The New Female Antihero examines the hard-edged spies, ruthless queens, and entitled slackers of twenty-first-century television. The last ten years have seen a shift in television storytelling toward increasingly complex storylines and characters. In this study, Sarah Hagelin and Gillian Silverman zoom in on a key figure in this transformation: the archetype of the female antihero. Far from the sunny, sincere, plucky persona once demanded of female characters, the new female antihero is often selfish and deeply unlikeable. In this entertaining and insightful study, Hagelin and Silverman explore the meanings of this profound change in the role of women characters. In the dramas of the new millennium, they show, the female antihero is ambitious, conniving, even murderous; in comedies, she is self-centered, self-sabotaging, and anti-aspirational. Across genres, these female protagonists eschew the part of good girl or role model. In their rejection of social responsibility, female antiheroes thus represent a more profound threat to the status quo than do their male counterparts. From the devious schemers of Game of Thrones, The Americans, Scandal, and Homeland, to the joyful failures of Girls, Broad City, Insecure, and SMILF, female antiheroes register a deep ambivalence about the promises of liberal feminism. They push back against the myth of the modern-day super-woman—she who “has it all”—and in so doing, they give us new ways of imagining women’s lives in contemporary America.
Eclectic Hair with Granny and Me highlights the beauty and diversity of Black hair. It encourages the reader to explore the history, culture, and function of Black hair in society. For each hairstyle, there is a discussion of how it is made, its function, its possible African origin, Granny Mary’s and Penny’s experiences with it, and famous people who wore it. Ultimately, this book encourages the Black child to feel pride in having eclectic hair. After completing this book, the reader will accomplish three main goals: 1. Learn about the history, diversity, and functions of Black hair and hairstyles. 2. Understand how Black culture is inscribed in, on, and through Black hair and hairstyles. 3. Show respect for the diversity and uniqueness of Black hair.
The 49th parallel has long held a symbolic importance to Canadian cultural nationalists as a strong, though permeable, border. But in contemporary Canadian culture, the border has multiple meanings, and imbalances of cultural power occur both across the Canada-US border as well as within Canada. Discrepant Parallels examines divergent relationships to, and investments in, the Canada-US border in a variety of media, such as travel writing, fiction, poetry, drama, and television. Tracing cultural production in Canada since the 1980s through the periods of FTA and NAFTA negotiations, and into the current, post-9/11 context, Gillian Roberts grapples with the border's changing relevance to Canadian nationalist, Indigenous, African Canadian, and Latin American perspectives. Drawing on Kant and Derrida, she theorizes the 49th parallel to account for the imbalance of cultural, political, and economic power between the two countries, as well as the current challenges to dominant definitions of Canadianness. Focusing on a border that is often overshadowed by the contentious US-Mexico divide, Discrepant Parallels analyzes the desire to establish Canadian-American sameness and difference from a multitude of perspectives, as well as its implications for how Canada is represented within and outside its national borders.
I have written a true account of a relationship and its despicable ending: that almost cost me my life. That there was, indeed, a relationship is patent. The truth is all around me. A great number of points of interest, irregularities and proof are now in the light that were once in the dark. Having shown that, it is understandable to see, why the betrayal was so devastating. And why my trust was so misplaced. There are also in life acknowledged truths: things we will believe without evidence. It is within acceptable limits to presuppose that in a relationship that had spanned almost eight years, that assurances were given and promises were made. I am no author, no writer, no spinner of tales. The desire to record and write down the truth was a lifeline. I wrote my story because I'm trying to reclaim my life: the book is a benchmark of my progress to date. I nearly paid a terrible price. The relationship that dominated my life is over now, and its despicable ending. I have lost someone I thought I could trust unequivocally. I have lost my home, and my job. And my beautiful cat - Cleopatra, I couldn't take her to where I moved to, so I lost even her. I lost my mind for awhile: and I nearly lost my life. Now I have to move forward, and hope that the grief will loosen its hold, and a brighter future will give a better shape back to the world. In his last e-mail to my daughter he said, 'Today's disagreements will resolve themselves and become yesterday's forgotten problems.' I do hope that he's right. Gillian Roberts September 2008
Metro Vancouver is a diverse city where half the residents identify as people of colour, but only one percent of the population is racialized as Black. In this context, African-Canadians are both hyper-visible as Black, and invisible as distinct communities. Informed by feminist and critical race theories, and based on interviews with women and men who grew up in Vancouver, "Where Are You From?" recounts the unique experience of growing up in a place where the second generation seldom sees other people who look like them, and yet are inundated with popular representations of Blackness from the United States. This study explores how the second generation in Vancouver redefine their African identities to distinguish themselves from African-Americans, while continuing to experience considerable everyday racism that challenges belonging as Canadians. As a result, some members of the second generation reject, and others strongly assert, a Canadian identity.
Nivala's young captain has been forced to take a desperate leap into the unknown. Cass isn't too worried. She's always longed for adventure and they've already come across a rebel heroine, an ancient sentient artificial intelligence and an entire race of strange ethereal beings. On the down side, they are spending way, way too much time fending off locals who are definitely on the homicidal side of hostile. They are holding their own so far, but one spectacular error is about to put an end to all that. ...Suddenly, time has run out for all of them. For those reading the series of the Major Shells arc in order, this book follows on directly from Slipstream Alley. The full series in order would be: Termination Shock, Interdicted Space, Exceptional Point (The first trilogy, Interstellar Enforcement Agency) Supershell Storm (An interquel) Slipstream Alley, Spectacular Error - this book, and The Last Bridge - still to come (the Quantum Heritage trilogy) Useful keywords: Aliens Extraterrestrials AI Sentient being Cosmic First contact Quantum Entanglement Family Outer space Antimatter Universe Space Star-ship Spaceship Spacer Spacecraft Spacewalk Humor Upbeat Banter Good over evil Moral Kind Spacetime Wormhole Black hole Timeline Teleport Hyperspace Warp drive Major Shells
Art and the Historical Film provides an important examination of fine art's impact on filmmaking, grappling with the question of authenticity. From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reiné, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.
The New African Diaspora in Vancouver documents the experiences of immigrants from countries in sub-Saharan Africa on Canada's west coast. Despite their individual national origins, many adopt new identities as 'African' and are actively engaged in creating a new, place-based 'African community.' In this study, Gillian Creese analyzes interviews with sixty-one women and men from twenty-one African countries to document the gendered and racialized processes of community-building that occur in the contexts of marginalization and exclusion as they exist in Vancouver. Creese reveals that the routine discounting of previous education by potential employers, the demeaning of African accents and bodies by society at large, cultural pressures to reshape gender relations and parenting practices, and the absence of extended families often contribute to downward mobility for immigrants. The New African Diaspora in Vancouver maps out how African immigrants negotiate these multiple dimensions of local exclusion while at the same time creating new spaces of belonging and emerging collective identity.
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
An essential volume for anyone interested in the history of sociology, the development of sociological theory, or the history of women in the profession, this well-researched, compellingly argued book makes the case for the active and significant presence of women in the creation of sociology and social theory in its founding and classic periods. Further, Lengermann and Niebrugge explain how the women came to be erased from the history of sociology and identify the political and intellectual currents that now make their recovery both possible and important. The volume focuses on 15 women in eight chapters. Each chapter begins with a biographical sketch situating each thinkers ideas in a historical, social, and cultural context. Next, the authors analyze the womans theory, summarizing its underlying assumptions, explicating its major themes, and introducing key vocabulary. The chapter concludes with excerpts from the original texts of the women founders. All the theories discussed in this text share a moral commitment to the idea that sociology should and could work for the alleviation of socially produced human pain. The ethical duty of the sociologist is to seek sound scientific knowledge, to refuse to make the knowledge an end in itself, to speak for the disempowered, to advocate social reform, and to never forget that the appropriate relationship between researcher and subject is one of mutuality.
The attacks of September 11, 2001, facilitated by easy entry and lax immigration controls, cast into bold relief the importance and contradictions of U.S. immigration policy. Will we have to restrict immigration for fear of future terrorist attacks? On a broader scale, can the country's sense of national identity be maintained in the face of the cultural diversity that today's immigrants bring? How will the resulting demographic, social, and economic changes affect U.S. residents? As the debate about immigration policy heats up, it has become more critical than ever to examine immigration's role in our society. With a comprehensive social scientific assessment of immigration over the past thirty years, America's Newcomers and the Dynamics of Diversity provides the clearest picture to date of how immigration has actually affected the United States, while refuting common misconceptions and predicting how it might affect us in the future. Frank Bean and Gillian Stevens show how, on the whole, immigration has been beneficial for the United States. Although about one million immigrants arrive each year, the job market has expanded sufficiently to absorb them without driving down wages significantly or preventing the native-born population from finding jobs. Immigration has not led to welfare dependency among immigrants, nor does evidence indicate that welfare is a magnet for immigrants. With the exception of unauthorized Mexican and Central American immigrants, studies show that most other immigrant groups have attained sufficient earnings and job mobility to move into the economic mainstream. Many Asian and Latino immigrants have established ethnic networks while maintaining their native cultural practices in the pursuit of that goal. While this phenomenon has led many people to believe that today's immigrants are slow to enter mainstream society, Bean and Stevens show that intermarriage and English language proficiency among these groups are just as high—if not higher—as among prior waves of European immigrants. America's Newcomers and the Dynamics of Diversity concludes by showing that the increased racial and ethnic diversity caused by immigration may be helping to blur the racial divide in the United States, transforming the country from a biracial to multi-ethnic and multi-racial society. Replacing myth with fact, America's Newcomers and the Dynamics of Diversity contains a wealth of information and belongs on the bookshelves of policymakers, pundits, scholars, students, and anyone who is concerned about the changing face of the United States. A Volume in the American Sociological Association's Rose Series in Sociology
Biological controls that utilize natural predation, parasitism or other natural mechanisms, is an environmentally friendly alternative to chemical pesticides. Chemical pesticide methods are becoming less readily available due to increasing resistance problems and the prohibition of some substances. This book addresses the challenges of insufficient information and imperfectly understood regulatory processes in using biopesticides. It takes an interdisciplinary approach providing internationally comparative analyses on the registration of biopesticides and debates future biopesticide practices.
Understanding Alan Sillitoe offers a lucid appraisal of the life and works of the well-known contemporary British writer hailed by critics as the literary descendent of D.H. Lawrence. Known primarily for his novels Saturday Night and Sunday Morning and The Loneliness of the Long-Distance Runner, Sillitoe has written more than 50 books over the last 40 years, including novels, plays, collections of short stories, poems, and travel pieces, as well as more than four hundred essays. In this comprehensive study of the major novels and short stories, Hanson reveals Sillitoe's artistic influences and the dominant thematic concerns of his works.
Once in a cursed land devoid of beauty, a lost child lays eyes on a creature of legend. Awed by a giant deer and its otherworldly allure, the child will remember the sighting, keeping it as close as treasure until life's hardships strip away its lustre. It's many years before a travelling bard will weave a song of the Enchanted Deer, a giant from the time the world was created, and revive the childhood wonder in the young Fool's heart. The village in the Land of Old Wives is a quiet, desolate place, but when a witch threatens the peace, the Fool puts aside his quest and persuades a passing knight to aid him in vanquishing her. Together they engage her in a battle and believe the Witch to be conquered. With a metal of bravery in hand, the Fool announces that he will pursue The Enchanted Deer once more. When he sets out to chase his dreams, at last, the Fool discovers his fate is entwined with the last person he expected. The Witch and the Fool plunge into an adventure like no other. Side by side, they search for answers and end up uncovering what neither realized their hearts were seeking—a place in the world where they can truly be themselves.
During a dark period in my life, when everything seemed to be going wrong, it was in those painful and lonely moments that Poems of the Heart was birthed. This book consists of poems relating to life, relationships, crime and violence, nature, and Christ. It is reader-friendly and can be enjoyed by the entire family. The poems are designed to bless lives from all walks of life. We are wonderfully made, crafted by the hands of God. Hence, we are unique and gifted in our own way. Stand tall, and let God direct your path.
This pupil's text offers a thorough match to the Edexcel GCSE Statistics speficiation. It includes foundation and higher material, coursework teaching and advice to help students complete the compulsory project, and an exam-style practice paper.
The Complete Dream Book is the only dream interpretation book based on concrete data about real people's dreams and how the real events in their lives relate to their nighttime visions.
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
This narrative of subsistence on the Tibetan plateau describes the life-worlds of people in a region traditionally known as Kham who move with their yaks from pasture to pasture, depending on the milk production of their herd for sustenance. Gillian Tan’s story, based on her own experience of living through seasonal cycles with the people of Dora Karmo between 2006 and 2013, examines the community’s powerful relationship with a Buddhist lama and their interactions with external agents of change. In showing how they perceive their environment and dwell in their world, Tan conveys a spare beauty that honors the stillness and rhythms of nomadic life.
From award-winning Financial Times journalist Gillian Tett, who enraged Wall Street leaders with her news-breaking warnings of a crisis more than a year ahead of the curve, Fool’s Gold tells the astonishing unknown story at the heart of the 2008 meltdown. Drawing on exclusive access to J.P. Morgan CEO Jamie Dimon and a tightly bonded team of bankers known on Wall Street as the “Morgan Mafia,” as well as in-depth interviews with dozens of other key players, including Treasury Secretary Timothy Geithner, Gillian Tett brings to life in gripping detail how the Morgan team’s bold ideas for a whole new kind of financial alchemy helped to ignite a revolution in banking, and how that revolution escalated wildly out of control. The story begins with the intense Morgan brainstorming session in 1994 beside a pool in Boca Raton, where the team cooked up a dazzling new idea for the exotic financial product known as credit derivatives. That idea would rip around the banking world, catapult Morgan to the top of the turbocharged derivatives trade, and fuel an extraordinary banking boom that seemed to have unleashed banks from ages-old constraints of risk. But when the Morgan team’s derivatives dream collided with the housing boom—and was perverted through hubris, delusion, and sheer greed by titans of banking that included Citigroup, UBS, Deutsche Bank, and Merrill Lynch—catastrophe followed. Tett’s access to Dimon and the J.P. Morgan leaders who so skillfully steered their bank away from the wild excesses of others sheds invaluable light not only on the untold story of how they engineered their bank’s escape from carnage, but also on how possible it was for the larger banking world, regulators, and rating agencies to have spotted, and heeded, the terrible risks of a meltdown. A tale of blistering brilliance and willfully blind ambition, Fool’s Gold is both a rare journey deep inside the arcane and wildly competitive world of high finance and a vital contribution to understanding how the worst economic crisis since the Great Depression was perpetrated.
‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.
The analytic/synthetic distinction looks simple. It is a distinction between two different kinds of sentence. Synthetic sentences are true in part because of the way the world is, and in part because of what they mean. Analytic sentences - like all bachelors are unmarried and triangles have three sides - are different. They are true in virtue of meaning, so no matter what the world is like, as long as the sentence means what it does, it will be true. This distinction seems powerful because analytic sentences seem to be knowable in a special way. One can know that all bachelors are unmarried, for example, just by thinking about what it means. But many twentieth-century philosophers, with Quine in the lead, argued that there were no analytic sentences, that the idea of analyticity didn't even make sense, and that the analytic/synthetic distinction was therefore an illusion. Others couldn't see how there could fail to be a distinction, however ingenious the arguments of Quine and his supporters. But since the heyday of the debate, things have changed in the philosophy of language. Tools have been refined, confusions cleared up, and most significantly, many philosophers now accept a view of language - semantic externalism - on which it is possible to see how the distinction could fail. One might be tempted to think that ultimately the distinction has fallen for reasons other than those proposed in the original debate. In Truth in Virtue of Meaning, Gillian Russell argues that it hasn't. Using the tools of contemporary philosophy of language, she outlines a view of analytic sentences which is compatible with semantic externalism and defends that view against the old Quinean arguments. She then goes on to draw out the surprising epistemological consequences of her approach.
This book presents early childhood students and staff with a broad and diverse range of teaching techniques to support children's learning. It examines 26 techniques ranging from simple ones, such as describing and listening, to more complex methods, such as deconstruction and scaffolding. The strategies selected are derived from the best current research knowledge about how young children learn. A detailed evaluation of each strategy enables childcare staff, early childhood teachers and students to expand their repertoire of teaching strategies and to critically evaluate their own teaching in early childhood settings. Vignettes and examples show how early childhood staff use the techniques to support children's learning and help to bring the discussion of each technique to life. Revised and updated in light of the latest research, new features include: * Coverage of the phonics debate * Addition of ICT content * Questions for further discussion * Revision to the chapter on problem solving * Updated referencing throughout Teaching Young Children is key reading for students and experienced early childhood staff working in diverse settings with young children.
How we organize children by ability in schools is often rooted in ableism. Ability is so central to schooling—where we explicitly and continuously shape, assess, measure, and report on students’ abilities—that ability-based decisions often appear logical and natural. However, how schools respond to ability results in very real, lifelong social and economic consequences. Special education and academic streaming (or tracking) are two of the most prominent ability-based strategies public schools use to organize student learning. Both have had a long and complicated relationship with gender, race, and class. In this down-to-earth guide, Dr. Gillian Parekh unpacks the realities of how ability and disability play out within schooling, including insights from students, teachers, and administrators about the barriers faced by students on the basis of ability. From the challenges with ability testing to gifted programs to the disability rights movement, Parekh shows how ableism is inextricably linked to other forms of bias. Her book is a powerful tool for educators committed to justice-seeking practices in schools.
Written specifically for students who are undertaking a foundation degree or higher level apprenticeship in healthcare practice, or for those studying for the new nursing associate role, this book provides readers with the core knowledge and skills, giving them a springboard to further study. Key features include: A broad range of topics such as study skills, professional development, infection control and health promotion, health sciences, mental health, learning disabilities, children and families Clinical case studies throughout to show how theory relates to real-life practice Different levels of activity to help students ‘step up learning’ whether they are at level 4 or 5 Written by a wide range of authors with both experience in practice and in running degrees in nursing and health, the book is essential reading for all healthcare support workers, assistant practitioners and nursing associates.
Involving children in discussing, planning and reviewing their targets for learning and behaviour is a key element of Every Child Matters (2003) and the Children′s Plan (2007). This new edition of Gillian Shotton′s best selling book, has been updated to include new templates for teachers looking to involve children in writing their Individual Education Plan (IEP), as well as the introduction of target sheets applicable for all primary and secondary students. The resource provides a useful tool for helping teachers put some of the Assessment for Learning strategies into practice. Features of the new edition include: - IEP templates with brand new illustrations - Pupil-friendly target sheets to engage learners in the target setting process - A Pupil Friendly Pastoral Support Programme developed specifically for secondary aged pupils - An Act of Kindness log to encourage and record positive acts in the classroom The accompanying CD Rom provides easy-to-use, engaging and fun templates which allow teachers to truly involve pupils in the planning and reviewing process. These resources can either be printed off as resource sheets to be filled in and coloured in by hand, or they can be filled in on-screen.
This new, thoroughly updated sixth edition of Bradt's Albania remains the only standalone guide to this dynamic and rapidly modernising eastern European country, from the capital, Tirana, a lively European city, with shopping malls, cycle paths, museums, galleries and historic buildings, to remote outposts where traditional ways of life prevail. Updated by expert author Gillian Gloyer, it includes all developments since the last edition, reflecting changes such as continued investment in the road network and construction of fast highways connecting main cities, improved hotel provision and new museums dedicated to Albania's communist history. Despite such modernisation, Albania is one of very few European countries where it is still possible to immerse yourself in traditional lifestyles and culture, and Bradt's Albania provides details of where to experience this for yourself. In highland villages, people tend their livestock and gather their crops with little or no mechanisation; they milk their cows and goats by hand, they make their own cheese and bread, they distil home-made spirits from local fruits and berries. In addition, many villagers have opened up their traditional homes as guest-houses, offering a wonderful opportunity to experience their culture first-hand. Bradt's Albania also includes details of watching the country's rare wildlife, such as wildcats, lynx, wolves and bears, and of visiting its three World Heritage Sites: the archaeological site and national park of Butrint and the Ottoman cities of Berati and Gjirokastra. Iso-polyphony, the traditional music of the south-west, is also listed as part of World Heritage by UNESCO. With rigorously researched historical and archaeological background information, detailed notes on popular and less well-known hiking routes and other outdoor activities, specialist contributors on wildlife, military history and other topics, and an unparalleled wealth of practical advice for the independent traveller, Bradt's Albania is the ideal companion for discovering this intriguing country.
In the 1990s, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century. Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. Across chapters examining legal cases on recovered memory, popular journalism, and novels and memoirs by Dorothy Allison, Carolivia Herron, Kathryn Harrison, and Sapphire, Harkins demonstrates that incest narratives look backward into the past. In these accounts, images of incest forge links between U.S. chattel slavery and the distributive impasses of the welfare state and between decades-distant childhoods and emergent memories of the present. In contrast to recent claims that incest narratives eclipse broader frameworks of political and economic power, Harkins argues that their emergence exposes changing structural relations between the family and the nation and, in doing so, transforms the analyses of American familial sexual violence.
An unequivocally excellent work of scholarship that makes significant theoretical and empirical contributions to the understanding of 'globalization' and the working of contemporary neo-liberal capitalism. Hart is especially innovative in placing the study of Taiwanese industrialists in South Africa in relation to both the agrarian history of Taiwan and China, and the way that Taiwanese overseas firms have operated in places other than South Africa. It is a very rare combination of talents and knowledge that makes such a study possible."--James Ferguson, author of Expectations of Modernity
This text is aimed at English composition courses at university and community college. This Canadian theme-based reader for introductory composition is structured around two very current topics: language and culture. The text features topics all students have experience with and are aimed at generating debate and discussion. Issues range from questions of personal freedom to the pace of technological change, from self-expression to the social construction of institutions, to name a few. With its combination of Canadian content and focus on language and culture, Words in Common offers a unique approach to developing critical thinking, reading, and writing skills for introductory composition.
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