This series is a vehicle for texts generated through the experiences of writers, scholars, and artists who have been residents at the Getty Research Institute or involved in its programs.
Thoughts about Paintings Conservation : a Seminar Organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001
Thoughts about Paintings Conservation : a Seminar Organized by the J. Paul Getty Museum, the Getty Conservation Institute, and the Getty Research Institute at the Getty Center, Los Angeles, June 21-22, 2001
In this volume, conservators, curators, and conservation scientists candidly reflect on the challenges and sometimes controversial choices involved in treating works of art.
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
The J. Paul Getty Museum Journal 5 is a compendium of articles and notes pertaining to the Museum’s permanent collections of antiquities, paintings, sculpture, and works of art. This issue includes for the first time contributions dealing with conservation and related matters; thus, it is an appropriate tribute to the memory of David Rinne, who headed the conservation of antiquities in the J. Paul Getty Museum from the Fall of 1973 to the end of 1976. Volume 5 includes articles reflecting all aspects of the Museum’s collections with articles written by M. Weber, F. Brommer, G. Olbrich, L. Beschi, Al.N. Oikonomides, C.C. Vermeule, M. Del Chiaro, J. Pollini, H. Georgiou, B. Wohl, L. Byvanck-Quuarles van Ufford, Al.N. Oikonomides, J.G. Keenan, B.B. Fredericksen, M. Wynne, S. Bailey, C.H. Greenewalt, Jr., T. Schreiber, Z. Barov, L. Sangermano, G.E. Miller, D.L. Bunker, C. Mancusi-Ungaro, P. Pinaquy, G. Schwarz, H. Georgiou, and H. Lavagne.
The J. Paul Getty Museum's antiquities collection contains objects spanning thousands of years, from Preclassical times as far back as the third millennium B.C. through A.D. 600, encompassing Cycladic, Minoan, Mycenaean, Greek, Etruscan, South Italian, Roman, and Romano-Egyptian artifacts. The collection at the Getty Villa includes one of the finest assemblages of ancient Greek vases in the United States; monumental marble sculptures and diminutive bronzes; Greek and Roman gems; and Hellenistic silverware, jewelry, and glass. In lively prose accompanied by full-color photographs of nearly two hundred objects, this handbook presents the most important pieces in the collection.
The J. Paul Getty Museum Journal, published annually, is a compendium of articles and shorter notes on the Museum's permanent collection--Antiquities, Decorative Arts, Drawings, Manuscripts, Painting, Photographs, and Sculpture and Work of Art. It includes a full illustrated checklist of recent acquisitions, with an introduction by John Walsh, Director of the museum. This year's articles include: Dawson Carr on Pier Francesco Mola's Vision of Saint Bruno; Thomas DaCosta, Kaufmann, and Virginia Roehrig on tromope l'oeil in Netherlandish book painting of the fifteenth and sixteenth centuries; Nicholas Penny's "Lord Rockingham's Sculpture Collection and The Judgement of Paris by Nollekens"; and Carl Brandon Strehhlke on Cenni di Francesco, the Gianfigliazzi, and the Church of Santa Trinita in Florence.
The J. Paul Getty Museum Journal 18 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 18 includes articles written by Anthony Cutler, David A. Scott, Maya Elston, Ranee Katzenstein, Ariane can Suchtelen, Klaus Fittschen, Peggy Fogelman, and Catherine Hess.
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
The study of art history, ranging from ceramics and oil paintings to architecture, and as varied in time, style, and medium as Medieval manuscripts, Baroque printmaking, and modern sculpture, has spawned a vocabulary as varied as its component parts. The vocabulary describes not only the objects of art but such complex subjects as the processes and materials from which they are made and the new concepts applied by successive critics. The long history of documenting art has produced many different types of record-keeping and descriptions, from museums, archives, slide and photograph collections to bibliographic collection in libraries and printed indexes. Drawing on these multiple sources, The Art and Architecture Thesaurus encompasses the first part of the full spectrum of terminology for art and architecture of the Western World from the ancient period to the present. Its ongoing maintenance will assure regular updates incorporating new terms and usages. The only standardized vocabulary of the subject for use in bibliographic and visual databases, and in the inventorying of collections, this innovative reference constitutes: o Some 47,000 terms used by scholars, researchers, and information professionals. o Entries for art object names in three main categories: the built environment; furnishings and equipment; and visual and verbal communication. o Twenty-three main hierarchies or "trees," including architectural elements, building types, furnishings, documents, and other artifacts, and that display each term in the context of related words. o Seven mutually exclusive facets (categories comprising the hierarchies) that represent broader categories of knowledge, including physical attributes, styles and periods, agents, activities, materials, and objects. Developed as part of the Art History Information Program of the J. Paul Getty Trust, this indispensable reference fills a great need for a comprehensive, controlled, and consistent vocabulary in the fields of art and architecture. Now in its groundbreaking print and electronic formats, the Art and Architecture Thesaurus will be an essential tool for those developing databases of collections, and for researchers who will retrieve information that has been indexed and catalogued.
A wide range of artists is included. Two of the most well-known, Pisanello and Girolamo de Cremona, worked for distinguished patrons at court, while others worked in obscurity and are known today only through their illuminations. One of the finest miniatures in this collection, for example, is credited to an artist known only as the Master of Gerona."--BOOK JACKET.
Since its beginnings in 1983, the Getty Art History Information Program (AHIP) has concerned itself with developing terminology resources that aid in the building or searching of databases. AHIP's newest resource, the Authority Reference Tool (ART), is a software program that makes using an authority resource, such as a thesaurus, easy and effective. ART was designed to give immediate and intuitive access to any AHIP authority resource, and in the case of its application to the Art and Architecture Thesaurus (AAT), to make it easy for a user to navigate among the various levels of the thesaurus and to "cut and paste" terms into a word-processing document or database record. Anyone who has wanted a convenient way to access AAT terminology while working on a computer file will find this software an excellent solution. The Authority Reference Tool edition of the AAT places the contents of all three volumes of the thesaurus on two 3 1/2-inch or 5 1/4-inch diskettes. The ART program can be used by anyone with an IBM PC or clone with 5 MB of available hard-disk space and with DOS version 3.1 or higher. The Authority Reference Tool was designed with various kinds of database and word-processing software in mind (for example, dBase III or IV, Paradox, Advanced Revelation, or WordPerfect) and can work in conjunction with any of them. Components of the package: Two user's manuals: User's Guide to the Art and Architecture Thesaurus User's Guide to the Authority Reference Tool for the Art and Architecture Thesaurus Two 3 1/2-inch diskettes Two 5 1/4-inch diskettes Both sets of diskettes bear the Art and Architecture Thesaurus and the Authority Reference Tool for the Art and Architecture Thesaurus. User License: License Agreement and Limited Warranty User registration form Quick Reference Card for Authority Reference Tool
From third millennium BC marble statuettes to gem-encrusted gold jewelry of the fourth and fifth centuries AD, the collection of antiquities in the J. Paul Getty Museum testifies to the extraordinary skill and artistic achievements of sculptors, potters, painters, metal smiths, and other artisans of the ancient Mediterranean world. Indicating both the quality of the individual pieces and the range of the collection, this Japanese-language volume illustrates many of the outstanding objects, among them a rare life-size Greek bronze statue depicting a victorious youth and J. Paul Getty's personal favorite, the marble statue known as the Lansdowne Herakles. Also included are a number of Greek and Etruscan terracotta vases, bronze and marble sculpture, and delicate late Classical and Ptolemaic gold jewelry.
Digital networking will make our global cultural heritage accessible to a widespread audience. To reach this audience, it is essential to create and employ terminology that brings consistency to the language used in information retrieval contexts. Introduction to Vocabularies highlights the crucial role that controlled vocabularies play in the description, cataloging, or documentation of cultural heritage information. The book stresses the importance of standards and the role of authority work in creating and managing vocabularies that would ensure integrated access. The book concludes with descriptions of three vocabulary databases developed by the Getty Information Institute. The Introduction to series acquaints professionals and students with the complex issues and technologies in the production, management, and dissemination of cultural heritage information resources.
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