Hogg was a superb letter-writer, and this is the initial volume of the first collected edition of his letters (to be completed in three volumes). Many of the letters have never been published before, or published only in part. They vividly reflect Hogg's varied social experience and shed new light on his own writings and those of his contemporaries. Among his famous correspondents were writers such as Scott, Byron, and Southey, antiquarians such as Robert Surtees, politicians such as Sir Robert Peel, and editors and publishers such as John Murray, William Blackwood, and Robert Chambers. But there are also letters to shepherds, farmers, aristocrats, musicians, young ladies, and bluestockings. Hogg first appears in this volume in 1800 as a young shepherd with literary ambitions, and becomes the famous author of The Queen's Wake (1813) and a key supporter of the early Blackwood's Edinburgh Magazine (1817). Among the final letters it contains are some tender if idiosyncratic love-letters to the Dumfriesshire girl he married in 1820 at the mature age of forty-nine. Hogg's entertaining and informative letters are supplemented by detailed annotation and a full editorial apparatus, including biographical notes on his chief correspondents and a concise overview of this phase of his life.This edition of Hogg's Letters has its roots in the late 1970s and 1980s, when the four founder members of the James Hogg Society (Gillian Hughes, Douglas Mack, Robin MacLachlan, and Elaine Petrie) began work on tracing and transcribing Hogg's surviving letters. The major tasks of completing this work and preparing a full-scale edition of Hogg's Letters were subsequently passed to Gillian Hughes, who is now bringing this important research project to fruition.Key FeaturesThe first ever edition of Hogg's letters to be publishedIncludes many letters never previously publishedFeatures Hogg's correspondence with figures such as Sir Walter Scott, Lord Byron and Sir Robert Peel.
This fully annotated scholarly edition, based on new archival research, comprises 134 poems, several of which went unpublished, and all of which have been expertly re-edited from early printings or manuscript originals.
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
A large proportion of London's population lived in lodgings during the long 18th century, many of whom recorded their experiences. In this fascinating study, Gillian Williamson examines these experiences, recorded in correspondences and autobiographies, to offer unseen insights into the social lives of Londoners in this period, and the practice of lodging in Georgian London. Williamson draws from an impressive array of sources, archives, newspapers, OBSP trials and literary representations to offer a thorough examination of lodging in London, to show how lodging and lodging houses sustained the economy of London during this time. Williamson offers a fascinating insight into the role lodging houses played as the facilitators of encounters and interactions, which offers an illuminating depiction of social relations beyond the family. The result is an important contribution to current historiography, of interest to historians of Britain in the long 18th century.
This book presents early childhood students and staff with a broad and diverse range of teaching techniques to support children's learning. It examines 26 techniques ranging from simple ones, such as describing and listening, to more complex methods, such as deconstruction and scaffolding. The strategies selected are derived from the best current research knowledge about how young children learn. A detailed evaluation of each strategy enables childcare staff, early childhood teachers and students to expand their repertoire of teaching strategies and to critically evaluate their own teaching in early childhood settings. Vignettes and examples show how early childhood staff use the techniques to support children's learning and help to bring the discussion of each technique to life. Revised and updated in light of the latest research, new features include: * Coverage of the phonics debate * Addition of ICT content * Questions for further discussion * Revision to the chapter on problem solving * Updated referencing throughout Teaching Young Children is key reading for students and experienced early childhood staff working in diverse settings with young children.
In 2007 a librarian at the Library and Archives Canada Library came across a fragile sheet of paper inserted inside a book. It was the playbill advertising an evening of entertainment that had taken place halfway across the world, over two centuries before. The playbill is the earliest printed document in the history of Australia to be so far discovered and in 2011 it was included on the UNESCO Australian Memory of the World Register. As a piece of ephemera the playbill offers tantalizing glimpses of the social and cultural life of the early colony. What is the significance of the plays performed? Who were the players and their audiences? What kind of theatre did they play in? Gillian Russell answers all of these questions and more, in this fascinating account of the history and significance of the playbill.
Because they are so often told as news, contemporary legends force us to reevaluate life as we know it. They confront us with macabre, fantastic, horrific, or hilarious characters and events that seem to come straight out of myths and folktales, but are presented as present day events. The difficulty is that it is not at all easy to decide whether these often disturbing stories should be treated as reliable or dismissed as fantasy. The legends explored in this book are some of the most bizarre, gruesome, and politically sensitive stories in the contemporary legend canon. At any moment a body may be invaded by noxious creatures, deliberately infected with deadly disease, or raided to provide donor organs for sick foreigners. These are "winter's tales," the stuff of nightmares. In this book Gillian Bennett traces the cultural history of six legends, well-known in Europe and America from medieval times to the present day. Appearing in broadsides, ballads, myths, ancient and modern legends, novels, plays, films, television shows, and stories told in the oral tradition, these legends are not just silly tales which can be dismissed as trivial and untrue. They reveal much about the concerns and fears of everyday life and demonstrate the limits of knowledge and power in the modern world.
The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma, madness and even suicide. The book shows how Freud’s, Sartre’s and Lacan’s androcentric views define the Medusa m/other as monstrous, and how the efforts of mothers to nurture may be slighted as inadequate or devouring. It presents Medusa and other goddess figures as inspirational, repelling harm through the ‘evil eye’ of their powerful gaze. Conversely, it also shows women who are condemned as monstrous Gorgons, trapped in enmity, rivalry and rage. Representing English, American and African American, Canadian and Caribbean writing, the works explored here include realistic, social narrative and magical realist writings, in addition to tales of the past and dystopian narratives.
This book focuses on human trafficking in Europe for labour and sexual exploitation. It includes empirical work on trafficking throughout Europe, identifying underlying causes in globalization, migration policies and gender inequality. It questions whether European responses- from policy makers or civil society are adequate.
The 1910-1911 Encyclopedia Britannica was advertised as the high water mark of human knowledge. That 34 of the 1,500 contributors were women was widely perceived as signaling a significant breakthrough into the world of learning. The book examines public and private aspects of the women contributors' lives and includes short biographies. ...delightful...a marvelous encapsulation of a turning point in society and scholarship. Well-written and engaging from start to finish, this work would be a fine addition to already strong women's studies collections. --CHOICE
With over 400,000 books already in print, the Dear Canada series has fast become the book series for children. Each fictional diary invites readers into the world of a girl living through a particular period in Canada's past. Gillian Chan's latest addition illustrates the effect the Chinese Head Tax has on one young girl and her family. Mei-ling and her father are struggling to pay the head tax that will allow her mother and brother, who are still living in China, to come to Canada. They must have that money before the impending Exclusion Act bars any more Chinese from immigrating. What will happen if they can't come up with enough in time to reunite their family?
Reference book comprising a bibliography aiming to bring together secondary source interdisciplinary material on labour relations in the UK between the years 1880 and 1970 - covers employees attitudes, trade unions and employees associations, employers organizations, the labour market and working conditions, etc.
Written by an experienced team of teachers and researchers, this comprehensive introduction to the key issues and debates in bilingualism presents articles from leading figures, including Genesee, Peal, MacNamara, Baker, Saer and Swain.
Bromley's Family Law' is a well-established and popular textbook with students and practitioners alike. This edition has been updated to take into account recent developments in family law.
Love’s Work is at once a memoir and a work of philosophy. Written by the English philosopher Gillian Rose as she was dying of cancer, it is a book about both the fallibility and the endurance of love, love that becomes real and lasting through an ongoing reckoning with its own limitations. Rose looks back on her childhood, the complications of her parents’ divorce and her dyslexia, and her deep and divided feelings about what it means to be Jewish. She tells the stories of several friends also laboring under the sentence of death. From the sometimes conflicting vantage points of her own and her friends’ tales, she seeks to work out (seeks, because the work can never be complete—to be alive means to be incomplete) a distinctive outlook on life, one that will do justice to our yearning both for autonomy and for connection to others. With droll self-knowledge (“I am highly qualified in unhappy love affairs,” Rose writes, “My earliest unhappy love affair was with Roy Rogers”) and with unsettling wisdom (“To live, to love, is to be failed”), Rose has written a beautiful, tender, tough, and intricately wrought survival kit packed with necessary but unanswerable questions.
A Window on Literature is a new classroom text which consists of 12 units, each of which is based on a theme and contains one or two literary texts and accompanying activities. The texts are unabridged and have been carefully selected to be suitable for use with lower-intermediate and intermediate students.
The story of the small "new age" religious group that introduced Victorian Toronto to Eastern thought and theology, vegetarianism, reincarnation, cremation, and the pacifism of Mohandas Gandhi.
Gender, Teaching and Research in Higher Education presents new insights and research into contemporary problems, practical solutions, and the complex roles of teaching and learning in the international academy. Drawing together new research from contributors spanning a range of international and interdisciplinary perspectives, this book discusses topics of particular importance in the UK, USA, Australasia and South Africa, including: curriculum, boundary disciplines and research assessments, the Higher Education institution, educational practice, authority and authorization, teaching and counselling. Discussion of quality audits, curriculum modifications, teaching certificates and other key topics, add to this book's value in informing current debate and providing valuable research aids for education into the 21st Century.
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