When Gillian Orrell abandoned corporate life in London to tramp New Zealand's nine Great Walks, she had little idea of what to expect. But uncertainty and inexperience soon gave way to the challenge of the walks themselves, as she embarked on the greatest adventure of her life. Fighting snowstorms, blisters and the attentions of unwanted tramping companions, she determined to enjoy whatever fate might throw her way. The hazards were soon outweighed by the natural splendour of New Zealand's great outdoors, as she trekked over mountains, through rivers, along beaches, past glaciers, into craters, around lakes, beside active volcanoes and through some of the oldest forests in the world. NEW BOOTS IN NEW ZEALAND is a day-by-day account of all nine Great Walks, from the majesty of the famous Milford Track to the unexpected variety of the Heaphy and the beguiling mystery of the Whanganui River Journey. Full of humour and joie de vivre, it is a hugely enjoyable armchair read as well as an essential source of information for anyone intending to walk in New Zealand.
Rediasporization: African-Guyanese Kweh-Kweh examines how African-Guyanese in New York City participate in the Come to My Kwe-Kwe ritual to facilitate rediasporization, that is, the creation of a newer diaspora from an existing one. Since the fall of 2005, African-Guyanese in New York City have celebrated Come to My Kwe-Kwe (more recently called Kwe-Kwe Night) on the Friday evening before Labor Day. Come to My Kwe-Kwe is a reenactment of a uniquely African-Guyanese pre-wedding ritual called kweh-kweh, and sometimes referred to as karkalay, mayan, kweh-keh, and pele. A typical traditional (wedding-based) kweh-kweh has approximately ten ritual segments, which include the pouring of libation to welcome or appease the ancestors; a procession from the groom’s residence to the bride’s residence or central kweh-kweh venue; the hiding of the bride; and the negotiation of bride price. Each ritual segment is executed with music and dance, which allow for commentary on conjugal matters, such as sex, domestication, submissiveness, and hard work. Come to My Kwe-Kwe replicates the overarching segments of the traditional kweh-kweh, but a couple (male and female) from the audience acts as the bride and groom, and props simulate the boundaries of the traditional performance space, such as the gate and the bride’s home. This book draws on more than a decade of ethnographic research data and demonstrates how Come to My Kwe-Kwe allows African-Guyanese-Americans to negotiate complex, overlapping identities in their new homeland, by combining elements from the past and present and reinterpreting them to facilitate rediasporization and ensure group survival.
Hannah and Stephen lead an unusual life in an ancient house with their crazy relatives. When they find a room full of old mechanical toys, Hannah decides to restore a toy guillotine to working order. Little do they know of the evil unleashed by the French Terror. ALA Notable Book.
Adam's Starling tells the story of a nine year old boy who is finding life difficult. At home, no-one has any time for him. At school things are even worse – a gang of bullies has singled Adam out for punishment. Life is becoming increasingly difficult for Adam. But then a scruffy little starling comes into Adam's life. This is Adam's secret, his own special friend. But can Adam's defend his small friend against the bullies? Will he find the courage he has needed all along?
Vet Among the Pigeons continues the story of veterinary surgeon Gillian Hick's escapades among the animal population. Although by now, not such a green graduate, the animals and their owners keep her challenged in a way never described in the text books. While based in a mixed animal practice in Wicklow, Gillian also travels regularly to inner city Dublin to work in the Bluecross animal welfare clinic but finds that sometimes the two lives are hard to combine. From dairy cattle to turkey cocks, from lofty equines to the not so lofty, from six foot snakes to snuffling hedgehogs, Gillian encounters it all as she struggles to improve her own skills and justify her place in the veterinary profession, along with the help of an ever expanding young family of her own.
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
From ingredients and recipes to meals and menus across time and space, Eating Culture is a highly engaging overview that illustrates the important role that anthropology and anthropologists have played in understanding food, as well as the key role that food plays in the study of culture. The new edition, now with a full-color interior, introduces discussions about nomadism, commercializing food, food security, and ethical consumption, including treatment of animals and the long-term environmental and health consequences of meat consumption. "Grist to the Mill" sections at the end of each chapter provide further readings and "Food for Thought" case studies and exercises help to highlight anthropological methods and approaches. By considering the concept of cuisine and public discourse, this practical guide brings order and insight to our changing relationship with food.
The only series for MYP 4 and 5 developed in cooperation with the International Baccalaureate (IB) Develop your skills to become an inquiring learner; ensure you navigate the MYP framework with confidence using a concept-driven and assessment-focused approach to Language and Literature presented in global contexts. - Develop conceptual understanding with key MYP concepts and related concepts at the heart of each chapter. - Learn by asking questions with a statement of inquiry in each chapter. - Prepare for every aspect of assessment using support and tasks designed by experienced educators. - Understand how to extend your learning through research projects and interdisciplinary opportunities.
When her mother dies, fifteen-year-old Keelie Heartwood must leave California to live with her nomadic father at a renaissance festival. Playacting the Dark Ages is an L.A. girl’s worst nightmare. But then Keelie starts seeing fairies and uncovers her connection to a community of elves.
Each object is described and analyzed in terms of its provenance and published history, as well as its construction, materials, and conservation. With its painstaking attention to detail, this volume is the definitive catalogue of the Getty Museum's collection of French Baroque furniture and will be of interest to scholars, conservators, and all students of French decorative arts."--BOOK JACKET.
A guidebook to 46 graded walks exploring the Sicily and the adjoining Aeolian and Egadi Islands. Exploring the dramatic scenery of this world famous region, the walks are suitable for beginner and experienced walkers alike and are perfect for year-round walking. Walks range from 2km to 23km (1-14 miles) in length with most walks being enjoyed in 3-4 hours. They start from key areas including Catania, Messina, Taormina. Sketch maps included for each walk Information on Travelling Around Sicily, Accommodation, and Food and Drink Highlights include Mount Etna, Madonie, the Nebrodi mountains and the Aeolian trail Short Italian-English glossary Sized to easily fit in a jacket pocket
2022 Foreword INDIES Finalist - Juvenile Nonfiction With its colorful text and illustrations, this book explains the world's pandemics and the people who helped save us from them with vaccines. Unlike other science books for middle grade readers, this definitive guide to vaccines is told in an approachable, compelling narrative style. Fascinating stories, combined with fresh design elements, will help kids make connections to current events and get them thinking about where human ingenuity will take us next.
In the 1990s, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century. Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. Across chapters examining legal cases on recovered memory, popular journalism, and novels and memoirs by Dorothy Allison, Carolivia Herron, Kathryn Harrison, and Sapphire, Harkins demonstrates that incest narratives look backward into the past. In these accounts, images of incest forge links between U.S. chattel slavery and the distributive impasses of the welfare state and between decades-distant childhoods and emergent memories of the present. In contrast to recent claims that incest narratives eclipse broader frameworks of political and economic power, Harkins argues that their emergence exposes changing structural relations between the family and the nation and, in doing so, transforms the analyses of American familial sexual violence.
Here is an inspiring, wide-ranging A-Z guide to one of the world's best-loved cuisines. Designed for cooks and consumers alike, The Oxford Companion to Italian Food covers all aspects of the history and culture of Italian gastronomy, from dishes, ingredients, and delicacies to cooking methods and implements, regional specialties, the universal appeal of Italian cuisine, influences from outside Italy, and much more. Following in the footsteps of princes and popes, vagabond artists and cunning peasants, austere scholars and generations of unknown, unremembered women who shaped pasta, moulded cheeses and lovingly tended their cooking pots, Gillian Riley celebrates a heritage of amazing richness and delight. She brings equal measures of enthusiasm and expertise to her writing, and her entries read like mini-essays, laced with wit and gastronomical erudition, marked throughout by descriptive brilliance, and entirely free of the pompous tone that afflicts so much writing about food. The Companion is attentive to both tradition and innovation in Italian cooking, and covers an extraordinary range of information, from Anonimo Toscano, a medieval cookbook, to Bartolomeo Bimbi, a Florentine painter commissioned by Cosimo de Medici to paint portraits of vegetables, to Paglierina di Rifreddo, a young cheese made of unskimmed cows' milk, to zuppa inglese, a dessert invented by 19th century Neapolitan pastry chefs. Major topics receive extended treatment. The entry for Parmesan, for example, runs to more than 2,000 words and includes information on its remarkable nutritional value, the region where it is produced, the breed of cow used to produce it (the razza reggiana, or vacche rosse), the role of the cheese maker, the origin of its name, Molière's deathbed demand for it, its frequent and lustrous depiction in 16th and 17th century paintings, and the proper method of serving, where Riley admonishes: "One disdains the phallic peppermill, but must always appreciate the attentive grating, at the table, of parmesan over pasta or soup, as magical in its way as shavings of truffles." Such is the scope and flavor of The Oxford Companion to Italian Food. For anyone with a hunger to learn more about the history, culture and variety of Italian cuisine, The Oxford Companion to Italian Food offers endless satisfactions.
How do you like the view?' the real estate agent asks. As if he doesn't know. Horses grazing on flat land below, hillsides of tall trees, uninterrupted ocean views, plumes of sea spray smashing against Grassy Head's north face. My heart is pounding. I'm elated, not just because it's so beautiful but because I sense this might, just might, be the alp by the sea Christo and I have always dreamt about. Having long thought of making a new life away from the city, Gillian Nicholson and her husband, Christo, impulsively buy a 20-acre banana farm at Grassy Head on the stunning NSW mid-North Coast. Then they have to figure out how they are going to make this heart-overhead sea-change decision work. Their knowledge of banana farming? Zero. Their knowledge of how to work the land in general? Minuscule. Their irrational joy and confidence that things will work out? Total. This is Gillian's funny, involving and moving account of their journey from being city slickers to finding contentment on their piece of paradise. Along the way it chronicles a husband and wife who are closer than ever after 25 years together.
Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.
In THE BISHOP'S WIFE we see William Pitt the Younger through the eyes of Elizabeth, the wife of Bishop Pretyman, who was Pitt's tutor and one of his closest friends. We see how funny and friendly Pitt was in private. As Elizabeth's story unfolds we encounter a breath taking gallery of eighteenth century leading lights, both social and political: William Wilberforce, Henry Dundas, 1st Viscount Melville, George Canning, George Castlereagh, Sir John Moore, and, not least, Lord Horatio Nelson and the Duke of Wellington. We see the King and Queen, the poet William Wordsworth and painter J. M. W Turner, all in a vivid social and political setting as England faces turbulent times, and as she defeats Napoleon to gain control of the seas and consolidate her empire.
Do you dream of a simpler life? Are constant demands and nonstop busyness stealing your joy? Welcome to the life and times of now. Sometimes, amid the clatter of life, we sense a whisper from the depths of our being, imploring us to stop—to seek peace and restoration. We may acknowledge the fervent pleas, yet we’re unable to devote time and attention to our souls. As we juggle the demands and priorities of life, we disregard the spiritual essence of who we are, and whose we are. We neglect our souls. Unrequited, they thirst on. My Soul Sings for You characterizes the world today. Valuable lessons about family and life in all its glory are gift wrapped in true short stories to awaken your soul and restore your spiritual peace. Refreshingly raw and real, these writings will evoke strong emotions that touch your heart. As you resonate with the storylines, you’ll laugh at the humor in situations, shed tears of sorrow at life’s losses, and rejoice in the triumphs. With your faith renewed, you’ll marvel at unexpected miracles. Your hope will soar to new heights. You’ll experience the beauty of unconditional love and joy. There is no distinct beginning or ending to this book. Pick it up whenever you have a small block of time to read a topic that speaks to your heart. Be still for a moment or two. It’s time for your soul to sing again.
A guidebook to 25 multi-day treks in the Dolomites of north-east Italy. The routes range from moderate to challenging in difficulty, with varying degrees of mountain traverses, scrambles and exposure so a good head for heights is needed. The treks range from 11 to 41km (7–25 miles) with daily distances of between 5 and 15km (3–9 miles). Each trek is designed to be hut-to-hut and last 2–4 days. The routes explore the major mountain groups of the UNESCO World Heritage site including Sella and Marmolada. 1:100,000 maps are included for each walk Treks feature notes on access, difficulty and recommended maps for navigation on the ground Public transport and accommodation options are detailed
One of a series of readers for African students which aims to help them to develop an awareness and a love of language, and consists of stories from all over Africa. In this story Regina fails her audition for the lead role in the school play, but her athletic talent wins her another prized role.
An anthology of Australian Speculative Fiction, BAGGAGE presents some of the finest new work by Aussie writers, including Jack Dann, Monica Carroll, K. J. Bishop, Kaaron Warren, and many more. Included: VISION SPLENDID, by K. J. Bishop TELESCOPE, by Jack Dann HIVE OF GLASS, by Kaaron Warren KUNMANARA--SOMEBODY SOMEBODY, by Yaritji Green MANIFEST DESTINY, by Janeen Webb ALBERT & VICTORIA/SLOW DREAMS, by Lucy Sussex MACREADIE V. THE LOVE MACHINE, by Jennifer Fallon A PEARLING TALE, by Maxine McArthur ACCEPTION, by Tessa Kum AN EAR FOR HOME, by Laura E. Goodin HOME TURF, by Deborah Biancotti ARCHIVES, SPACE, SHAME, LOVE, by Monica Carroll WELCOME, FAREWELL, by Simon Brown
Helene Masterson and Alexis Worth are stepsisters and best friends. When Helene lands a summer internship in London, Alexis tags along. To make their summer more interesting, the girls make a bet that one of them must hook Prince William by the end of the summer. When the girls meet Simon and Lazlo, they find their perfect matches, but will the boys get discouraged with the girls' royal distraction? In The Frog Prince, Helene and Alexis are off to Paris after Helene's estranged father invites her to stay for the summer. Helene and Alexis set out to catch the prince of Paris, chasing him all over town, but what if he turns out to be a toad? Now both novels are available in one bind up just in time for a Royal Wedding!
William and his brother are desperate to have a tree house in the grand old tree at the bottom of the garden. Their father has to go away, but is determined that the tree house should be built. So every month he sends a parcel home to the boys - a parcel containing things they'll need for the tree house. But will their father be home in time for Christmas - in time to join them in the tree house to eat the chestnuts that are growing there . . . Gillian Cross has won many major awards including the Carnegie Medal, the Smarties Prize, and the Whitbread Award.
Because they are so often told as news, contemporary legends force us to reevaluate life as we know it. They confront us with macabre, fantastic, horrific, or hilarious characters and events that seem to come straight out of myths and folktales, but are presented as present day events. The difficulty is that it is not at all easy to decide whether these often disturbing stories should be treated as reliable or dismissed as fantasy. The legends explored in this book are some of the most bizarre, gruesome, and politically sensitive stories in the contemporary legend canon. At any moment a body may be invaded by noxious creatures, deliberately infected with deadly disease, or raided to provide donor organs for sick foreigners. These are "winter's tales," the stuff of nightmares. In this book Gillian Bennett traces the cultural history of six legends, well-known in Europe and America from medieval times to the present day. Appearing in broadsides, ballads, myths, ancient and modern legends, novels, plays, films, television shows, and stories told in the oral tradition, these legends are not just silly tales which can be dismissed as trivial and untrue. They reveal much about the concerns and fears of everyday life and demonstrate the limits of knowledge and power in the modern world.
Award-winning author Gillian McDunn pens a delightfully quirky mystery that examines the meaning of home, perfect for fans of The Vanderbeekers series. Simon's family is always on the move. Every few months, they load up their van, “Vincent Van Go,” and set off for a new adventure. According to his dad, you can't live an extraordinary life by staying in one place. But all Simon wants is to settle down, so he's hatched a plan: to make their latest apartment in the Tangerine Pines building his forever home. When a priceless necklace is stolen, clues indicate the thief might actually be another neighbor. Simon worries he'll have to move again if the thief isn't caught. He usually doesn't go looking for trouble, but if retrieving the necklace means establishing home, Simon is willing to risk it. With the help of his neighbor Amaya, pet sitter, plant-waterer, and podcaster extraordinaire, Simon is determined to crack the case and finally put down roots.
For those who are familiar with the first edition, it will be convenient to have some indication of where the main changes lie. Chapter one has been largely rewritten to give an outline of current approaches to a model of comprehension of spoken language. Chapter two has a new initial section but otherwise remains as it was. Chapter three incorporates a new section on "pause" and how this interacts with rhythm, and rather more on the function of stress. Chapter four has an extended initial section but otherwise remains largely as it was. Chapter five on intonation contains several sections which have been rewritten to varying extents. Chapter six of the first edition has disappeared: in 1977, very little work had been published on "fillers" and it seemed worthwhile incorporating a chapter that sat rather oddly with the phonetic/phonological interests of the rest of the book. Not that there is a great industry of descriptions of the forms and functions of these and similar phenomena there seems no reason to retain this early but admittedly primitive account. The chapter on "paralinguistic vocal features", now chapter six, has some rewriting in the early part but considerable rewriting in the last sections. The final chapter on "teaching listening comprehension" has grown greatly in length. It still incorporates some material from the original chapter but most of it is completely rewritten.
NOW AN HBO® LIMITED SERIES STARRING AMY ADAMS, NOMINATED FOR EIGHT EMMY AWARDS, INCLUDING OUTSTANDING LIMITED SERIES FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming. Praise for Sharp Objects “Nasty, addictive reading.”—Chicago Tribune “Skillful and disturbing.”—Washington Post “Darkly original . . . [a] riveting tale.”—People
Florence Nightingale was for a time the most famous woman in Britain–if not the world. We know her today primarily as a saintly character, perhaps as a heroic reformer of Britain’s health-care system. The reality is more involved and far more fascinating. In an utterly beguiling narrative that reads like the best Victorian fiction, acclaimed author Gillian Gill tells the story of this richly complex woman and her extraordinary family. Born to an adoring wealthy, cultivated father and a mother whose conventional facade concealed a surprisingly unfettered intelligence, Florence was connected by kinship or friendship to the cream of Victorian England’s intellectual aristocracy. Though moving in a world of ease and privilege, the Nightingales came from solidly middle-class stock with deep traditions of hard work, natural curiosity, and moral clarity. So it should have come as no surprise to William Edward and Fanny Nightingale when their younger daughter, Florence, showed an early passion for helping others combined with a precocious bent for power. Far more problematic was Florence’s inexplicable refusal to marry the well-connected Richard Monckton Milnes. As Gill so brilliantly shows, this matrimonial refusal was at once an act of religious dedication and a cry for her freedom–as a woman and as a leader. Florence’s later insistence on traveling to the Crimea at the height of war to tend to wounded soldiers was all but incendiary–especially for her older sister, Parthenope, whose frustration at being in the shade of her more charismatic sibling often led to illness. Florence succeeded beyond her wildest dreams. But at the height of her celebrity, at the age of thirty-seven, she retired to her bedroom and remained there for most of the rest of her life, allowing visitors only by appointment. Combining biography, politics, social history, and consummate storytelling, Nightingales is a dazzling portrait of an amazing woman, her difficult but loving family, and the high Victorian era they so perfectly epitomized. Beautifully written, witty, and irresistible, Nightingales is truly a tour de force.
Chase your dreams and follow your heart! I loved it!' Heidi Swain Escape to France with this warm, witty romantic read. After ten years of loyal service Lily Butterworth has been made redundant. Like any clever woman, she knows the cure to redundancy is a little too much wine and her best friend. Only the next morning, Lily has more than a hangover . . . she has a whole new house – in France! Seeing this as an opportunity instead of a disaster, she’s excited about finally moving to France, just as she and her husband always dreamed of. However, Lily is in for another surprise. Despite planning to move there for over 20 years, her husband never actually intended to go. So begins a year in France, alone, renovating the gorgeous old farmhouse that is held together by wallpaper and wishes. Will a year at the French farmhouse be just what Lily needs? Or could it be the previous owner, Frederique, that is the answer to Lily’s dreams? 'A gorgeous escapist story of second chances. I loved it’ Alex Brown 'Unputdownable. A Year At The French Farmhouse is the ultimate feel good novel. I was right there with the characters, soaking up the atmosphere, rooting for Lily and willing for everything to turn out right.' Paula Greenlees ‘The perfect feel-good read. Uplifting, touching and really quite hilarious. It’s like going on holiday without leaving the house’ Tim Ewins
Gillian Beer's classic Darwin's Plots, one of the most influential works of literary criticism and cultural history of the last quarter century, is here reissued in an updated edition to coincide with the anniversary of Darwin's birth and of the publication of The Origin of Species. Its focus on how writers, including George Eliot, Charles Kingsley and Thomas Hardy, responded to Darwin's discoveries and to his innovations in scientific language continues to open up new approaches to Darwin's thought and to its effects in the culture of his contemporaries. This third edition includes an important new essay that investigates Darwin's concern with consciousness across all forms of organic life. It demonstrates how this fascination persisted throughout his career and affected his methods and discoveries. With an updated bibliography reflecting recent work in the field, this book will retain its place at the heart of Victorian studies.
Well-known Broadway playwright and TV producer Lyle Zacharias is throwing himself a lavish birthday party in his hometown of Philadelphia. Guests include his current wife, ex-wives, friends, former partners-not to mention Amanda Pepper and her own irrepressible mother, Bea. Yet when Lyle drops dead in the middle of a speech, it appears the likely perpetrator is none other than Bea, whose gift was fifty delicious, but apparently poisoned, tarts! It's up to Amanda to clear her mother's name and find the real murderer...before he or she strikes again! But Amanda herself may be the next target! Who says teaching isn't exciting? With any more excitement, Amanda will have to retire before she hits thirty-one...if she lives that long!
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