Primarily intended for the professional child and youth care worker, this new book challenges the most basic methods and beliefs of contemporary practice. Written in the form of a novel, the central issues of child care are brought to life through the subjective experiences of a young practitioner. Each issue and experience is analyzed through the dialogues between the practitioner and his supervisor. As the story unfolds, the reader is invited to reconsider many of the most fundamental and time-tested assumptions that lie at the heart of child and youth care. One by one, the layers of professionalism are peeled back to reveal the essence of it all--the practitioner’s own sense of self. This results in the inevitable conclusion that personal and professional development are inextricably interrelated. From this perspective, it becomes clear how current trends in training and practice often provide a tragic formula for methods that focus upon the control of the youngster and result in the breakdown of relationships and the burnout of the practitioner.Being in Child Care: A Journey Into Self uses the experiences of everyday life to establish themes and draw conclusions. As the story moves from the drama and minutiae of life in a small residential treatment program to the broadest existential questions, the reader will explore his or her own personal experience. Since it can be understood at many different levels, this book will appeal to the student as much as to the seasoned practitioner. (Fewster says parents can read it too.)
Primarily intended for the professional child and youth care worker, this new book challenges the most basic methods and beliefs of contemporary practice. Written in the form of a novel, the central issues of child care are brought to life through the subjective experiences of a young practitioner. Each issue and experience is analyzed through the dialogues between the practitioner and his supervisor. As the story unfolds, the reader is invited to reconsider many of the most fundamental and time-tested assumptions that lie at the heart of child and youth care. One by one, the layers of professionalism are peeled back to reveal the essence of it all--the practitioner’s own sense of self. This results in the inevitable conclusion that personal and professional development are inextricably interrelated. From this perspective, it becomes clear how current trends in training and practice often provide a tragic formula for methods that focus upon the control of the youngster and result in the breakdown of relationships and the burnout of the practitioner.Being in Child Care: A Journey Into Self uses the experiences of everyday life to establish themes and draw conclusions. As the story moves from the drama and minutiae of life in a small residential treatment program to the broadest existential questions, the reader will explore his or her own personal experience. Since it can be understood at many different levels, this book will appeal to the student as much as to the seasoned practitioner. (Fewster says parents can read it too.)
In his fourth collection of poems, David Manicom affirms his place as one of the most compelling poets writing in Canada today. "The Burning Eaves, a mixture of shorter lyrics and longer sequences, is a meditation on the nature of language and the power of love. In Manicom's world, things are never as they appear to be; yet he is a trustworthy guide who steers us through a poetic geography, from chaos to the edge of our longing for order. As a poet, he is forever inhabiting more than one myth, as he uses the mathematics of interplanetary physics and astronomy to explore the universe of intimate objects and the particularities of our daily lives. Our journey through these poems is one of twists and turns, through sudden, surprising shifts that are mesmerizing in the way they reveal how we experience the world in language and thought, how we process irony in coping with our inexorable sadness and our search for grace. In the "Tal" section, a marvelous sequence of poems for his lover, nothing is constant. The line between shadow and light, transformation and permanence, is never clear-cut. We lean on history, on systems of belief, which give us a feeling of security; yet, what lies beyond? Manicom's is a universe of uncertainties, the decay of orbits contrasted with the beauty of fleeting things. In the exquisite love-poem "The Ceiling of a Room," we meet the poet as archeologist: "Or my lifelong excavation, my dig toward a root/That proved but layer on layer of sky. Had I known." We, as readers, "believe with the belief of desire." Silence and language are reflections, evoking half-forgotten experiences and things recorded in past moments.
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