Forswears, murders, irrational decrees. Over the two millennium-long history of the Papacy, many, too many, mistakes and questionable and odd exploits have been carried out. In the present work, the author, far from attacking a single Pope, but rather with the clear intent of demolishing the dogma of Papal infallibility, lists all the barbaric acts of the Popes from the first century up to the present times. The work is marked by an innovative writing technique, one that has never been used before, characterized by extreme conciseness and a painstakingly precise bibliography of almost two-hundred works in order to provide quotes of the most relevant parts. The author wishes to push the reader to question the value of modern religious teaching with respect to the original teaching of Jesus, as well as to ask the reader what factors have caused Christianity to split into a variety of religious streams. He reminds us that the Catholic Church is the only one, among the three great doctrinal schisms, that has imposed celibacy upon its clergy. Could that be the reason?
The book offers a renewed study of the life and works of one of the most famous popular preachers and sermon authors of Renaissance Italy, providing a reference work on the figure of Roberto Caracciolo and a reading of his times.
This volume presents the first translation in English of the complete poetry of Giacomo da Lentini, the first major lyric poet of the Italian vernacular. He was the leading exponent of the Sicilian School (c.1220-1270) as well as the inventor of the sonnet. Featuring illustrations and new English translations of some forty lyrics, Richard Lansing revives the work of a pioneer of Italian literature, a poet who helped pave the way for later writers such as Dante and Petrarch. Giacomo da Lentini is hailed as the earliest poet to import the Occitan tradition of love poetry into the Italian vernacular. This edition of Giacomo fills a gap in the canon of translations of Italian literature in English and serves as a vital reference source for students as well as scholars and teachers interested in the literature of the romance languages.
The world of wine encompasses endless variety. Consumers want to understand what makes one bottle of wine different from another; vintners need to know how to communicate what makes their product distinctive. Drawing on a decade of fieldwork in Italy and France as well as interviews with critics and analysis of market data, Giacomo Negro, Michael T. Hannan, and Susan Olzak provide an unprecedented sociological account of the dynamics of wine markets. They demonstrate how the concepts of genre and collective identity illuminate producers’ choices, whether they are selling traditional or nonconventional wines. Winemakers face a fundamental choice: produce an existing style and develop an identity as a proponent of tradition or embrace foreign, new, or emerging categories and be seen as an innovator. To explain this dilemma, Negro, Hannan, and Olzak develop the notion of wine genres, or shared understandings among producers and the public. Genres emerge through the social structure of production, including factors such as group solidarity, social cohesion, and collective action, and become key reference points for critics and consumers. Wine Markets features case studies of the creation of a modern wine genre and a countermovement against modernism in Piedmont, the failure of producers of Brunello di Montalcino in Tuscany to define a clear collective identity, and the emergence of the biodynamic wine movement in Alsace. This book not only offers keen sociological insight into the wine world but also sheds new light on the logic of markets and organizations more broadly.
Foffo and Carotino two wonderful rabbits, suddenly discover they can think and speak like humans. They don’t know each other, but both of them leave their parents, their home to make an important travel. They want to release rabbits imprisoned inside farms and intensive breedings and animals employed in pharmaceutical industries for scientific experiments. People mustn’t mistreat, torture or kill rabbits and animals! This is the message the two little friends want to spread to the whole world. Foffo and Carotino meet for the first time in a forest. Conigliona, will support them together with Bombolo an old and abandoned dog which wondered alone in the countryside. A huge white rabbit, Angelo, often appears in Foffo’s dreams to give it some useful advice. Angelo will help the group of friends to reach their aims: they will save together over ten thousands of rabbits from vivisection.
The kidnapping of Aldo Moro lasted 55 days, from March 16, 1978, the day of the ambush in Fani street, to the following May 9, when the body of the president of the Christian Democratic Party was found in Caetani street. But if the most famous kidnapping in the history of Italy ended tragically in less than two months, the political-judicial case that followed has been going on for decades. The Aldo Moro affaire, in fact, represents the darkest point in Italian republican history. This is a story in which everyone got their hands dirty: terrorists, politicians, journalists, law enforcement, secret services, the Vatican, governments, international spies, military from different countries. Telling the Aldo Moro affaire means trying to reassemble a mosaic made up of billions of pieces, with the certainty of having many artifact pieces in our hands. Even after years of studying papers, parliamentary commissions, precise reconstructions, detailed analyzes and comparisons of all kinds, one has the sensation that one feels in front of a broken or chipped mirror: there is always something wrong, there is always something out of place. Here then is that the case of the kidnapping and killing of Aldo Moro and in his bodyguards remains a very open case that divides historians, journalists and politicians, all in search of truth, a truth hidden from forty years of lies.
Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.
Tosca è un'opera lirica in tre atti di Giacomo Puccini, su libretto di Giuseppe Giacosa e Luigi Illica, una breve storia d'amore e di morte. Nella Roma del 1800 dopo il fallimento della Repubblica Romana, quando lo Stato Pontificio sta catturando i rappresentanti ed i sostenitori della Repubblica, le vite del pittore Mario Cavaradossi e della sua amante Tosca, incrociano Cesare Angelotti, patriota fuggito dalle carceri del Papa. Sulle tracce del fuggiasco c'è il capo della polizia pontificia, barone Scampia che, innamorato di Tosca, approfitta della situazione per conquistare la donna. L'opera drammatica finisce come deve finire una tragedia: muore il fuggiasco, muore il cattivo Scampia per mano di Tosca, muore il pittore ed infine muore Tosca suicida (Aonia edizioni).
International commercial arbitration relies extensively on the possibility of enforcing arbitral decisions against recalcitrant parties. Because courts and arbitration laws across the world take contrasting approaches to the definition of awards, such enforcement can be problematic, especially in the context of awards by consent, and the recent development known as ‘emergency arbitration’. In this timely and ground-breaking book, a young arbitration scholar takes us through the difficulties of defining the notion of arbitral award with a rare combination of theoretical awareness and attention to the procedural requirements of arbitral practice. In a framework using a comparative analysis of common law and civil law jurisdictions (specifically, England and France) and how each has regulated in different ways the equilibria between state justice and arbitral justice – and comparing each with the UNCITRAL Model Law – the book addresses such issues as the following: - the ‘judicialization’ of arbitration; - different models of arbitral adjudication and their impact on the notion of award; - what an award needs to contain to be enforceable; - awards on competence; - awards by consent; and - awards ante causam. The author employs a methodology that views arbitration as providing an institution for administering justice rather than as a purely contractual creature. To this end, rules of arbitral institutions (particularly the International Chamber of Commerce) are examined closely for their implications on what an award means. As a fresh look at the arbitral award by placing it in a broader context than is usually found, this book allows for a greater understanding of the functioning of international commercial arbitration. It is sure to become an international reference, and as such will be welcomed by arbitrators, practitioners at global law firms, companies doing transnational business, interested academics, and international arbitration centres in emerging markets.
The book offers a renewed study of the life and works of one of the most famous popular preachers and sermon authors of Renaissance Italy, providing a reference work on the figure of Roberto Caracciolo and a reading of his times.
1974, The story of a young man betrayed by his own family members. Gino Leno was shot twice in the stomach, while his wife was nine months pregnant and ready to give birth to a baby boy. Gino Lost his business to these mafia members. Gino Leno wanted revenge from these wannabes' gangsters. These it a 3 Parts story.
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