From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
Here is an inspiring, wide-ranging A-Z guide to one of the world's best-loved cuisines. Designed for cooks and consumers alike, The Oxford Companion to Italian Food covers all aspects of the history and culture of Italian gastronomy, from dishes, ingredients, and delicacies to cooking methods and implements, regional specialties, the universal appeal of Italian cuisine, influences from outside Italy, and much more. Following in the footsteps of princes and popes, vagabond artists and cunning peasants, austere scholars and generations of unknown, unremembered women who shaped pasta, moulded cheeses and lovingly tended their cooking pots, Gillian Riley celebrates a heritage of amazing richness and delight. She brings equal measures of enthusiasm and expertise to her writing, and her entries read like mini-essays, laced with wit and gastronomical erudition, marked throughout by descriptive brilliance, and entirely free of the pompous tone that afflicts so much writing about food. The Companion is attentive to both tradition and innovation in Italian cooking, and covers an extraordinary range of information, from Anonimo Toscano, a medieval cookbook, to Bartolomeo Bimbi, a Florentine painter commissioned by Cosimo de Medici to paint portraits of vegetables, to Paglierina di Rifreddo, a young cheese made of unskimmed cows' milk, to zuppa inglese, a dessert invented by 19th century Neapolitan pastry chefs. Major topics receive extended treatment. The entry for Parmesan, for example, runs to more than 2,000 words and includes information on its remarkable nutritional value, the region where it is produced, the breed of cow used to produce it (the razza reggiana, or vacche rosse), the role of the cheese maker, the origin of its name, Molière's deathbed demand for it, its frequent and lustrous depiction in 16th and 17th century paintings, and the proper method of serving, where Riley admonishes: "One disdains the phallic peppermill, but must always appreciate the attentive grating, at the table, of parmesan over pasta or soup, as magical in its way as shavings of truffles." Such is the scope and flavor of The Oxford Companion to Italian Food. For anyone with a hunger to learn more about the history, culture and variety of Italian cuisine, The Oxford Companion to Italian Food offers endless satisfactions.
This book offers a historical analysis of key classical translated works for children, such as writings by Hans Christian Andersen and Grimms’ tales. Translations dominate the earliest history of texts written for children in English, and stories translated from other languages have continued to shape its course to the present day. Lathey traces the role of the translator and the impact of translations on the history of English-language children’s literature from the ninth century onwards. Discussions of popular texts in each era reveal fluctuations in the reception of translated children’s texts, as well as instances of cultural mediation by translators and editors. Abridgement, adaptation, and alteration by translators have often been viewed in a negative light, yet a closer examination of historical translators’ prefaces reveals a far more varied picture than that of faceless conduits or wilful censors. From William Caxton’s dedication of his translated History of Jason to young Prince Edward in 1477 (‘to thentent/he may begynne to lerne read Englissh’), to Edgar Taylor’s justification of the first translation into English of Grimms’ tales as a means of promoting children’s imaginations in an age of reason, translators have recorded in prefaces and other writings their didactic, religious, aesthetic, financial, and even political purposes for translating children’s texts.
Schneider Family Book Award: Best Middle Grade Honor Book! Highly-acclaimed author of Caterpillar Summer, Gillian McDunn explores boyhood in a funny, big-hearted story about a kid trying to find the best way to be his best self. Elliott isn't sure where he fits in. Ever since his best friend moved away and his dad and stepmom announced the arrival of their new baby, he's been feeling invisible. Plus his dad just doesn't seem to understand what having ADHD really feels like, or why cooking is the one activity where Elliott's mind clicks into place. When he's paired with the super smart and popular Maribel for a school project, Elliott worries she'll be just another person who underestimates him. But Maribel is also looking for a new way to show others her true self and this project could be the chance they've both been waiting for. Sometimes the least likely friends help you see a new side to things . . . and sometimes you have to make a few mistakes before you figure out what's right. Acclaim for Caterpillar Summer An Indies Introduce Pick A Texas Bluebonnet Selection A Parents Best Book of the Year A Kirkus Reviews Best Book of the Year An Amazon Best Book of the Year
The Little Book of the Cotswolds is a veritable smorgasbord of Cotswold miscellany, packed with fascinating titbits and all manner of factual frippery – from Cotswold lions to puppy dog pies. The region's strangest traditions, its most eccentric inhabitants, blood-curdling murders and right royal connections combine with humorous cartoons to make this quirky little book difficult to put down.
Advertising is a form of communication that constantly impinges on our daily lives, yet we are often unaware of its more subtle form of persuasion, or of the extent to which it manipulates our (consumer) culture. This book sets out to examine advertising as a form of communication in contemporary society and also places it in its wider cultural and economic context.
Explains the efficacy of unprocessed, whole superfoods, especially the raw, enzyme-rich foods that are called "living foods." They include: sprouted millet, sprouted quinoa, alfalfa, aloe vera, green barley grass, flax seeds, parsley, dulse, nort, stevia, sunflower and wild blue-green algae.
It was the biggest funeral Chicago had seen since Lincoln’s. On May 26, 1889, four thousand mourners proceeded down Michigan Avenue, followed by a crowd forty thousand strong, in a howl of protest at what commentators called one of the ghastliest and most curious crimes in civilized history. The dead man, Dr. P. H. Cronin, was a respected Irish physician, but his brutal murder uncovered a web of intrigue, secrecy, and corruption that stretched across the United States and far beyond. Blood Runs Green tells the story of Cronin’s murder from the police investigation to the trial. It is a story of hotheaded journalists in pursuit of sensational crimes, of a bungling police force riddled with informers and spies, and of a secret revolutionary society determined to free Ireland but succeeding only in tearing itself apart. It is also the story of a booming immigrant population clamoring for power at a time of unprecedented change. From backrooms to courtrooms, historian Gillian O’Brien deftly navigates the complexities of Irish Chicago, bringing to life a rich cast of characters and tracing the spectacular rise and fall of the secret Irish American society Clan na Gael. She draws on real-life accounts and sources from the United States, Ireland, and Britain to cast new light on Clan na Gael and reveal how Irish republicanism swept across the United States. Destined to be a true crime classic, Blood Runs Green is an enthralling tale of a murder that captivated the world and reverberated through society long after the coffin closed.
A secret heard in confession forces a Scottish, small-town, Catholic priest to investigate a murder in this series opener by the author of Troubled Waters. In the house of a Roman Catholic bishop, a man lies in a pool of blood. Out in the bishop’s diocese, the quiet life of parish priest Father Vincent Ross is about to be thrown into turmoil by a terrifying revelation. There are ugly scandals hidden by the church he has served for so long, and a murderer is on the prowl. The police and the authorities are groping in the dark, but Father Ross has been given special information that he cannot disclose to anyone. It gradually dawns on him that he and he alone can unravel the mystery, and to do this he must put his personal safety, his reputation, and finally his life on the line. Praise for the novels of Gillian Galbraith “Full of twists and turns in all the right places, likely to appeal to many for its slow-build tension.” —Dundee Courier (UK) “With this highly readable debut novel, Gillian Galbraith establishes what one hopes will be a long-running presence . . . A vivid and exciting story . . . Not a dull page from start to finish.” —Alexander McCall Smith
A large proportion of London's population lived in lodgings during the long 18th century, many of whom recorded their experiences. In this fascinating study, Gillian Williamson examines these experiences, recorded in correspondences and autobiographies, to offer unseen insights into the social lives of Londoners in this period, and the practice of lodging in Georgian London. Williamson draws from an impressive array of sources, archives, newspapers, OBSP trials and literary representations to offer a thorough examination of lodging in London, to show how lodging and lodging houses sustained the economy of London during this time. Williamson offers a fascinating insight into the role lodging houses played as the facilitators of encounters and interactions, which offers an illuminating depiction of social relations beyond the family. The result is an important contribution to current historiography, of interest to historians of Britain in the long 18th century.
This guide surveys the truly essential criticism of the play over the last four centuries, from 16th-century responses to the present day. Discussing key areas of debate, and a wide range of scholarship, Gillian Woods provides an invaluable introduction to the vast array of criticism surrounding one of Shakespeare's most popular plays.
For fans of Raina Telgemeier and Victoria Jamieson, this middle grade graphic novel series tells the story of Shirley and Jamila, two girl detectives on a mission to stop their school’s biggest bully once and for all As Jamila settles into the rhythms of classes and after-school basketball practice, Shirley has a new mystery on her mind. Her old enemy Chuck is up to his usual tricks: He's been blackmailing kids all over school, and Shirley knows that she and Jamila can put a stop to it. They hatch a plan: They'll break into his house late one night and recover all the notes Chuck's been using to blackmail innocent kids. But while Shirley and Jamila are at the house, another intruder arrives—an intruder who can help them put a stop to Chuck's crimes once and for all.
DIVMoney changes everything in this darkly comic tale of romantic revenge/divDIV When shy, insecure Liverpudlian Ellie Freeman unexpectedly wins more than a million pounds in the football betting pools, she sees it as a way to transform the life of her bitter, frustrated, and, above all, distant husband Malcolm. She hides the news of her win from Malc, and uses the money to invest in a firm that will give her husband a better job than the warehouseman position he currently holds. And, indeed, the new job does make Malc a new man—a new man who suddenly envisions a life without Ellie. Can Ellie, too, become a new person? Can she become a stronger, more confident woman who is capable of winning her husband back . . . and is that even what she wants anymore?/div
... This book brings together for the first time the best of Hyde's journalism. Alongside extracts from the now out of print Journalese (1934) are previously uncollected articles and reviews from newspapers and magazines, ranging in subject matter from the Treaty of Waitangi to the Spanish Civil War, from China in the thirties to the Queen Street Riots. These detailed and vivid accounts of aspects of New Zealand society and the international situation have an urgency with makes them relevant to us all.The biographical introduction offers a fuller picture than we have had of this remarkable writer, drawing on interviews, letters and the work itself." -- Back cover.
What made the United States what it is began long before a shot was fired at a redcoat in Lexington, Massachusetts in 1775. The theories of reading developed by John Locke were the means by which a revolutionary attitude toward authority was disseminated throughout the British colonies in North America.
This book takes a close look at the recent changing emphasis from collections to access, and from document description to document delivery. As the automation of library processes has moved from technical services to reference services, the roles of the professionals working in those capacities have changed dramatically. Library administrators who are looking to redeploy resources will gain helpful insights from the experiences of librarians who have already redirected their organizations. This helpful volume will be of tremendous assistance in redefining the traditional roles of reference and technical librarians. Access Services offers new insights into the movement from bibliographic access to information access that is reshaping reference services today. Informative discussions on topics such as cross-training experiments, revised organizational structures, the new role of the bibliographic utilities, library school education for the redefined professional, and changes in cataloging codes reveal what impact this trend has for librarians, services, and patrons.
Corruption is a pervasive problem for global justice: Gillian Brock presents a much-needed philosophical treatment. She offers a new framework for allocating responsibility for corruption, providing the analytical tools we need to tackle the global injustice that it causes.
No. It is not what you think. The year is 1897, not 1997. This is a fictional account of Hong Kong being invaded by the combined forces of France and Russia. This visionary novel by an anonymous author has been forgotten for a hundred years. Yet when published as The Back Door during the negotiations between Imperial China and Great Britain over the lease of the New Territories, the story aroused serious British fears about the possibility of defending Hong Kong against attack. Copies were then to be found on the desks of British officials in London. Matthew Nathan, who became Governor in 1904, was advised to read the book. But it was not only in 1897 that the book was accurate in its observations on military tactics. There are many intriguing parallels with the Christmas 1941 invasion by the Japanese and the role of the Hong Kong Volunteers at that time. Three strategically vulnerable locations identified in The Back Door were considered for attack in 1941. Had the Japanese read this fictional battle when plotting their manoeuvres? If so, The Back Door not only taught one way to defend Hong Kong, but also another to attack it.
This book introduces the unique archive of letters, textiles, hand-drawn maps, emails and photographs from asylum seekers held indefinitely in offshore detention at Topside Camp, Nauru 2001-5. These artefacts introduce the distinctive and creative forms of resistance produced by asylum seekers in the remote Pacific camps on Nauru and Manus Island, and they expose their experiential histories of radical suffering and trauma. Paying due deference to the creative and aesthetic agency of these various documents and artefacts created by the undocumented here, Gillian Whitlock generates a cultural biography of the Nauru camp that humanizes those who have remained unseen and unheard, and features the activist campaigns and the political resistance that assert the agency of witnessing refugees. Structured around the collections of various artefacts exchanged between detainees and humanitarian activists, Refugee Lives in the Archives draws on emerging theories from detention centres and the asylum seekers themselves in a distinctive and expansive Pacific imaginary of refugee life narrative. Building on Whitlock's substantial body of work in testimonial, documentary and archive practices, this book focuses on the 'testimony of things' and probes an approach to archival studies that moves life writing in new directions, to respond collaboratively to the diverse materiality of story-telling and exchanges in the unique and creative forms of asylum seekers' voices, stories and epistemologies.
Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history.
From the highly acclaimed author of Caterpillar Summer comes a sweet and heartfelt story of a girl's unexpected friendship that changes her forever, perfect for fans of Lynda Mullaly Hunt. Ever since her mother left a few years ago, Annie has felt like the odd one out in her family. Her dad and brother are practical and organized--they just don't understand the way she thinks, in lines and color. Everywhere she turns, she feels like an outsider, even at school, so she's been reluctant to get close to anyone. When a "Ding-Dong-Ditch" attempt goes wrong, Annie finds herself stuck making amends with Gloria, the eccentric elderly lady she disturbed. As she begins to connect with Gloria and her weird little dog, it becomes clear that Gloria won't be able to live on her own for much longer. But it's this brief and important friendship that gives Annie the confidence to let people in, and see how rich life can be when you decide to make your own luck and chart your own path to happiness. In this heartwarming novel, acclaimed author Gillian McDunn shows us that even the most unexpected friendship has the power to change us forever. Acclaim for Caterpillar Summer An Indies Introduce Pick A Texas Bluebonnet Selection A Parents Best Book of the Year A Kirkus Reviews Best Book of the Year An Amazon Best Book of the Year
In nineteenth-century America, Gillian Silverman contends, reading—and particularly book reading—precipitated intense fantasies of communion. In handling a book, the reader imagined touching and being touched by the people affiliated with that book's narrative world—an author, a character, a fellow reader. This experience often led to a sense of consubstantiality, a fantasy that the reader, the material book, and the imagined other were momentarily merged. Such a fantasy challenges psychological conceptions of discrete subjectivity along with the very notion of corporeal integrity—the idea that we are detached, skin-bound, and autonomously functioning entities. It forces us to envision readers not as liberal subjects, pursuing reading as a means toward privacy, interiority, and individuation, but rather as communal beings inseparable from objects in our psychic and phenomenal world. While theorists have long emphasized the way reading can promote a sense of abstract belonging, Bodies and Books emphasizes the intense somatic bonds that nineteenth-century subjects experienced while reading. Silverman bridges the gap between the cognitive and material effects of reading, arguing that the two worked in tandem, enabling readers to feel deep communion with objects (both human and nonhuman) in the external world. Drawing on the letters and diaries of nineteenth-century readers along with literary works by Herman Melville, Frederick Douglass, Susan Warner, and others, Silverman explores the book as a technology of intimacy and ponders what nineteenth-century readers might be able to teach us two centuries later.
DIVJessica’s scheme was supposed to get her a new baby—but she didn’t count on getting an entire family/divDIV Jessica was living the perfect London life, with a great job at an auction house and a striking Italian boyfriend, Rudi. Only one thing was missing: a baby. Despite numerous visits to the doctor and repeated efforts to conceive, the couple was having no luck. That is, until Brenda, Jessica’s secretary, became pregnant./divDIV /divDIVJessica’s plan is as dishonest as it is effective. She will have Rudi sleep with the barely pregnant Brenda, and trick him into believing that the secretary is carrying his child. Then Jessica and Rudi can adopt the baby. But a twist of fate upsets Jessica’s scheme when Brenda’s brassy, working-class family becomes a fixture in her life, giving her endless headaches as they invite themselves over for visits and hospital trips. After one underhanded ploy, Jessica must deal with a family she never wanted and one that is almost impossible to avoid./div
Problems of Authority in the Reformation Debates shows that in the early sixteenth century much was seen to be wrong with both the doctrine and the practice of authority in the Western Church. A great deal of scholarly effort was devoted at the time to trying to understand the nature of the problem, but this, as the author points out, was largely a piecemeal endeavour. No one succeeded in providing a comprehensive account of the complex 'authority' questions which were being raised about absolute divine sovereignty, the centrality of Christ, the primacy of scripture, the necessity of grace, and so on. Dr Evans aims here to piece together underlying connections in the theology of the Reformation period, as a contribution to ecumenical dialogue. She shows how, as theologians struggle today about words and meanings, the detailed texture of semantic debate similarly underlies many of the Reformation controversies.
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
Presents the life and work of the African American young adult author, who served in the Peace Corps in Ethiopia and who went on to win the 1977 Newbery Award for her work "Roll of Thunder, Hear My Cry.
They found the fifth girl right after the snow melted . . . the place where he left her was winter water, crazed with ice-feathers and dusted with snow. The traces from her body were gone, the ones that said his name, but she had an extra skin of ice that protected her and she looked perfect, like Snow White.' Ruby and her older sister, Jinn, are on their own, just about making ends meet. Jinn is beautiful, with glittering blonde hair, and makes it her business to look after Ruby. They are horrified by, but try to ignore, the local newspaper stories of prostitutes who are murdered, their bodies eventually discovered underwater. Then the no-good Nathan Baird turns up on the scene - again - and Jinn starts to change and no longer has time to look after Ruby. And it seems to Ruby that Jinn herself needs looking after. Her beautiful glittering hair starts to lose its shine. And then Jinn disappears. A deeply moving, chilling, and incredibly powerful thriller that celebrates the love two sisters have for each other and mourns the events beyond their control that will conspire to drive them apart.
In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state.
Find out how legendary musician Bruce Springsteen earned his monicker. There's only one Boss; his story is revealed here.Bruce Springsteen is a platinum-shifting, stadium-filling rock star, but he is also more nuanced than that. He is a man of the people, making conventional-and-proud-of-it rock music aimed at the American working class.A supreme songwriter, Springsteen is a rock 'n' roll legend, and this lavishly illustrated book is an examination of his life and music. A comprehensive overview of a fascinating and unique artist, Boss: Bruce Springsteen and the E Street Band - The Illustrated History is a tribute to Springsteen's body of work, from the rock anthem Born to Run to his sepia-toned analysis of working-class misery, The River. There's Springsteen's gnarly, Bonnie and Clyde-style tableaux Atlantic City, as well as his debunking of guys' yearnings for youthful Glory Days. Throughout it all, Springsteen has demonstrated that he knows how to create a classic track. Find out once and for all why his nickname is The Boss.
Just when you thought you had to say goodbye to all your favorite desserts, A Celebration of Gluten Free Baking presents an innovative selection of irresistible and delicious corn, soy and gluten free recipes, covering everything from American favorites to European specialties. You will find a wide varity of tempting, healthy options, made without any conventional sugars ranging from cookies, breads and traditional pies, to sophisticated cakes and tortes. Highlighted are everyone's favorites such as apple pie, cheese cake, chocolate chip cookies, right along side such delicacies as marzipan, traditional German gingerbread, British tea scones and European fruit tortes. For all those interested in raw food options, the authors have included a chapter showcasing several of their family's favorite raw desserts. Rediscover the joys of home-made desserts with this indispensable gluten free guide!
Love’s Work is at once a memoir and a book of philosophy. Written by the English philosopher Gillian Rose as she was dying of cancer, it is a book about both the fallibility and endurance of love, love that becomes real and endures through an ongoing reckoning with its own limitations. Rose looks back on her childhood, the complications of her parents’ divorce and her dyslexia, and her deep and divided feelings about what it means to be Jewish. She tells the stories of several friends also laboring under the sentence of death. From the sometimes conflicting vantage points of her own and her friends’ tales, she seeks to work out (seeks, because the work can never be complete—to be alive means to be incomplete) a distinctive outlook on life, one that will do justice to our yearning both for autonomy and for connection to others. With droll self knowledge (“I am highly qualified in unhappy love affairs,” Rose writes, “My earliest unhappy love affair was with Roy Rogers”) and with unsettling wisdom (“To live, to love, is to be failed”), Rose has written a beautiful, tender, tough, and intricately wrought survival kit packed with necessary but unanswerable questions.
Reference book comprising a bibliography aiming to bring together secondary source interdisciplinary material on labour relations in the UK between the years 1880 and 1970 - covers employees attitudes, trade unions and employees associations, employers organizations, the labour market and working conditions, etc.
Thomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.
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