First Published in 2001. This guide sets out to prepare primary teacher training students to teach history well -whatever the topic or aspect of the Programme of Study. It also provides opportunities and encouragement for students to develop their own personal subject knowledge of history. The course content is covered in nine chapters. Each chapter begins with a statement of its learning outcomes and lists the materials that are needed to complete the work of the chapter and achieve these objectives.
When Canadian authors win prestigious literary prizes, from the Governor General's Literary Award to the Man Booker Prize, they are celebrated not only for their achievements, but also for contributing to this country's cultural capital. Discussions about culture, national identity, and citizenship are particularly complicated when the honorees are immigrants, like Michael Ondaatje, Carol Shields, or Rohinton Mistry. Then there is the case of Yann Martel, who is identified both as Canadian and as rootlessly cosmopolitan. How have these writers' identities been recalibrated in order to claim them as 'representative' Canadians? Prizing Literature is the first extended study of contemporary award winning Canadian literature and the ways in which we celebrate its authors. Gillian Roberts uses theories of hospitality to examine how prize-winning authors are variously received and honoured depending on their citizenship and the extent to which they represent 'Canadianness.' Prizing Literature sheds light on popular and media understandings of what it means to be part of a multicultural nation.
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
By means of contextualized readings, this work argues that autobiographic writing allows an intimate access to processes of colonization and decolonization, incorporation and resistance, and the formation and reformation of identities which occurs in postcolonial space. The book explores the interconnections between race, gender, autobiography and colonialism and uses a method of reading which looks for connections between very different autobiographical writings to pursue constructions of blackness and whiteness, femininity and masculinity, and nationality. Unlike previous studies of autobiography which focus on a limited Euro American canon, the book brings together contemporary and 19th-century women's autobiographies and travel writing from Canada, the Caribbean, Kenya, South Africa, Australia and New Zealand. With emphasis on the reader of autobiography as much as the subject, it argues that colonization and resistance are deeply embedded in thinking about the self.
Art and the Historical Film provides an important examination of fine art's impact on filmmaking, grappling with the question of authenticity. From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reiné, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.
The Irish Times Top 10 Bestseller! From war to revolution, famine to emigration, The Darkness Echoing travels around Ireland bringing its dark past to life It's no secret that the Irish are obsessed with misery, suffering and death. And no wonder, for there is darkness everywhere you look: in cemeteries and castles, monuments and museums, stories and songs. In The Darkness Echoing, Gillian O'Brien tours Ireland's most deliciously dark heritage sites, delving into the stories behind them and asking what they reveal about the Irish. Energetic, illuminating and surprisingly funny, The Darkness Echoing challenges old, accepted narratives about Ireland, and asks intriguing questions about Ireland's past, present and future. 'My history book of the year' Ryan Tubridy 'As thought-provoking as it is informative and entertaining' Irish Times 'Hugely enjoyable, thought-provoking and informative ... An essential read' History Ireland
Introduction to Clinical Reproductive Endocrinology covers the pathophysiological basis and management of clinical conditions related to reproductive endocrinology. The book describes the normal development and physiology of the hypothalamic-pituitary-gonadal axes and the structure and function of the hypothalamic, pituitary and gonadal hormones. The text then discusses the events of ovulation and fertilization and the endometrial changes of the menstrual cycle. The etiology, diagnosis, and management of problems encountered in reproductive medicine, including those of delayed and precocious puberty, primary and secondary amenorrhoea, and oligomenorrhoea are also considered. The book further tackles the premenstrual syndrome; endometriosis; female and male subfertility; problems of early pregnancy; menorrhagia; and the menopause. The text concludes by looking into the indications for, and the side-effects of, drugs used in reproductive medicine. Reproductive endocrinologists, obstetricians, and gynecologists and medical students taking courses related to reproductive endocrinology will find the book useful.
Since the advent of the mantle plume hypothesis in 1971, scientists have been faced with the problem that its predictions are not confirmed by observation. For thirty years, the usual reaction has been to adapt the hypothesis in numerous ways. As a result, the multitude of current plume variants now amounts to an unfalsifiable hypothesis. In the early 21st century demand became relentless for a theory that can explain melting anomalies in a way that fits the observations naturally and is forward-predictive. From this the Plate hypothesis emerged–the exact inverse of the Plume hypothesis. The Plate hypothesis attributes melting anomalies to shallow effects directly related to plate tectonics. It rejects the hypothesis that surface volcanism is driven by convection in the deep mantle. Earth Science is currently in the midst of the kind of paradigm-challenging debate that occurs only rarely in any field. This volume comprises its first handbook. It reviews the Plate and Plume hypotheses, including a clear statement of the former. Thereafter it follows an observational approach, drawing widely from many volcanic regions in chapters on vertical motions of Earth's crust, magma volumes, time-progressions of volcanism, seismic imaging, mantle temperature and geochemistry. This text: Deals with a paradigm shift in Earth Science - some say the most important since plate tectonics Is analogous to Wegener's The Origin of Continents and Oceans Is written to be accessible to scientists and students from all specialities This book is indispensable to Earth scientists from all specialties who are interested in this new subject. It is suitable as a reference work for those teaching relevant classes, and an ideal text for advanced undergraduates and graduate students studying plate tectonics and related topics. Visit Gillian's own website at http://www.mantleplumes.org
ÒSucculent in its excellence, SzeÕs poetry insists that cultural ÔdifferenceÕ is what can make a beautiful difference in our apprehension of the Ôbeautiful.ÕÓ Ñ George Elliott Clarke on Peeling Rambutan In Panicle, Gillian Sze makes her readers look and, more importantly, look again. ItÕs a collection that challenges our notion of seeing as a passive or automatic activity by asking us to question the process of looking. The bookÕs first section, ÒUnderway,Ó deals with the moving image and includes both poetic responses to film theory and lyrical long poems while also reimagining fairy tales. The next section, ÒStagings,Ó takes its inspiration from the still image and explores a wide range of periods, movements, and media. SzeÕs focus on the process of looking anticipates ÒGuillemets,Ó a creative translation of Roland GigureÕs 1966 chapbook, Pouvoir du Noir, which contains a series of poems accompanied by his own paintings. SzeÕs approach to Gigure is two-fold: she ÒtranslatesÓ his text, and artist Jessica Hiemstra provides a visual response to her translation. The final section, ÒPanicle,Ó continues the meditative quality of ÒGuillemetsÓ in a suite of poems that ruminate on nature, desire, and history.
Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.
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