Gertrude More belongs to a tradition of mystical writers who believed in the value of the via negativa, a path to union with God by way of total self-abnegation and the emptying of the mind of both ideas and images. Her only book-length work, The Spiritval Exercises (Paris, 1658), is a collection of her writing assembled by Dom Augustine Baker, OSB, and published some thirty-three years after her death. Some of More's other verse and prose appears in the biography that Baker composed, but her Spiritval Exercises remains the main text she has bequeathed to her order and to posterity. It is reprinted here in full with Arthur F. Marotti's introductory note outlining Gertrude More's life and work.
First published in 1933, Matisse Picasso and Gertrude Stein contains three prose pieces written in the stream-of-consciousness style that Stein was famous for. A modernist classic not to be missed by fans and collectors of Stein's seminal work. Gertrude Stein (1874–1946) was an American poet, novelist, art collector, and playwright who famously hosted a Paris salon frequented by the likes of F. Scott Fitzgerald, Pablo Picasso, and Ernest Hemingway. Before she was a patron to “The Lost Generation” artists, Stein was an esteemed author who influenced many 20th-century writers with her innovative and experimental prose. Other notable works by this author include: Three Lives (1909), White Wines (1913), and An Exercise in Analysis (1917). Featuring an introduction by Sherwood Anderson, this volume is an essential read for fans of Gertrude Stein’s work and those with an interest in Jazz Age literature.
This carefully crafted ebook: "GEOGRAPHY & PLAYS" is formatted for your eReader with a functional and detailed table of contents. Geography and Plays is a generous collection of poems, stories and plays and they present Gertrude Stein's stream-of-consciousness writings. These rhythmical essays or word portraits are often considered as literature's answer to Cubism. Table of Contents: Susie Asado Ada Miss Furr and Miss Skeene A Collection France Americans Italians A Sweet Tail The History of Belmonte In the Grass England Mallorcan Stories Scenes The King or Something Publishers, the Portrait Gallery, and the Manuscripts of the British Museum Roche Braque Portrait of Prince B. D. Mrs. Whitehead Portrait of Constance Fletcher A Poem about Walberg Johnny Grey A Portrait of F. B. Sacred Emily IIIIIIIIII One (Van Vechten) One (Harry Phelan Gibb) A Curtain Raiser Ladies Voices What Happened White Wines Do Let Us Go Away For the Country Entirely Turkey Bones and Eating and We Liked It Every Afternoon Captain Walter Arnold Please Do Not Suffer He Said It Counting Her Dresses I Like It to Be a Play Not Sightly Bonne Annee Mexico A Family of Perhaps Three Advertisements Pink Melon Joy If You Had Three Husbands Work Again Tourty or Tourtebattre Next Land of Nations Accents in Alsace The Psychology of Nations or What Are You Looking At Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
One of the best introductions to Gertrude Stein's work I've ever read. Joan Retallack's research is thorough and impressive, and she has done an outstanding job of assembling a valuable and interesting collection of Stein's writings."--Hank Lazer, author of Lyric & Spirit "This exquisitely edited volume of Gertrude Stein's writings is far more informative than the usual 'selected works.' Out of the immense opus that Stein produced over a long and prolific career, Joan Retallack has chosen telling pieces, so as to show both the extraordinary thematic, generic, and stylistic variety, and the coherence of her life's work. Meanwhile, Retallack's delightful and informative introduction can stand on its own as a luminous contribution to our understanding of Gertrude Stein's work and her place in literary history. The fascinating documents that end the book can be regarded as the sweet at the end of a fully satisfying and memorable experience. This is an essential book for both new and long-term discoverers of the wonder of Gertrude Stein's writings."--Lyn Hejinian, author of The Language of Inquiry "Retallack's illuminating introduction is a vital contribution to our knowledge of Stein, revelatory of such issues as racism while viewing Stein's presence on the page and in the ear as performative play that creates a sensual apprehension of a new time (a perception of the activity of happiness). The selections and introduction demonstrate how Stein changed reading and perceiving."--Leslie Scalapino, author of It's go in horizontal
This important collection presents Gertrude Stein for the first time in her brilliant modernity. Ulla E. Dydo's textual scholarship demonstrates Stein's constant questioning of convention, and A Stein Reader changes the balance of work in print, concentrating on Stein's experimental work and including many key works that are virtually unknown or unavailable. A Stein Reader includes unpublished work, such as the portrait "Article"; shows the astonishing stylistic change in the neglected "A Long Gay Book"; draws attention to the many unknown plays such as "Reread Another;" and offers fascinating portraits of Matisse, Picasso, and Sitwell. Illuminating headnotes bring out connections between pieces and provide invaluable keys to Stein's motifs and thought patterns.
Lyricism in Unusual Form “A virgin a whole virgin is judged made and so between curves and outlines and real seasons and more out glasses and a perfectly unprecedented arrangement between old ladies and mild colds there is no satin wood shining.” - Gertrude Stein, Tender Buttons DISCLOSURE: This is not your everyday poem book. It’s unconventional and many would say even confusing gibberish. In Tender Buttons, Gertrude Stein played by her own rules: she dismissed the basic rules of the English language, dismantle the sentence and rearranged it as she pleased. The result? Free your mind and read! Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
This carefully crafted ebook: "Tender Buttons – Objects, Food, Rooms” is formatted for your eReader with a functional and detailed table of contents. Tender Buttons is the best known of Gertrude Stein's "hermetic" works. It consists of three sections titled "Objects", "Food", and "Rooms", which are further consisting of multiple poems covering the everyday mundane. Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. Its first poem, "A Carafe, That Is a Blind Glass", is arguably the most famous, and is often cited as one of the quintessential works of Cubist literature. Rather than using conventional syntax, Stein experiments with alternative grammar to emphasize the role of rhythm and sound in an object's "moment of consciousness". Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
Tender Buttons is the best known of Gertrude Stein's "hermetic" works. It consists of three sections titled "Objects", "Food", and "Rooms", which are further consisting of multiple poems covering the everyday mundane. Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. Its first poem, "A Carafe, That Is a Blind Glass", is arguably the most famous, and is often cited as one of the quintessential works of Cubist literature. Rather than using conventional syntax, Stein experiments with alternative grammar to emphasize the role of rhythm and sound in an object's "moment of consciousness". Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
The first point that must be made of this book is that the dialect is older English."But now, my good uncle, the world is here waxen such, and so great perils appear here to fall at hand, that me thinketh the greatest comfort that a man can have is, when he may see that he shall soon be gone." (Pg 1-2)The reader will have to accustom themselves to a learning curve.In the first Chapter St. Thomas More, tells us that philosophers of old created ways to be comforted in tribulation. These pagan philosophers told their followers that they should place of little value on worldly goods and honors. But as the Saint continues on,"for they never stretched so far, but that they leave untouched, for lack of necessary knowledge, that special point which is not only the chief comfort of all, but, without which also, all other comforts are nothing. That is, to wit, the referring of the final end of their comfort unto God, and the repute and take for the special cause of comfort, that by the patient sufferance of their tribulation they shall attain His favour, and for their pain receive reward at His hand in Heaven." (Pg 9)He ends the first chapter by saying, "Honorsa medicum; propter necessitatem etenim ordinavit eum Altissimus." - honor the physician for him hath the high God ordained for thy necessity. (Eccl 38) St. Thomas more points to this heavenly physician as Christ Himself applying His own blood as our medicine.The second chapter tells us that it is faith that must be the foundation for men's comfort. "That is, to wit, the ground and foundation of faith, without which had ready before, all the spiritual comfort that any man may speak of can never avail a fly. For likewise as it were utterly vain to lay natural reasons of comfort to him that hath no wit, so were it undoubtedly frustrate to lay spiritual causes of comfort to him that hath no faith." (Pg 11)St. Thomas More in the third chapter assigns the first comfort as the following: "...the desire and longing to be by God comforted." (Pg 14) St. Thomas more writes that those who seek comfort in anything outside of God will never become comforted. He quotes St. Bernard: "He that in tribulation turneth himself unto worldly vanities, to get help and comfort by them, fareth like a man that in peril of drowning catcheth whatsoever cometh next to hand, and that holdeth he fast, be it never so simple a stick; but then that helpeth him not, for that stick he draweth down under the water with him, and there lie they drowned both together." (Pg 15)The fourth chapter bring forth the idea that tribulation was meant to bring men of good will (Luke 2:14) to closer to God. "Some are in the beginning of tribulation very stubborn and stiff against God, and yet at length tribulation bringeth them home." (Pg 18)St. Thomas More continues to bring this point home by writing: "The proud king Pharaoh did abide and endure two or three of the first plagues, and would not once stoop at them. But then God laid on a sorer lash that made him cry to him for help, and then sent he for Moses and Aaron, and confessed himself a sinner, and God for good and righteous, and prayed them to pray for him, and to withdraw that plague, and he would let them go. But when his tribulation was withdrawn, then, was he naught again. So was his tribulation occasion of his profit, and his help again cause of his harm. For his tribulation made him call to God, and his help made hard his heart again." (Pg 18)
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