Arthur Jeffress was an art dealer and collector from a Virginian family who bequeathed his “subversive little collection” (Derek Hill) to Tate and Southampton City Art Gallery on his suicide in 1961. That suicide, a result of his expulsion from Venice, has been the subject of speculation in many memoirs. Gill Hedley's biography of Jeffress has benefited from access to many hundreds of unpublished letters written between Jeffress and Robert Melville, who ran Jeffress' own gallery from 1955-1961. The letters were written largely while Jeffress was in Venice and reveal a vivid picture of the London gallery world as well as frank details of artists, collectors and the definitive story of his suicide. Previously unpublished research reveals new information about the lives of Jeffress' lover John Deakin, his business partner Erica Brausen, the French photographer André Ostier and Henry Clifford, and the way in which all of them influenced Jeffress' first steps as a collector from the 1930s onwards.
From the author of A Daughter's Wish comes a gritty tale of one woman's determination to find a home to call her own, perfect for fans of Dilly Court, Anna Jacobs and Ellie Dean. Having been given up as a baby, Lorna Robson spends her days working long and tiring hours in her aunt's hat shop in County Durham. But when she inherits a large property in the city from the grandfather she never knew, her aunt is furious at her for leaving, and tells Lorna not to come back. Arriving at Snow Hall, Lorna can't help but fall in love with the dilapidated old house she's been given. However, with her grandfather's disreputable family willing to do anything to take the house from her, and no help or money of her own, will Lorna be able to keep Snow Hall and turn this house into a home?
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