From the Introduction “This story seeks to nuance moments in my history as the son of diasporic parents. As members of the many who migrated, my parents became an “us” to a “them” in a world where being different felt threatening. They experienced their own undeserved suffering, while holding on to the dream of American Exceptionalism. Puerto Rican-Americans arrived with prayers on their lips, bibles and rosaries in hand, and though it felt like an expulsion from paradise, our colonial faith sustained us. The God we knew over there was also here, in our new hiding place called Spanish Harlem, fondly called, el Barrio. The faith inherited from 5 centuries of colonialism has grown into our collective identity, and though its sacred stories speak to our realities, its legacy has also contributed to colonial aims.” “I draw from the life of one of colonial Christianity’s greatest saints, St. Francis of Assisi, who emulates the life of Jesus in the 13th century. Francis faced the falseness of religious clericalism, the plight of the poor in a shame / honor culture, and a dualistic consciousness that still prevails and which refuses to embrace otherness. How might his life speak to Puerto Ricans in diaspora? How might we re-imagine the colonial faith inherited?”
Winner of the Distinguished Book Award from the Society for the Scientific Study of Religion The Emerging Church Movement (ECM) is a creative, entrepreneurial religious movement that strives to achieve social legitimacy and spiritual vitality by actively disassociating from its roots in conservative, evangelical Christianity and "deconstructing" contemporary expressions of Christianity. Emerging Christians see themselves as overturning outdated interpretations of the Bible, transforming hierarchical religious institutions, and re-orienting Christianity to step outside the walls of church buildings toward working among and serving others in the "real world." Drawing on ethnographic observation of emerging congregations, pub churches, neo-monastic communities, conferences, online networks, in-depth interviews, and congregational surveys in the US, UK, and Ireland, Gerardo Marti and Gladys Ganiel provide a comprehensive social-scientific analysis of the development and significance of the ECM. Emerging Christians, they find, are shaping a distinct religious orientation that encourages individualism, deep relationships with others, new ideas about the nature of truth, doubt, and God, and innovations in preaching, worship, Eucharist, and leadership.
L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).
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