In a unique and probing analysis, this study examines the function of literary criticism in religious studies and explores the relation of literature to religion in the works of major American writers.
The aim of this book is to challenge the assumptions made by the structuralist and post-structuralist schools of literary criticism. It defends and attempts to re-evaluate the kind of moral reflection associated with the critical legacy of such writers as Lionel Trilling and Edmund Wilson.
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