Britain's Gerard Manley Hopkins is beloved for his unusual images of both the physical world and the spiritual life. This is the ideal introduction to the spirituality of the great nineteenth-century Catholic mystic poet. With a preface by Rev. Thomas Ryan, C.S.P., this book is part of a new series, The Mystic Poets.Skylight Paths
Jesuit priest Gerard Manley Hopkins created verse that combined his awareness of material sensuousness with the asceticism of religious devotion. His collected poems, published posthumously in 1918, exercised a profound influence on modern poetry. This volume features all of his mature work, including "The Wreck of the Deutschland," "God's Grandeur" and "Hurrahing in Harvest.
Gerard Manley Hopkins, a leading Victoria poet, known for his innovative style, is considered as influential as T.S. Eliot in initiating the modern movement in poetry. This edition is edited by Robert Bridges, poet laureate, and lifelong friend of Hopkins.
Hopkins's letters are his secular confessional, and if we wish to understand the man and his poetry, this is material we cannot ignore. This is where his mind allowed itself its most expansive and unfettered expression. This edition adds 43 letters to the total printed by Claude Colleer Abbott in his three-volume major edition of the mid-twentieth century. It further improves on the earlier editions in four ways: in its accuracy, in its order, in its inclusiveness, and in the thoroughness of its annotation. It is a completely new presentation of the letters, set out on radically different lines from earlier editions. It includes all the letters from Hopkins, but adds all the extant letters which were written to him. It is set out in a single chronological sequence, placing all the replies and queries at their appropriate place within the correspondence, thus providing as far as can be achieved, a narrative sequence. This acts in many ways as an informal intellectual biography of Hopkins, tracking his early ideas, his anxieties, his conversion, his friendships, his priesthood, his disappointments, and his ideas on literature and life. The transcriptions not only revise a large number of readings, but include all legible deletions and corrections, allowing the reader to follow the hesitancies and adjustments of Hopkins's mind. Like most nineteenth-century poets, Hopkins never published a theoretical account of his work and his thoughts on poetry, but what he had to say can be found in these letters, and their extensive use by critics and poets indicates their richness as a source of ideas on Hopkins's poetry and on poetry and poetics in general.
Discover How Hopkins’s Spiritual Life and Vision Can Enlighten Your Own. "Poetry and art and music seize upon the human experience in ways that reveal new possibilities of intimacy with the Divine. In the way they reach out and grab us by the heart at unexpected times, they reaffirm that the Holy will meet us when it chooses ..." —from the Preface by Rev. Thomas Ryan, CSP Gerard Manley Hopkins, Christian mystical poet, is beloved for his use of fresh language and startling metaphors to describe the world around him. Beneath the surface of this lovely verse lies a searching soul, wrestling with and yearning for God. Hopkins writes from a Christian background, and yet his themes speak to people of all faiths who seek a deeper understanding of the presence of God in all of life. This beautiful sampling of Hopkins’s poetry offers a glimpse into his unique spiritual vision that continues to inspire readers throughout the world. The poems unite his two devotions, presenting mystical images of Christ in the natural world, which serve as a window through which you might also begin to see the Divine Presence in the world around you.
Two Jesuit priests from different centuries and different lands, each with a particular artistic genius, brought together for the first time. Gerard Manley Hopkins is regarded as one of the greatest poets of the Victorian era, and his poems continue to grow in popularity. This volume contains a selection of his most popular poems, with a short commenary by Jo O'Donovan. These commentaries place the poems in their time and place,helping readers to understand how and why they came to written, as well as offering insights into the imagery and language used in each poem. Francis Browne is considered one of the greatest photographers of the twentieth century, well-known for his Titanic photos, and the discovery after his death of 42,000 images. This volume brings together the work of these two Jesuit artists in a beautiful and balanced book which will make a really special gift for anyone interested in poetry, photography or both. The book has a lovely nostalgic quality which will appeal to many. This unique volume also contains previously unseen Hopkins memorabilia from the Irish Jesuit Archives.
Gerard Manley Hopkins' experimental use of prosody and imagery has earned him the posthumous fame of being a daring innovator in a period dominated by traditional verse. The Delphi Poets Series edition of Hopkins offers the complete poetical works, with beautiful illustrations and a treasure trove of prose works to complement the poetry. (Version 1) * Beautifully illustrated with images relating to Hopkins' life and works * An informative introduction to the life and poetry of Hopkins * Excellent formatting of the poems, with line numbers - ideal for students * Special chronological, alphabetical and traditional numerical contents tables for the poetry * Easily locate the poems you want to read * Includes Hopkins' letters - spend hours exploring the poet's personal correspondence to friends and family * Special non-fiction section, with rare sermons and the seminal essay ON THE ORIGIN OF BEAUTY * Also features Hopkins' journals and diaries * Features a bonus biography - discover Hopkins' literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry of Gerard Manley Hopkins BRIEF INTRODUCTION: GERARD MANLEY HOPKINS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER LIST OF POEMS IN ORIGINAL NUMERICAL ORDER The Non-Fiction ON THE ORIGIN OF BEAUTY: A PLATONIC DIALOGUE SERMONS AND OTHER NON-FICTION WORKS The Letters LIST OF CORRESPONDENTS The Journals and Diaries LIST OF ENTRIES The Biography GERARD HOPKINS by Katherine Bregy Please visit www.delphiclassics.com to browse through our range of exciting titles
Hopkins's 'Dublin Notebook' brings us closer to Hopkins's life and times than any other volume, providing a digitized facsimile of the large journal he used for academic, personal, and religious notes, accompanied by a careful transcription of the hand-written text, and thorough explanatory notes to guide the reader.
The first of eight volumes of Hopkins's Collected Works to be published, Oxford Essays and Notes presents a remarkable cache of previously unpublished papers, including forty-five essays which Hopkins produced during his undergraduate career at Oxford (1863-1867), only seven of which were reproduced in the 1959 edition of Journals and Papers. Topics range from Platonic philosophy to theories of the imagination, from ancient history to then-contemporary politics andvoting rights. Also included are notes from a commonplace book, a remarkable 'dialogue' about aesthetics (featuring a fictionalized John Ruskin figure), and the lecture notes Hopkins prepared in the winter of 1868 while teaching at John Henry Newman's Oratory School in Birmingham-writings in which he explores, forthe first time, the theories of inscape and instress so central to his poetic practice. The edition is fully annotated and provides a detailed introduction that situates historically Hopkins's academic and creative efforts.The twelve notebooks represent Hopkins's intellectual and aesthetic development while studying with some of the greatest scholars of the era (Benjamin Jowett, Walter Pater, and T. H. Green), as well as the ethical and spiritual anxieties he wrestled with while deciding to convert to Catholicism (John Henry Newman received him into the Church in 1866). Hopkins never wrote to please his tutors or the university professors-he wrote vividly and searchingly in response to the challenges theypresented. Whether evaluating Aristotle's Nicomachean Ethics, the role of 'neutral' England in the American civil war, or the comparative merits of classical sculpture, his first instinct was always to frame the difficult questions involved and work towards a 'counter' argument.
Self-Hypnosis: The Complete Manual for Health and Self-Change, 2nd ed offers a step-by step guide to using hypnosis to better well-being and stronger self-control. For over two decades renowned therapist and author Brian Alman showed thousands of individuals how to use self-inductive techniques for relief from pain, stress, and discomfort. Self-hypnosis assists in meditation and fosters positive self-regard. The exercises in Self-Hypnosis are clear, concise and easily attainable. As an effective therapy in alleviating the pain of childbirth, medical and dental surgery, burns, and accidental injuries, hypnosis is practiced widely. Hypnosis in pain relief is a noninvasive and natural healing process. Self-Hypnosis makes this healing technique available to the lay reader.
Closer to Dylan Thomas than Matthew Arnold in his 'creative violence' and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus at the age of twenty-four, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wishes of my superiors'. The poems, letters and journal entries selected for this edition were written in the following twenty years of his life, and published posthumously in 1918. His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice.
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