This series presents current research being conducted under the auspices of the Getty Conservation Institute.An overview of research from 1984 to 1994, including environmental controls in museums, the use of protective materials and analyses in the conservation of cultural objects and archaeological sites, and the use of new technologies for monitoring, documentation, and analysis.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
This study represents the latest in a series of research activities aimed at a better understanding of the origin and fate of air pollution within the built environment. Most previous studies of air pollution in cultural institutions have focused on gases. Particles were ignored for many reasons: they seemed to be more easily removed by the building; gaseous air pollutants had been well studied by industry, and their effects on commercial products were heavily documented; and many particle types were considered chemically benign to almost all surfaces. Even carbon black, which is now known to pose enormous degradation risks to the optical and color qualities of paintings and tapestries, is almost totally inert. Recognizing this, and understanding that we needed to know much more about the physics of particle intrusion in museum buildings, in 1987 the Environmental Engineering Lab at the California Institute of Technology, under contract to the Getty Conservation Institute, began a detailed examination of five different museums in Southern California. These structures represent a diverse range of architectural and ventilation types. Through this study a powerful computer model was developed that could predict the soiling effects of changes made to the operation or maintenance of a building. This model can even be used to estimate the soiling rates of new buildings or major rehabilitations before any construction work is begun. This is an important contribution to both the conservation community and the broader field of air quality science.
For nearly three decades, the J. Paul Getty Museum has played a leading role in the development of seismic mitigation for museum collections. Contributors to this volume--ranging from museum conservators, mount makers, and historical archaeologists to seismologists and structural engineers--discuss and illustrate a wide variety of earthquake-mitigation efforts for collections, from the simple and inexpensive to the complex and costly. The book's essays examine the techniques applied to large collections and to small house museums, to exhibition cases containing objects as well as to monumental works of art and historical structures. Approaches range from securing and restraining objects to decoupling them from the ground through a variety of base-isolation mechanisms. These pioneering efforts have been developed in the face of significant challenges since, as any engineer, conservator, or mount maker who has undertaken this work can attest, a small sculpture can often be a far greater challenge to protect than a multistory building.
This series presents current research being conducted under the auspices of the Getty Conservation Institute.An overview of research from 1984 to 1994, including environmental controls in museums, the use of protective materials and analyses in the conservation of cultural objects and archaeological sites, and the use of new technologies for monitoring, documentation, and analysis.
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