Home of the first prehistoric pottery made in North America, Columbia County is one of the first counties in Georgia and one of the most rapidly growing areas in the state. From the tumultuous years of the Civil War to the 20th century, its history is recorded in these vintage photographs. The images within these pages--many never before seen by the public--include early pioneers who were instrumental in the founding of the county, as well as several ambrotypes of Confederate soldiers. The history of the county's education system, one of the state's best, is traced with snapshots of old field schools and village schoolhouses. Its industry is revealed, from locally-owned lumberyards to the famous Lake Thurmond Dam, which created the largest recreation facility in a five-county area. Culled from individuals, family collections, and county organizations, these pictures are treasured items offered for public perusal. An engaging retrospective, Columbia County offers something for everyone, from the history buff to the nostalgia seeker to the leisurely reader.
A fully annotated edition of more than 1600 letters from and to Gerald Finzi, spanning the composer's life from ca. the early 1920s up until his untimely death in 1956. Gerald Finzi's (1901-1956) masterpiece is the radiant and touching cantata Dies Natalis. He is also highly regarded for his Thomas Hardy song-settings, for his Intimations of Immortality, and for his fine cello and clarinet concertos. As a scholar, he championed the then neglected composers Hubert Parry and Ivor Gurney, and the eighteenth-century John Stanley, William Boyce and Richard Mudge, composers he revived with the amateur orchestra he founded. Diana McVeagh, Finzi's biographer, brings together more than 1600 letters from and to Gerald Finzi, spanning the composer's life from the early 1920s until his untimely death in 1956. His more than 160 correspondents include Ralph Vaughan Williams, Herbert Howells, Edmund Rubbra, Arthur Bliss and Howard Ferguson, Michael Tippett, Benjamin Britten and Sir John Barbirolli, the poet Edmund Blunden, and the artist John Aldridge, making this a portrait not only of Gerald Finzi but also of his group of composer, musician and artist friends in the first half of the twentieth century. In these mostly unpublished letters Finzi emerges as a multi-faceted and complex character, developing from a solitary, introverted youth into a man with strong views and wide interests: education, pacifism, vegetarianism, the Arts and Crafts movement and the English pastoral tradition, among others. From amusing trivia to the deeply serious ideas and principles Finzi set out at the onset of war and in the 1950s, these letters allow for first-hand insights into his personality and background. This definitive edition is fully annotated, offering context with substantial commentaries on the correspondence, illustrations by Joy Finzi, a chronology, bibliography and a catalogue of works.
Those of us who use the word witch with all of the pride and fortification that it offers us do so thanks to Gardner’s lucid, liberating vision.”—Pam Grossman, author of Waking the Witch: Reflections on Women, Magic, and Power Often called the father of modern witchcraft, Gerald Gardner’s life and works were ground-breaking in opening the door for the modern revival of Wicca and neo-paganism. The Meaning of Witchcraft (originally published in 1959) was the first sympathetic book written from the point of view of a practicing witch. “The foundation of magical beliefs,” Gardner wrote, “of which witchcraft is a form, is that unseen Powers exist, and that by performing the right sort of ritual, these Powers can be contacted and either forced or persuaded to assist one in some way. People believed this in the Stone Age, and they believe it, consciously or not, today. It is now well known that most superstition is, in fact, broken-down ritual. The meaning of witchcraft is to be found not in strange religious theories about God and Satan but in the deepest levels of the human mind, the collective unconscious, and the earliest developments of human society.” The Meaning of Witchcraft is an enduring and invaluable source book for witches today. This Weiser Classics edition includes a new foreword by Pam Grossman, author of Waking the Witch. In it, Grossman revisits the historical role and mixed legacy that Gardner has played in the revival of witchcraft and magic in modern times.
This second, completely revised edition of “Paleogene fossil birds” gives a comprehensive, updated overview of the avian fossil record from a geological period that lasted from the end-Cretaceous mass extinction event (66 million years ago) to the end of the Oligocene epoch (23 mya). Paleogene avifaunas are highly diversified and not only feature unusual archaic groups without close living relatives but also offer unique insights into the evolution and biogeographic history of extant birds. The main body of the book constitutes an in-depth survey of the known diversity of Paleogene avifaunas. The reader is introduced into basic skeletal features of extinct avian taxa, with these fossil forms being placed into a phylogenetic context in the light of current hypotheses on the interrelationships of extant birds. The geographical and temporal occurrences of the various fossil groups are outlined and their evolutionary significance is discussed. Concluding sections inform more general aspects of Paleogene avifaunas, such as possible causes of major faunal changes. In addition to being a reference work for the early evolution of modern birds from a paleornithological perspective, the present work also enables researchers in other fields of vertebrate paleontology to gain an improved understanding of Paleogene ecosystems. Numerous color photos of representative specimens furthermore make the new edition attractive to a wider audience interested in the avian fossil record.
Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events. Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nightmarish gameworlds. Players, he argues, will gradually come to see similarities between the virtual dystopia and their own ›offline‹ environment, thus learning to stay wary of social and political developments. In his analysis, Farca draws from a variety of research fields, such as literary theory and game studies, combining them into a coherent theory of aesthetic response to dystopian games.
For nearly fifty years, the Chicago-based Associated Negro Press (ANP) fought racism at home and grew into an international news organization abroad. At its head stood founder Claude Barnett, one of the most influential African Americans of his day and a gifted, if unofficial, diplomat who forged links with figures as diverse as Jawaharlal Nehru, Zora Neale Hurston, and Richard Nixon. Gerald Horne weaves Barnett's fascinating life story through a groundbreaking history of the ANP, including its deep dedication to Pan-Africanism. An activist force in journalism, Barnett also helped send doctors and teachers to Africa, advised African governments, gave priority to foreign newsgathering, and saw the African American struggle in global terms. Yet Horne also confronts Barnett's contradictions. A member of the African American elite, Barnett's sympathies with black aspirations often clashed with his ethics and a powerful desire to join the upper echelons of business and government. In the end, Barnett's activist success undid his work. Horne traces the dramatic story of the ANP's collapse as the mainstream press, retreating from Jim Crow, finally covered black issues and hired African American journalists. Revelatory and entertaining, The Rise and Fall of the Associated Negro Press tells the story of a forgotten pioneer and the ambitious black institution he created.
After the War of 1812, Americans belatedly realized that they lacked national identity. The subsequent campaign to articulate nationality transformed every facet of culture from architecture to painting, and in the realm of letters, literary jingoism embroiled American authors in the heated politics of nationalism. The age demanded stirring images of U.S. virtue, often achieved by contriving myths and obscuring brutalities. Between these sanitized narratives of the nation and U.S. social reality lay a grotesque discontinuity: vehement conflicts over slavery, Indian removal, immigration, and territorial expansion divided the country. Authors such as Washington Irving, James Fenimore Cooper, Catharine M. Sedgwick, William Gilmore Simms, Nathaniel Hawthorne, and Lydia Maria Child wrestled uneasily with the imperative to revise history to produce national fable. Counter-narratives by fugitive slaves, Native Americans, and defiant women subverted literary nationalism by exposing the plight of the unfree and dispossessed. And with them all, Edgar Allan Poe openly mocked literary nationalism and deplored the celebration of "stupid" books appealing to provincial self-congratulation. More than any other author, he personifies the contrary, alien perspective that discerns the weird operations at work behind the facade of American nation-building.
Genesis...the story of beginnings...sets the stage for everything we know about God, the natural universe, humanity, and good and evil. It lays the foundation for all the questions asked by philosophy about knowledge, meaning, free will, the soul, ethics, happiness, and success. It forms the basis for all biblical teachings.A scientist and a scholar team up to look at the scientific and theological issues addressed in the book of Genesis. A must-have for all Sabbath school teachers or for anyone wanting to understand the science, history, and theology packed into Genesis.
Question: What is the only team dating back to the 1970 AFL-NFL merger that has yet to win a division title? Question: What is the only team in the four major pro sports that has existed since the early 1960s and never had a coach leave with a winning career record for the team? Question: What is the only team in sports that plays its home games in a stadium named for another team? If you bleed green and white, you know the answer to these questions as well as you know the color of Joe Willie Namath's shoes. The New York Jets have a record for futility and self-sabotage that is unmatched in the history of professional sports. And nonetheless, they have been rewarded with a loyal following that has made Jets tickets as hard to come by as Jets winning seasons. For Jets fans, the bright beacon of promise has always turned into an onrushing train. They reveled in the joy of the Jets' epic victory in Super Bowl III, when their team beat the 18 1/2-point odds to defeat the Baltimore Colts, just as their cocky young quarterback had guaranteed; they then watched as contract squabbles broke up the core of the team, which would reach just one playoff game in the next twelve years. They cheered as their sleek, explosive team roared into the AFC Championship Game in January 1983; the team was held scoreless after overnight rains pelted the uncovered Orange Bowl field, turning the gridiron into a quagmire that favored the defense-oriented Dolphins. They dared to hope when the Jets went on an unprecedented spending spree in 1996, signing a Super Bowl quarterback and adding a host of fleet receivers and experienced linemen; they saw that team go 1-15, as Rich Kotite's Jets career coaching record sank to a jaw-dropping 4-28. In Gang Green, New York Times sportswriter Gerald Eskenazi details the bizarre history of this remarkable team. From the poor decisions (drafting Ken O'Brien instead of Dan Marino) and bad luck (Joe Namath's knees, Dennis Byrd's near-tragic neck injury) to the horrendous leadership (see Kotite, above) and outright strangeness (team practices held in an open area alongside the Belt Parkway, leRoy Neiman's presence as team artist-in-residence, the Richard Todd/Matt Robinson quarterback duel that wasn't) that have typified the Jets' mystifying approach to football, Gang Green captures the history of this most unusual franchise in a funny, rollicking, nostalgic tale. If you can name the Jet who is the only man in NFL history to run more than 90 yards on a play from scrimmage without scoring; if you remember the glory days of the New York Sack Exchange, when practice was often disrupted by the distracting presence of Mark Gastineau's inamorata, Brigitte Nielsen; if you can still hum the fight song coach Lou Holtz made the team sing after victories -- not that there were enough for them to memorize the lyrics; or if you know which Jets coach told which Jets punter that his flatulence traveled farther than the punter's kicks -- then Gang Green is the book for you.
Established in 1905, The Forest Service is steeped in history, conflict, strong personalities (including Theodore Roosevelt and Gifford Pinchot), and the challenges of managing 193 million acres of national forests and grasslands. This unique federal agency is one that combines forest management with wildlife, fish, recreation, mining, grazing, and hundreds of other uses. It operates in the midst of controversy and change. The original intent was to protect the public forests, protect the water supplies, and, when appropriate, provide timber. Much has changed over the last 100 years including many new laws, but the fact that these lands are still fought over today shows the foresight of politicians, foresters, scientists, and communities. This work brings to light the many and varied activities of the agency that many people know little about in a world that is constantly changing. Written by a former Forest Service national historian, topics discussed in the work include wilderness and the Wilderness Act of 1964, recreation battles and interagency rivalry with the National Park Service, timber management including clearcutting, ecosystem management, roadless area and controversies over RARE and RARE II studies, fish and wildlife management including endangered species before and after the Endangered Species Act of 1973, and mining and the General Mining Act of 1872. It also discusses the future challenges: forest fires, water protection and restoration, recreation, involving the public, and fish and wildlife.
A portrait of two important black social scientists and a broader history of race relations, this important work captures the vitality and chaos of post-war politics in New York, recasting the story of the civil rights movement.
At the end of 1917, after three years of trench warfare on the Western Front, the Allied armies of Britain and France, and those of their main opponent, Germany, had reached a point of exhaustion and hibernation.On March 21 1918, the German Army launched a massive assault on the Western Front, hurling fifty-nine divisions into battle against the British Fifth Army, smashing through British lines and advancing 40 miles per week. More offensives were to follow throughout the spring, including at Aisne and Marne, with the aim of ending the war before American forces could reach the Continent and reinforce the Allied lines. Nevertheless, although the German Army left the British Army reeling, the Tommies retreated in good order and fought all the way. It was during these bloody battles, which lasted until July 1918, that fifty-seven men stood out for acts of extraordinary daring and bravery. To these men the highest military honour was awarded – the Victoria Cross. This book reveals the true extent of their bravery, their backgrounds and their lives after the war.
NAMED A BEST BOOK OF 2018 BY NPR AND THE NEW YORK TIMES A PBS NEWSHOUR-NEW YORK TIMES BOOK CLUB PICK "Somehow Casey Gerald has pulled off the most urgently political, most deeply personal, and most engagingly spiritual statement of our time by just looking outside his window and inside himself. Extraordinary." —Marlon James "Staccato prose and peripatetic storytelling combine the cadences of the Bible with an urgency reminiscent of James Baldwin in this powerfully emotional memoir." —BookPage The testament of a boy and a generation who came of age as the world came apart—a generation searching for a new way to live. Casey Gerald comes to our fractured times as a uniquely visionary witness whose life has spanned seemingly unbridgeable divides. His story begins at the end of the world: Dallas, New Year's Eve 1999, when he gathers with the congregation of his grandfather's black evangelical church to see which of them will be carried off. His beautiful, fragile mother disappears frequently and mysteriously; for a brief idyll, he and his sister live like Boxcar Children on her disability checks. When Casey--following in the footsteps of his father, a gridiron legend who literally broke his back for the team--is recruited to play football at Yale, he enters a world he's never dreamed of, the anteroom to secret societies and success on Wall Street, in Washington, and beyond. But even as he attains the inner sanctums of power, Casey sees how the world crushes those who live at its margins. He sees how the elite perpetuate the salvation stories that keep others from rising. And he sees, most painfully, how his own ascension is part of the scheme. There Will Be No Miracles Here has the arc of a classic rags-to-riches tale, but it stands the American Dream narrative on its head. If to live as we are is destroying us, it asks, what would it mean to truly live? Intense, incantatory, shot through with sly humor and quiet fury, There Will Be No Miracles Hereinspires us to question--even shatter--and reimagine our most cherished myths.
Sorry that I'm gay! Sorry that my grammar can't be better. Sorry you can't see them too. Sorry for being your son. It will start when the man flies his plane in the land of ash. What if you could travel with the dirt after throwing it in that grave? After seventeen years he feels like he had blown out thirtyaEUR"nine candles. Through learning to bury his father's thoughts, Freddie Waters must face them again. With his rebellious affairs taking heed, this teens world is going to take a turn tenfold. Levitating him into a mysterious situation he must unlock with a disappearing key. Charting onto unknown lands finding out he not only can walk with the living but can travel with the deeply departed. Two chairs sitting in the river facing the opposite way. Two boys sit not seeing each other as they talk to each other with a can and string. That's how William Starr must act as he is fooled where he can't see with the scarf over his eyes, waiting for his paper prince to take it off. Finding ways to talk to Freddie in secret as his brother didn't approve those two knowing each other. With time that too shall pass as love always finds away. Together they find they need each other more than ever as they figure out the truth behind what their families desperately tried to hide. Walking with both sides' crowns Freddie prince of the dark fantasy war. Thing is he doesn't know it. Follow along as he tells his side to a threeaEUR"sided coin. Will he take the fiddlers dare?
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
The "suspenseful and completely absorbing story" (San Francisco Chronicle) of how survivors of the worst coal-mining disaster in history triumphed over corporate irresponsibility—written by the young lawyer who took on their case and won. One Saturday morning in February 1972, an impoundment dam owned by the Pittston Coal Company burst, sending a 130 million gallon, 25 foot tidal wave of water, sludge, and debris crashing into southern West Virginia's Buffalo Creek hollow. It was one of the deadliest floods in U.S. history. 125 people were killed instantly, more than 1,000 were injured, and over 4,000 were suddenly homeless. Instead of accepting the small settlements offered by the coal company's insurance offices, a few hundred of the survivors banded together to sue.
First published in 2000, Risk Management is a two volume set, comprised of the most significant and influential articles by the leading authorities in the studies of risk management. The volumes includes a full-length introduction from the editor, an internationally recognized expert, and provides an authoritative guide to the selection of essays chosen, and to the wider field itself. The collections of essays are both international and interdisciplinary in scope and provide an entry point for investigating the myriad of study within the discipline.
The Few and the Brave Convinced by 1943 that the assault upon Nazi-held Europe would yield swiftly to elite troops, the U.S. Army created parachute regimental combat teams. Drawing on daring volunteers willing to hurl themselves from airplanes and hit the ground fighting, the 517th PRCT became one of the most highly trained airborne units in the world. Blooded in northern Italy in 1944, the Battling Buzzards dropped at night in southern France for the second D-day to spearhead a savage advance through the Champagne region and then into the Alps. Gerald Astor, acclaimed author of A Blood-Dimmed Tide, draws on the words of the men of the 517th to create this gripping, action-packed account of a unit that existed for only two years but fought heroically to defeat the vaunted German forces. From its campaign in Italy to its assault in the French Alps, the Battling Buzzards helped push the Germans out of southern Europe one fierce, close-quarter battle at a time. Then, after six months of nonstop action, the exhausted, battle-hardened 517th was called into the ultimate battle — at a place called The Bulge....
This book is light years ahead of any counterparts. In fact, it is one-of-a-kind. It is a page-turner. It provides shocking details about the CIA-sponsored assassination of JFK. The CIA kept a very accurate and detailed record of the plans and progress being made for the assassination right up to the date and time including telephone calls and meetings. Elements in the military-industrial-intelligence complex wanted Kennedy killed because he was threatening to put them out of business! The Cuban Missile Crisis, the closest the world has ever come to nuclear war, spurred him to do this. As a result he developed an ancient enemy, the Deep State as we know it. This Deep State apparatus also engineered a coup many years later with devastating results -- the current Ukraine War. We delve deeply into their modus operandi. Finally we discuss the major topic, once the background and foreground are understood. This is the mysterious UFO Phenomenon which has occurred worldwide since World War II. Every type of case is explored and analyzed. The participation of the Pentagon, the NSA, the DIA and other intelligence groups are pursued and brought to light. Some of the strangest cases in the world are reviewed. The truth is astounding.
The classic autobiography of the famous Indigenous writer and critic Gerald Vizenor The classic memoir by one of the most celebrated Indigenous writers of the modern era, Interior Landscapes offers an unforgettable glimpse of the life and world of Gerald Vizenor. Vizenor writes about his experiences as a tribal mixedblood in the new world of simulations; the themes in his autobiographical stories are lost memories and a "remembrance past the barriers." The chapters open with natural harmonies and the premier union of the Anishinaabe families of the crane and the first white fur traders. The author bares his fosterage, his ambitions, his contentions with institutions and imposed histories; his encounters as a community advocate, journalist for the Minneapolis Tribune, university teacher, critic, and novelist. Vizenor celebrates chance, or "trickster signatures" and communal metaphors in these pages: he was hired to teach social sciences at Lake Forest College, his first experience as a teacher, because the head of the department admired his haiku poems; he toured the armorial emblems at Maxim's de Beijingwhen it opened on October 1, 1983, in the People's Republic of China; he wrote about the suicide of Dane White and the murderer Thomas White Hawk; he rescued his dreams from the skinwalkers at the Clyde Kluckhohn house in Santa Fe, New Mexico; and, as an editorial writer, he followed the American Indian Movement from Custer to Rapid City, from Calico Hall on the Pine Ridge Reservation to Wounded Knee, South Dakota. Teasing, revealing, and irresistible, Interior Landscapes charts the fascinating life of a brilliant Anishinaabe writer. The new edition contains a wealth of new photographs and information on the journey of Gerald Vizenor. Gerald Vizenor, a member of the White Earth Anishinaabeg, is a professor of American Studies at the University of New Mexico. His many books include Fugitive Poses, Manifest Manners, Hiroshima Bugi, and Survivance. He is the editor of the series Native Traces (SUNY) and Native Storiers (Nebraska). "The Chippewa writer Gerald Vizenor is at once a brilliant and evasive trickster figure. . . He is perhaps the supreme ironist among American Indian writers of the twentieth century." -- N. Scott Momaday "Instead of trying to walk the thin, often invisible line between art and politics, history and future, Vizenor dances on both sides, knowing all too well that in our time politics can become myth and vice versa."--San Francisco Review of Books
Biographical insights into two outstanding musical personalities and commentary on the vitality of the British musical scene of the period. The letters that passed, on an almost daily basis, between the composers Howard Ferguson and Gerald Finzi provide not only a fascinating commentary on the British musical scene of the period 1926-1956, but also what amounts to a unique dual-biography of two remarkable, though very different, personalities. Their lives, their loves, their enthusiasms and their prejudices are laid bare with a rare degree of candour, so that we learn not only what it was liketo be witness to an art that was enjoying an unprecedented explosion of creative vitality, but also how they came to explore and consolidate their own exceptional talents. Biographical background narratives provide links that make clear what intimate correspondents inevitably take for granted, and explanations are given for references that the passage of time has made obscure. Their lives are thus revealed in all their diversity - tragedy and comedy, achievement and frustration, justifiable pride and unreasoning prejudice playing equal parts in this absorbing tale of two outstanding musical personalities of the twentieth century.
Constructed Wetlands for Water Quality Improvement is a virtual encyclopedia of state-of-the-art information on the use of constructed wetlands for improving water quality. Well-organized and easy-to-use, this book features contributions from prominent scientists and provides important case studies. It is ideal for anyone involved in the application of constructed wetlands in treating municipal and industrial wastewater, mine drainage, and non-point source pollution. Constructed Wetlands for Water Quality Improvement is a "must" for industrial and municipal water treatment professionals, consulting engineers, federal and state regulators, wetland scientists and professionals, ecologists, environmental health professionals, planners, and industrial environmental managers.
One Hundred Years of Music provides a full account of the history of music from the death of Beethoven to the modern era. It covers a period of exceptional interest. The last hundred years coincide roughly with the rise and decline of Romanticism, include the various nationalist movements, and extend to the advent of "neo-classicism," the twelve-tone system, and still more modern techniques. Abraham devotes ample space to modernist and avant garde music, in which he explains the difficulties we experience in listening to the work of such composers as Schnberg, Bart k, and Berg. He also throws new light on many more familiar topics.In its earlier editions, One Hundred Years of Music became a standard work on this subject; it has since been brought updated to include coverage of later developments. Abraham approaches his subject as an historian of style rather than an esthetic critic. Rather than pass judgment on particular works or composers, he shows how music has developed, and thus provides a clear and connected history that is more substantial than most books of musical appreciation. An extensive chronology and a full bibliography and index add to the usefulness of the book for students, professionals and musical laymen alike.This third edition incorporates some corrections of fact, further enlarges the bibliography and chronology, and adds commentary on developments in music techniques. In order to correct the historical perspective, the author has included a "prelude" and three "interludes," giving rough sketches of general conditions in the musical world at intervals of thirty years. As the reader's sense of chronology is very apt to get confused when a number of simultaneous streams of development have to be described, the author has inserted the date of composition or performance (both if they are widely separated) of each work at the first mention of it.
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