Over the course of his distinguished interdisciplinary career, Giles Gunn has sustained his focus on the continuing threats to our collective sense of the human that seem to result from the link between the collision of fundamental values and the increase of systemic violence. He asks whether such threats can be at least mitigated, even if not removed, by understanding as opposed to force and what resources a more pragmatic cosmopolitanism might provide for doing so. How, in other words, might our sense of the human be reconstructed, not around suspicion or antipathy toward others, but around an epistemological and moral need of them? In this narrativized collection of his essays, Gunn introduces each one with a set of comments designed to explain his goal when first writing them and what they mean to him now. The variety of issues he addresses ranges from the theory of culture and cultural criticism (particularly in America), the philosophy of inter- and cross-disciplinary studies, and the psychology and politics of pragmatism to the ethics of human solidarity, the place of culture in the misshaping of international affairs, and the quest of both religion and culture for a new basis for the normative.
In The Pragmatist Turn, renowned scholar of American literature and thought Giles Gunn offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what he calls spiritual imaginaries.Drawing on a large number of figures from earlier periods and examining how they influenced generations of writers from the nineteenth century into the early twenty-first —including Henry Adams, Frederick Douglass, Emily Dickinson, Herman Melville, William James, Henry James, Kenneth Burke, and Toni Morrison—Gunn reveals how the idea or symbolic imaginary of "America" itself was drastically altered in the process. As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.
In Thinking Across the American Grain Giles Gunn makes a major contribution to the current revival of pragmatism in America by showing how it provides the most critically resilient and constructive response to the intellectual challenges of postmodernism. Gunn reclaims and refurbishes elements of the pragmatic tradition that either have been lost or have undergone important changes and shows how newer critical approaches have strong roots in the pragmatic tradition. For Gunn, pragmatism is no longer concerned solely with the nature of knowledge and the meaning of truth. Because of its insistence on critical self-awareness, its opposition to closed systems of thought, and its concern with the ethical, political, and practical contexts of ideas, pragmatism offers a blueprint for performing intellectual work in a world without absolutes. The world Gunn's pragmatism recognizes is one of multiple truths, unstable interpretations, and competing interests. After critically reexamining the nature and scope of the pragmatic legacy, Gunn explores the way pragmatism successfully responds to conceptual and methodological controversies, from the rebirth of ideology, the spread of interdisciplinarity, and the development of the new historicism, to the revolt against theory, the erosion of public discourse, and the problematics of American civil religion. Drawing throughout on the work of William James, Henry James, Sr., John Dewey, Kenneth Burke, W. E. B. Du Bois, Richard Poirier, Stanley Cavell, Clifford Geertz, Frank Lentricchia, Richard Rorty, Richard J. Bernstein, and others, Gunn shows that pragmatism, because it offers a way of thinking across the categories of modern intellectual specializations, is located at the intersection of these critical, and often competitive, discourses. The postmodern challenge for the pragmatist thinker is not only how to render these different discourses conversible with one another, but how to turn the salient insights of each into elements of a new democratic and critical public culture, one able to counter the twin threats of ideology and solipsism. Giles Gunn is one of our most acclaimed contemporary critics, and this broad and ambitious book is certain to become one of the central works in the current revival of critical pragmatism and cultural studies.
In this text Giles Gunn asks how human solidarity can be reconceived when its expressions have become increasingly exceptionalist and outmoded, and when the pressures of globalization divide as much as they unify. Drawing on the work of Williams and Henry James, John Dewey, Primo Levi, Richard Rorty and others, as well as postcolonial writings, Jewish literature of the holocaust and the cultural and religious experience of African Americans in slavery, Gunn points pragmatism in a transnational direction and shows how it can better account for the consequences of diversity.
Cosmopolitanism and Its Discontents seeks to address the kinds of challenges that cosmopolitan perspectives and practices face in a world organized increasingly in relation to a proliferating series of global absolutisms – religious, political, social, and economic. While these challenges are often used to support the claim that cosmopolitanism is impotent to resist such totalizing ideologies because it is either a Western conceit or a globalist fiction, Gunn argues that cosmopolitanism is neither. Situating his discussion in an emphatically global context, Gunn shows how cosmopolitanism has been effective in resisting such essentialisms and authoritarianisms precisely because it is more pragmatic than prescriptive, more self-critical than self-interested and finds several of its foremost recent expressions in the work of an Indian philosopher, a Palestinian writer, and South African story-tellers. This kind of cosmopolitanism offers a genuine ethical alternative to the politics of dogmatism and extremism because it is grounded on a new delineation of the human and opens toward a new, indeed, an "other," humanism.
Giles Gunn's challenging new work is at once a passionately argued defense of the kind of moral reflection once associated in America with the writings of Lionel Trilling and Edmund Wilson, and an acknowledgement that this pragmatic legacy must be reevaluated in the light of challenges posed by structuralist and post-structuralist theory. Including discussions of such thinkers as Burke, Geertz, Bakhtin, Rorty, Trilling, and Wilson, Gunn provides a carefully delineated vision of what criticism actively engaged in its society can accomplish.
Studies the ways in which imaginative literature expresses religious meaning and considers the contribution of literary criticism to religious scholarship, maintaining that a reciprocity exists between literature and religion.
Cosmopolitanism and Its Discontents seeks to address the kinds of challenges that cosmopolitan perspectives and practices face in a world organized increasingly in relation to a proliferating series of global absolutisms - religious, political, social, and economic. While these challenges are often used to support the claim that cosmopolitanism is impotent to resist such totalizing ideologies because it is either a Western conceit or a globalist fiction, Gunn argues that cosmopolitanism is neither. Situating his discussion in an emphatically global context, Gunn shows how cosmopolitanism has been effective in resisting such essentialisms and authoritarianisms precisely because it is more pragmatic than prescriptive, more self-critical than self-interested and finds several of its foremost recent expressions in the work of an Indian philosopher, a Palestinian writer, and South African story-tellers. This kind of cosmopolitanism offers a genuine ethical alternative to the politics of dogmatism and extremism because it is grounded on a new delineation of the human and opens toward a new, indeed, an "other," humanism.
In a unique and probing analysis, this study examines the function of literary criticism in religious studies and explores the relation of literature to religion in the works of major American writers.
In The Pragmatist Turn, renowned scholar of American literature and thought Giles Gunn offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what he calls spiritual imaginaries.Drawing on a large number of figures from earlier periods and examining how they influenced generations of writers from the nineteenth century into the early twenty-first —including Henry Adams, Frederick Douglass, Emily Dickinson, Herman Melville, William James, Henry James, Kenneth Burke, and Toni Morrison—Gunn reveals how the idea or symbolic imaginary of "America" itself was drastically altered in the process. As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.
This collection gathers together original essays dealing with Melville's relations with his historical era, with class, with the marketplace, with ethnic otherness, and with religion. These essays are framed by a new, short biography by Robert Milder, an introduction by Giles Gunn, an illustrated chronology, and a bibliographical essay. Taken together, these pieces afford a fresh and searching set of perspectives on Melville's connections both with his own age and also with our own. This book makes the case, as does no other collection of criticism of its size, for Melville's commanding centrality to nineteenth-century American writing.
DIVA discussion on the ways in which representations in the U.S. have been deflected from mythic to "virtual" phenomena in literary and cultural works of the modern era./div
Designed to be a go-to reference for assessment and treatment planning in the clinic, this is a clear and concise handbook for students and practitioners of dry needling, or medical acupuncture. It includes: · Comprehensive medical illustrations demonstrating trigger point locations and associated pain referral patterns · Easy-to-follow instructions and photographs demonstrating musculoskeletal dry needling points and electroacupuncture techniques · Dedicated section on the acupuncture treatment of tendinopathy · Vital information on palpation and correct needling techniques · Practical guidance on best practice, safety and treatment planning · Overviews of the history and key principles of Traditional Chinese medicine and acupuncture · Up-to-date research on the effect of acupuncture in the treatment of MSK conditions, myofascial pain, trigger points (MTrPS), fascia and pain. The book will be an essential aid for osteopaths, physiotherapists, sports rehabilitators, chiropractors, massage therapists, as well as traditional acupuncturists wishing to understand a Western approach on acupuncture. Other health professionals incorporating, or looking to incorporate dry needling into their treatment programme, will also find this book an invaluable resource.
From a battered old trunk in the basement, to the crumpled scrapbook in the bookcase, to an aging envelope in an unused jewelry box, they marched to the pages of this book to join the chorus to remember. Telegrams, letters, taped interviews and voices from decades ago joined in to provide a chilling description of World War II. "Red" was a Red Cross lady, her brother lost in the confusion of war. Some were courageous soldiers, others became prominent heroes. The author weaves common lives and historic events into an emotional explanation of what war was like for everyday Americans." By Colonel Ronald Losee, US Marines (Ret.) Retired Marine Colonel Ron Losee is a graduate of the University of Illinois, School of Journalism. His 31-year career took him to the Far East, from Korea to South Vietnam and many places in between. Later, as a Marine Reservist, when on vacation found him as a newspaper city editor. "I thoroughly enjoyed reading this book! This is a story about typical American families and their neighborhood friends during WWII. It brings a different perspective of not only the war front, but stateside life during the war." By Colonel Tony Baggiano, USAF (Ret.) He served 20 years in the United States Air Force and his last Air Force assignment was the Commander of the San Antonio Data Services. He was awarded numerous medals which included Vietnam Service Medal with four bronze stars. The best way to teach history is to tell a story and that's what this book does. This is not your normal war book as it tells a story about friends and neighbors fighting in WWII and their families at home. It tells a different story about the "War to End all Wars". By Lieutenant Colonel James O'Donnell, USA (Ret.) Infantry combat commander from Company to Battalion and to Army level and a Distinguished member of the 16th Infantry Regiment. This memoir is a collection of WWII narratives about five heroic people whose wartime stories are connected. From Richmond, Virginia are Harriet Vaden, her brother Pfc. Herbert "Herbie" Vaden Jr., 1st Lt. Jimmie Monteith, and 1st Lt. Richard "Dick" Williams; and from Emmons, Minnesota, TSgt. Donald Singlestad. Herbie and Donald end up in the 5th Army fighting in Italy during the invasion of Salerno and many battles afterwards. Donald Singlestad later became the most decorated soldier of the 34th Infantry Division. Harriet joins the Red Cross after her younger brother Herbie enlisted, and she is assigned to the 454th Bomb Group in San Giovanni and Cerignola, Italy. When Herbie becomes MIA and severely wounded, Harriet travels across war-torn Italy to find him. Meanwhile, Richard Williams, a friend of the Vadens, was a bombardier with the 454th Bomb Group and becomes a prisoner of war in Romania. Included are the stories of Jimmy Monteith, a neighbor of the Vadens in Richmond, who is assigned to the 16th Infantry of the 7th Army and earns the Medal of Honor during the Normandy invasion. Family photographs, V-mails, and other memorabilia help tell the story of these incredible heroes as they face the perils of war. The wartime experiences affected each of them in many ways, both good and bad. As they survived each experience, their reasons for serving changed in many ways; and when they returned home, they had to re-build their lives physically and emotionally if they were to achieve happy lives again. Their stories mostly in their own words are long overdue.
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