The study of Shakespeare's plays as scripts of performance in the theater has grown in recent years to become a major interest for may university, college and secondary-school students and their teachers. In this play, it must be confessed that there are many passages mean, childish, and vulgar; and some which ought not to have been exhibited, as we are told they were, to a maiden queen.
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This first annotated edition of William Gilbert’s enigmatic poem, The Hurricane: a Theosophical and Western Eclogue, with extended interpretative chapters informed by Gilbert’s magical and astrological writings, shows how its dark materials fed the imaginations of his friends Coleridge, Wordsworth and Southey, in their formative years between 1795 and 1798.
With chapters specifying the entry- and graduate-level competencies addressed in this diagnostic planning process-oriented guide to health education programs, this edition (no date is given for the first) adds chapters on minority health, and personal computers and the Internet; Internet references; and new case studies. Includes resources, a code of ethics, and a glossary of terms from "American sign language" to "voluntary health organization." Gilbert is with East Carolina U. Sawyer is at the U. of Maryland, College Park. Annotation copyrighted by Book News, Inc., Portland, OR
The theater is no place for murder—but a case of backstage betrayal drags library director Amy Webber into a case that could mean curtains in critically acclaimed author Victoria Gilbert’s Blue Ridge Library mystery. It’s early summer, and while Richard Muir and his dance partner, Karla, are preparing their new choreographic piece, Richard’s wife, Amy, is gathering the dance’s source materials. Based on folktales and the music of the Blue Ridge Mountains, the production is set to premiere at an old cinema that has been converted to a theater. But when dancer Meredith Fox—Richard’s former fiancé—is found dead backstage, Amy is once again propelled into a murder case that threatens the careers and lives of those she loves. After Amy teams up with Chief Deputy Brad Tucker and the sheriff’s department to discover the killer, they find that there’s no shortage of suspects: Meredith’s wealthy ex-husband, several fellow dancers, a romantically spurned accompanist, and others whom the talented but haughty dancer dismissed or betrayed over the years. With Richard and Karla's help, and information gleaned from locals who know a wealth of small-town secrets, Amy desperately tries to unveil the killer before the premiere. But she’s pursuing a ruthless murderer who’s willing to kill again—and who might just be waiting for Amy in the wings.
Maldonado traces the journey of his family from Scandinavia and the Holy Land to Spain and Portugal and finally to the Kingdom of New Mexico. Arriving in 1598 with the expedition of Juan de Oñate, his ancestors were some of the first settlers of New Mexico. Of the 144 original Spanish/Portuguese colonial families from the 16th and 17th centuries listed by historian and cousin Fray Angélico Chávez, in his pioneering book Origins of New Mexico Families/A Genealogy of the Spanish Colonial Period, 119 are on the Maldonado family tree. From the 18th century, 174 of the 277 colonial families identified by Chávez are also on the Maldonado family tree. Over 5,300 names comprise the Maldonado tree - many of them important figures in the annals of New Mexico history. Maldonado's family tree proves the old adage that everyone in New Mexico is a primo, cousin.
This ambitious work chronicles 250 years of the Cromartie Family genealogical history. Included in the index of nearly 50,000 names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie who was born in 1731 in Orkney, Scotland and his second wife, Ruhamah Doane who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name, or that of one of your blood relatives, it is almost certain that you can trace your ancestry to one of the thirteen children of William Cromartie, his first wife, and Ruhamah Doane, who became the founding ancestors of our Cromartie Family in America: William Jr, James, Thankful, Elizabeth, Hannah Ruhamah, Alexander, John, Margaret Nancy, Mary, Catherine, Jean, Peter Patrick, and Ann E. Cromartie. These four volumes hold an account of the descent of each of these first-generation Cromarties in America, including personal antidotes, photographs, copies of family Bibles, wills and other historical documents. Their pages hold a personal record of our ancestors and where you belong in the Cromartie Family Tree.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.