The main goal of Critical Writing is to provide students with a set of robust, integrated critical concepts and processes that will allow to them think through and write about a topic in a way that is built on—and permeated by—substantive critical thinking. This step-by-step guide shows: how to construct a thesis statement and the other main points that constitute the structure of the paper; how to write the paragraphs that make up the body of the paper; how to engage in productive research in a planned, self-directed way; how to make a point clear—not just grammatically or stylistically but also how to clearly convey ideas to an audience; how to think your way through the numerous unanticipated issues (including aspects of grammatical correctness, transitions, and many others) that arise while writing papers. Each step provides close and careful processes for carrying out each of these tasks, through the use of critical thinking.
The main goal of Critical Writing is to provide students with a set of robust, integrated critical concepts and processes that will allow to them think through and write about a topic in a way that is built on—and permeated by—substantive critical thinking. This step-by-step guide shows: how to construct a thesis statement and the other main points that constitute the structure of the paper; how to write the paragraphs that make up the body of the paper; how to engage in productive research in a planned, self-directed way; how to make a point clear—not just grammatically or stylistically but also how to clearly convey ideas to an audience; how to think your way through the numerous unanticipated issues (including aspects of grammatical correctness, transitions, and many others) that arise while writing papers. Each step provides close and careful processes for carrying out each of these tasks, through the use of critical thinking.
“Laced with magic, humor, and chivalry, this reworking of Sir Gawain and the Green Knight provides an engaging introduction to the original tale.” —The Horn Book Squire Terence and Sir Gawain are off questing again, but this time their journey is overshadowed by their ultimate destination: Gawain is to meet up with the Green Knight in a contest that could easily lead to Gawain’s death. Along the way the two have a slew of hair-raising adventures and encounter the usual odd assortment of characters, including the plucky Lady Eileen. Sparks instantly fly between Terence and Eileen as she joins the squire and his knight on their travels. As they weave their way between the world of men and the Other World, Gawain and Terence discover much about themselves. The Squire, His Knight, and His Lady is the sequel to Gerald Morris’s debut book, The Squire’s Tale, about which the Bulletin of the Center for Children’s Books raved, “This Arthurian road trip will have readers wondering why there aren’t more books like this one and hoping that Morris will do it again.” And so he has. “Fast moving and easy to read, this novel will lure youngsters into wanting to read about Camelot, while those familiar with the legends will enjoy this new interpretation.” —School Library Journal (starred review) “The glory days of knights and quests are brought to life with humor, dimensional characters, exceptionally descriptive prose, and fresh, modern dialogue.” —Booklist “[A] engaging adventure, an ideal follow-up to the first book and just as full of characters who are brave, loyal, and admirably human.” —Kirkus Reviews
The four Robinson children, 12 year old Rex, 10 and a half year old twins Guy and Elizabeth, and Martin, who is 7, are about to go on an astonishing adventure. Their sleepy life in a quiet London suburb will be exchanged in an instant for a dangerous sea-voyage, a battle with pirates, an encounter with cannibals, and a very serious mission to find an iced cake on a desert island.
Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
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