ divorce and her dyslexia, and her deep and divided feelings about what it means to be Jewish. She tells the stories of several friends also laboring under the sentence of death. From the sometimes conflicting vantage points of her own and her friends’ tales, she seeks to work out (seeks, because the work can never be complete—to be alive means to be incomplete) a distinctive outlook on life, one that will do justice to our yearning both for autonomy and for connection to others. With droll self knowledge (“I am highly qualified in unhappy love affairs,” Rose writes, “My earliest unhappy love affair was with Roy Rogers”) and with unsettling wisdom (“To live, to love, is to be failed”), Rose has written a beautiful, tender, tough, and intricately wrought survival kit packed with necessary but unanswerable questions.
Gillian Rose is among the twentieth century's most important social philosophers. In perhaps her most significant work, Hegel Contra Sociology, Rose mounts a forceful defence of Hegelian speculative thought. Demonstrating how, in his criticisms of Kant and Fichte, Hegel supplies a preemptive critique of Weber, Durkheim, and all of the sociological traditions that stem from these "neo-Kantian" thinkers, Rose argues that any attempt to preserve Marxism from a similar critique and any attempt to renew sociology cannot succeed without coming to terms with Hegel's own speculative discourse. With an analysis of Hegel's mature works in light of his early radical writings, this book represents a profound step toward enacting just such a return to the Hegelian.
Lectures on art, Marxism, and critical theory by the legendary philosopher, collected for the first time, with an afterword by Martin Jay Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century’s most important philosophers: Gillian Rose. Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school’s members and affiliates, including Adorno, Lukács, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx’s theory of commodity fetishism into a Marxist theory of culture. Edited by Robert Lucas Scott and James Gordon Finlayson
A reinterpretation of thinkers from Benjamin and Rosenzweig to Simone Weil and Derrida Judaism and Modernity: Philosophical Essays challenges the philosophical presentation of Judaism as the sublime ‘other’ of modernity. Here, Gillian Rose develops a philosophical alternative to deconstruction and post-modernism by critically re-engaging the social and political issues at stake in every reconstruction.
The Melancholy Science is Gillian Rose's investigation into Theodor Adorno's work and legacy. Rose uncovers the unity discernable among the many fragments of Adorno's oeuvre, and argues that his influence has been to turn Marxism into a search for style. The attempts of Adorno, Lukcs and Benjamin to develop a Marxist theory of culture centred on the concept of reification are contrasted, and the ways in which the concept of reification has come to be misused are exposed. Adorno's continuation for his own time of the Marxist critique of philosophy is traced through his writings on Hegel, Kierkegaard, Husserl and Heidegger. His opposition to the separation of philosophy and sociology is shown by examination of his critique of Durkheim and Weber, and of his contributions to the dispute over positivism, his critique of empirical social research and his own empirical sociology. Gillian Rose shows Adorno's most important contribution to be his founding of a Marxist aesthetic that offers a sociology of culture, as demonstrated in his essays on Kafka, Mann, Beckett, Brecht and Schnberg. Finally, Adorno's 'Melancholy Science' is revealed to offer a 'sociology of illusion' that rivals both structural Marxism and phenomenological sociology as well as the subsequent work of the Frankfurt School.
Introducing the new urban aesthetic -- The new urban aesthetic : a conceptual framework -- The conceived aesthetics of urban redevelopment : the case of Msheireb Downtown, Qatar -- The perceived aesthetics of digital urbanism : feeling digital embodiment in smart Milton Keynes -- The lived aesthetic of urban social media : anticipating the Culture Mile's Future -- The new urban aesthic and its power -- Conclusion : the differentiation and potentialities of the new urban aesthetic.
Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses. Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.
In Mourning Becomes the Law, Gillian Rose takes us beyond the impasse of post-modernism or 'despairing rationalism withour reason'. Arguing that the post-modern search for a 'new ethics' and ironic philosophy are incoherent, she breathes new life into the debates concerning power and domination, transcendence and eternity. Mourning Becomes the Law is the philosophical counterpart to Gillian Rose's highly acclaimed memoir Love's Work. She extends similar clarity and insight to discussions of architecture, cinema, painting and poetry, through which relations between the formation of the individual and the theory of justice are connected. At the heart of this reconnection lies a reflection on the significance of the Holocaust and Judaism. Mourning Becomes the Law reinvents the classical analogy of the soul, the city and the sacred. It returns philosophy, Nietzsche's 'bestowing virtue', to the pulse of our intellectual and political culture.
If you need to carry out research into visuals then Rose's book provides straight forward practical assistance for how to do so... She explains clearly how we can deal with the visual from diverse approaches such as content analysis, semiotics, psychoanalysis and discourse analysis, all explained carefully, using examples, in terms of the stages of a research project." - David Machin, Cardiff University "The authoritative introductory text on the methods of visual research. Conveying the richness and excitement of visual culture research, Rose expertly navigates across a range of methodologies, explaining in detail their particular usefulness and limitations through practical examples." - Julie Doyle, University of Brighton "A welcome overview of the state of the field. Visual Methodologies succeeds both as an introductory text, certain to be widely adopted in the classroom, and as a sophisticated refresher course for those who have followed the rapid maturation of this remarkable interdisciplinary discourse - Martin Jay, University of California, Berkeley With over 25,000 copies sold worldwide, Gillian Rose's book is the bestselling critical introduction to the study and analysis of visual culture. Each chapter provides a rigorous examination and demonstration of an individual methodology, with case studies, colour images, suggested further reading and visual examples throughout. Reflecting changes in the way society consumes and creates its visual content, the updated Third Edition includes: A companion website featuring additional examples of digital media, social media, and moving images. Visit www.sagepub.co.uk/rose An additional chapter and expanded coverage on social and new media, and more information on the mass media in general (TV, print and broadcasting) An expanded focus on how each method can be used in relation to a range of different visual materials A new chapter on how to use visual materials for research and the presentation of research findings. A now classic text, the book will be used by undergraduates, postgraduates, researchers and academics looking to understand and clearly grasp the complex debates and ideas in visual analysis and interpretation.
The Broken Middle offers a startlingly original rethinking of the modern philosophical tradition and fundamentally rejects the anti-philosophy and anti-theory of post-modernity. Extending across the disciplines from philosophy to theology, Judaica, law, social and political theory, literary criticism, feminism and architecture, this book stakes itself on a renewed potential for sustained critique. Against the grain of much contemporary thought, this work of criticism offers the reader a way beyond the spurious alternatives of "totalization" or acknowledgement of the "other". The Broken Middle expounds the phenomenology of the diremption of law and ethics. By reconstructing the suppressed political history of modernity, it shows that contemporary thought belongs to a tradition which has become ancient. Following this drama in the configuration of anxiety of beginning, equivocation of the ethical, and agon of authorship, the logos opens out of the pathos of the concept.
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
Fans of Go Ask Alice will devour Dear Nobody, a real teen's diary, so raw and so edgy that it's authenticity rings off every page. They say that high school is supposed to be the best time of your life. But what if that's just not true? More than anything, Mary Rose wants to fit in. To be loved. And she'll do whatever it takes to make that happen. Even if it costs her her life. Told through the raw and unflinching diary entries of a real teen, Mary Rose struggles with addiction, bullying, and a deadly secret. Her compelling story will inspire readers—and remind them that they are not alone.
Gillian was born psychic and with the aid of her parents was allowed to develop and grow naturally. Living in two worlds is the norm and with the knowledge gained over the years This book is to give people a view of what it is to be psychic and how to reach their own potential for their spiritual growth. To be a truly spiritual person is to look toward the emotional and energy side of who we are. My story is one of learning, experiences, many set backs and many rewards. It is hoped that with this book there will be many people who will benefit from it. Enjoy
This book fundamentally challenges the radical credentials of post-structuralism. Though Derrida, Foucault and Deleuze claim to have 'deconstructed' metaphysics, their work has much in common with previous attempts to 'end' the metaphysical tradition, from Kant to Nietzshe and Heidegger, and by sociology in general. Gillian Rose shows that this anti-metaphysical writing always appears in historically specific jurisprudential terms, which themselves found and recapitulate metaphysical categories. She reconsiders post-structuralism in this light and assesses the relationship between deconstruction and the earlier structuralism of Saussure and Levi-Strauss. She argues in conclusion that the choice between post-structuralist nihilism and Hegelian and Marxist dialectic is spurious.
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.
In her latest book, Gillian Howie offers a bold new way to make sense of the relationship between feminist theory and capitalism. This exciting combination of existentialism, phenomenology, and critical theory delivers a proactive feminism ready to respond to the challenges presented by our thoroughly modern times.
I was born psychic. I was blessed and encouraged by my parents to be exactly who i am and develop and grow naturally living between two worlds.. This world and the spirit world.. In this sequel you will share in many more experiences and events within my journey and a more detailed perspective of what it is to be psychic. This book is also written in the hope of reaching the many people who are looking for some answers in their personal quest for spirituality. This is an inner journey and as with all journeys there will be pit stops and rest breaks. The journey of our life is filled with mystery, marvels and incredible emotional experiences, it is how we embrace them and live through them that take us onwards....
DIV“Grabs you by the throat and won't let go.” —Woman’s Journal/divDIV During their thirty years of marriage, Rose Redfern has confided everything (well, nearly everything) to Michael, and is certain that he would never hide anything from her. That’s why it’s such a shock when, shortly before Rose and Michael are set to take a romantic trip to Venice, she receives strong evidence that he’s having an affair with a woman their daughters’ age. Rose feels emotionally unmoored, and her sense of betrayal swiftly turns vengeful. She stumbles across a stash of powerful barbiturates, previously used to medicate an epileptic dog, and wonders if she might not find a new use for them . . ./divDIV /divDIVBut is Michael truly unfaithful to Rose, or is someone seeking to destroy the Redferns’ lives—and can that person be stopped before it’s too late? Night Visitor is a frighteningly plausible scenario of how secrets and jealousy can tear people apart./div
The woman sat alone on the hillside... She knew she was an Alien and did not belong on the Earth..She knew another life and world awaited her, that she was over two hundred years old and had wings'' On a planet decimated by war the inhabitants learned to live and flourish again. The winged people of Syrkan . Fierce warriors and gentle hosts, anyone from any world is welcome here. Animals extinct from other planets thrive here. A world where freedom is found in the skies... A journey filled with friends, love, magic, new life, discovery and breathtaking beauty within other worlds and galaxies. There is nothing to fear in their existence with one exception.. war coming to them again.
The spark, from a damaged brain, ignited a passionate entry into a world of words, Gillian Firth's first novel 'Gillian Mk2' made impact. Nicky Rogers, editor 'Mobilise Magazine': 'book that moves you so much ... will be in your thoughts for the rest of your life'. Her first book is 'a triumph', the language is expressive and emotional, and it transcends normal boundaries, akin to a rollercoaster. One moment the reader laughs tears, she rolls a cigarette that 'looks like a Havana and a tampon crossed' in the hospital, it also resembles a joint. Then you cry in pain, the disbelief and the frustration, as the strong young woman becomes a victim of circumstances. But read on ... she will have a giggle around the corner. 'Typically Gillian', a continuation of this journey, requested by followers, she lives alone with help. Her disability is an issue but Gillian carries on, tackling routines of normality, the brave determination is inspirational, her parents and brother are irreplaceable, the harrowing but hilarious recounts of Gillian's exploits are memorable. Gillian brings reality to life and is adamant that she is 'not special', but she is and readers are right 'everyone' should read these books.
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