A key to understanding De Chirico's uvre is an early series of eight paintings of the mythical Greek princess Ariadne, which had a powerful impact on such Surrealist painters as Salvador Dali, Max Ernst, Rene Magritte and Yves Tanguy. Including an unpublished text by Max Ernst, this is a landmark publication.
With The Lucretian Renaissance, Gerard Passannante offers a radical rethinking of a familiar narrative: the rise of materialism in early modern Europe. Passannante begins by taking up the ancient philosophical notion that the world is composed of two fundamental opposites: atoms, as the philosopher Epicurus theorized, intrinsically unchangeable and moving about the void; and the void itself, or nothingness. Passannante considers the fact that this strain of ancient Greek philosophy survived and was transmitted to the Renaissance primarily by means of a poem that had seemingly been lost—a poem insisting that the letters of the alphabet are like the atoms that make up the universe. By tracing this elemental analogy through the fortunes of Lucretius’s On the Nature of Things, Passannante argues that, long before it took on its familiar shape during the Scientific Revolution, the philosophy of atoms and the void reemerged in the Renaissance as a story about reading and letters—a story that materialized in texts, in their physical recomposition, and in their scattering. From the works of Virgil and Macrobius to those of Petrarch, Poliziano, Lambin, Montaigne, Bacon, Spenser, Gassendi, Henry More, and Newton, The Lucretian Renaissance recovers a forgotten history of materialism in humanist thought and scholarly practice and asks us to reconsider one of the most enduring questions of the period: what does it mean for a text, a poem, and philosophy to be “reborn”?
Edmund Campion: A Scholarly Life is the response, at long last, to Evelyn Waugh’s call, in 1935, for a ’scholarly biography’ to replace Richard Simpson's Edmund Campion (1867). Whereas early accounts of his life focused on the execution of the Jesuit priest, this new biography presents a more balanced assessment, placing equal weight on Campion’s London upbringing among printers and preachers, and on his growing stature as an orator in an Oxford riven with religious divisions. Ireland, chosen by Campion as a haven from religious conflict, is shown, paradoxically, to have determined his life and his death. Gerard Kilroy here draws on newly discovered manuscript sources to reveal Campion as a charismatic and affectionate scholar who was finding fulfilment as priest and teacher in Prague when he was summoned to lead the first Jesuit mission to England. The book argues that the delays in his long journey suggest reluctant acceptance, even before he was told that Dr Nicholas Sander had brought ’holy war’ to Ireland, so that Campion landed in an England that was preparing for papal invasion. The book offers fresh insights into the dramatic search for Campion, the populist nature of the disputations in the Tower, and the legal issues raised by his torture. It was the monarchical republic itself that, in pursuit of the Anjou marriage, made him the beloved ’champion’ of the English Catholic community. Edmund Campion: A Scholarly Life presents the most detailed and comprehensive picture to date of an historical figure whose loyalty and courage, in the trial and on the scaffold, swiftly became legendary across Europe.
What is... The "only Oscar-winning screenplay in which no words are spoken? The "only country whose national flag is a single color? The "only rock that can be consumed by humans? Even in a world full of clones, copy-cats, and carbon copies, some things stand alone. If it's been done once and only once, or if it's the exception to the rule, you'll find it in "The Only Book. This new and ultimate compendium of one-of-a-king facts contains fascinating information in dozens of categories, including the Movies, U.S. History, the Animal Kingdom, Music, Literature, Sports, and more. "The Only Book is the only book to inspire and entertain with famous "onlys.
Two Jesuit priests from different centuries and different lands, each with a particular artistic genius, brought together for the first time. Gerard Manley Hopkins is regarded as one of the greatest poets of the Victorian era, and his poems continue to grow in popularity. This volume contains a selection of his most popular poems, with a short commenary by Jo O'Donovan. These commentaries place the poems in their time and place,helping readers to understand how and why they came to written, as well as offering insights into the imagery and language used in each poem. Francis Browne is considered one of the greatest photographers of the twentieth century, well-known for his Titanic photos, and the discovery after his death of 42,000 images. This volume brings together the work of these two Jesuit artists in a beautiful and balanced book which will make a really special gift for anyone interested in poetry, photography or both. The book has a lovely nostalgic quality which will appeal to many. This unique volume also contains previously unseen Hopkins memorabilia from the Irish Jesuit Archives.
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