In this brilliantly witty satire -- a bestseller in the UK -- a prestigious British museum launches an ambitious new exhibit...which quickly becomes a seasonal nightmare. Think that a day in the life of a London museum director is cold, quiet, and austere? Think again. Giles Waterfield brings a combination of intellectual comedy and knockabout farce to the subject in this story of one long day in a museum full of scandals, screw-upsŠand more than a few scalawags. At the beginning of The Hound in the Left-hand Corner, Auberon, the brilliant but troubled director of the Museum of British History, is preparing one midsummer's day for the opening of the most spectacular exhibition his museum has ever staged. The centerpiece is a painting of the intriguing Lady St. John strikingly attired as Puck, which hasn't been shown in London in a hundred years. As the day passes, the portrait arouses disquieting questions, jealousies, rivalries -- and more than a few strange affections -- in the minds of the museum staff. As guests and employees pour in, the tension rises -- and Auberon himself has the hilariously ridiculous task of keeping the peace, without losing his own sense of reality as well. For everyone who loves the farce of David Lodge and Michael Frayn, or even the Antiques Roadshow, the fast-paced, hilarious satire of The Hound in the Left-hand Corner is sure to delight and entertain.
In the 1930s, Henry and Helen Williamson arrive on the French Riviera looking for a house. Barely thirty, Henry has been forced to retire from the Indian civil service through ill-health. They fall in love with the dreamlike Lou Paradou and set about constructing a life of ease, and a ravishing garden. But as the political conflict gathers, so the atmosphere of their new home becomes increasingly unquiet and a tragic fate befalls them. THE LONG AFTERNOON enchants and involves the reader, just as the Williamsons' garden seduces its visitors.
The author of THE LONG AFTERNOON turns his attention to serious folly and with cunning sleight of hand shows he has a talent to amuse and provoke in equal measure. Auberon, the brilliant but troubled Director of the Museum of British History is preparing one Midsummer's Day for the opening of the most spectacular exhibition the Museum has ever staged: ELEGANCE. The centrepiece of the exhibition is Gainsborough's portrait of the beautiful and intriguing Lady St John - not shown in London for a hundred years, the painting shows its subject strikingly attired as Puck. As the day passes the portrait arouses in the minds of the museum staff disquieting questions, rivalries and strangely deep affections. Tension mounts: will the gala dinner be a success? Can the museum's Chairman be kept under control? And just what is it that's so peculiar about the portrait?
The wedding of Thomas, an idealistic German architect, and Irene, an English artist, brings together the Curtius and Benson families. But their new lives are soon shattered by the outbreak of war in Europe. While Irene struggles to survive in a country where she is the enemy, her sister Sophia faces the war as a nurse on the Western Front. For their brother Mark, diplomatic service sees him moving between London, Washington and Copenhagen, all the while struggling to confront his own identity. Against a backdrop of war and its aftermath relationships are tested, sacrifices are made and Irene and her siblings strive to find their place in an evolving world.
When Ellen enters service as a young housemaid at Markham Thorpe, she realises that the relationship between masters and servants is not quite as it should be - and that it is her cousin, the housekeeper Mrs Rundell, who's responsible.
In this brilliantly witty satire -- a bestseller in the UK -- a prestigious British museum launches an ambitious new exhibit...which quickly becomes a seasonal nightmare. Think that a day in the life of a London museum director is cold, quiet, and austere? Think again. Giles Waterfield brings a combination of intellectual comedy and knockabout farce to the subject in this story of one long day in a museum full of scandals, screw-upsŠand more than a few scalawags. At the beginning of The Hound in the Left-hand Corner, Auberon, the brilliant but troubled director of the Museum of British History, is preparing one midsummer's day for the opening of the most spectacular exhibition his museum has ever staged. The centerpiece is a painting of the intriguing Lady St. John strikingly attired as Puck, which hasn't been shown in London in a hundred years. As the day passes, the portrait arouses disquieting questions, jealousies, rivalries -- and more than a few strange affections -- in the minds of the museum staff. As guests and employees pour in, the tension rises -- and Auberon himself has the hilariously ridiculous task of keeping the peace, without losing his own sense of reality as well. For everyone who loves the farce of David Lodge and Michael Frayn, or even the Antiques Roadshow, the fast-paced, hilarious satire of The Hound in the Left-hand Corner is sure to delight and entertain.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.