Troubled urban neighborhoods and jazz-club havens were the backdrop of Gerald Majer's life growing up in sixties and seventies Chicago. The Velvet Lounge, an original hybrid of memoir, biography, and musical description, reflects this history and pursues a sustained meditation on jazz along with a probing exploration of race and class and how they defined the material and psychic divides of a city. With the instrument of a supple, lyrical prose style, Majer elaborates the book's themes through literary and intellectual forays as carefully constructed and as passionately articulated as a jazz master's solo. Throughout the work, issues of identity and culture, art and politics achieve a rare immediacy, as does the music itself. In portraits of Jimmy Smith, Gene Ammons, Sonny Stitt, Sun Ra, and others, Gerald Majer conveys the drama and artistry of their music as well as the personal hardships many of them endured. Vivid descriptions and telling historical anecdotes explore the music's richness through a variety of political, social, and philosophical contexts. The Velvet Lounge, named after the famous Chicago club, is also one of the few works to consider the music of such avant-garde jazz musicians as Fred Anderson, Andrew Hill, and Roscoe Mitchell. In doing so, Majer builds a bridge from the traditionalist view of jazz to the world of contemporary innovators, casts a new light on the music and its makers, and traces connections between jazz art and postmodernist thought. Present throughout Majer's spirited encounters with the worlds of jazz is Majer himself. We hear and appreciate the music through his individual sensibilities and experiences. Majer recounts growing up in racially divided Chicago—his trips to the famed Maxwell Street market, his wanderings among its legendary jazz clubs, his riding the El, and his working in a jukebox factory. We witness his awakening to the music at a crossroads of the intimately personal and the intellectually provocative.
The rapid growth of the world population - nearly six-fold over the last hundred years - combined with the rising number of technical installations especially in the industrialized countries has lead to ever tighter and more strained living spaces on our planet. Because ofthe inevitable processes oflife, man was at first an exploiter rather than a careful preserver of the environment. Environmental awareness with the intention to conserve the environment has grown only in the last few decades. Environmental standards have been defined and limit values have been set largely guided, however, by scientific and medical data on single exposures, while public opinion, on the other hand, now increasingly calls for astronger consideration of the more complex situations following combined exposures. Furthermore, it turned out that environmental standards, while necessarily based on scientific data, must also take into account ethical, legal, economic, and sociological aspects. A task of such complexity can only be dealt with appropriately in the framework of an inter disciplinary group.
An A-Z listing of drugs by generic name. Each monograph summarizes the known and/or possible effects of the drug on the fetus. It also summarizes the known/possible passage of the drug into the human breast milk. A careful and exhaustive summarization of the world literature as it relates to drugs in pregnancy and lacation. Each monograph contains six parts: generic US name, Pharmacologic class, Risk factor, Fetal risk summary, Breast feeding summary, References
Gerald K. Stone has collected books about Canadian Jewry since the early 1980s. This volume is a descriptive catalog of his Judaica collection, comprising nearly 6,000 paper or electronic documentary resources in English, French, Yiddish, and Hebrew. Logically organized, indexed, and selectively annotated, the catalog is broad in scope, covering Jewish Canadian history, biography, religion, literature, the Holocaust, antisemitism, Israel and the Middle East, and more. An introduction by Richard Menkis discusses the significance of the Catalog and collecting for the study of the Jewish experience in Canada. An informative bibliographical resource, this book will be of interest to scholars and students of Canadian and North American Jewish studies.
Written in the tradition of G. Ludwig’s groundbreaking works, this book aims to clarify and formulate more precisely the fundamental ideas of physical theories. By introducing a basic descriptive language of simple form, in which it is possible to formulate recorded facts, ambiguities of physical theories are avoided as much as possible. In this approach the field of physics that should be described by a theory is determined by basic concepts only, i.e. concepts that can be explained without a theory. In this context the authors introduce a new concept of idealization and review the process of discovering new concepts. They believe that, when the theories are formulated within an axiomatic basis, solutions can be found to many difficult problems such as the interpretation of physical theories, the relations between theories as well as the introduction of physical concepts. The book addresses both physicists and philosophers of science and should encourage the reader to contribute to the understanding of the lasting core of physical knowledge about the real structures of the world.
Featuring 127 new drug entries, the eighth edition of this popular reference provides practical, reliable information on more than 1,175 drugs that may be used by pregnant and lactating women.
Troubled urban neighborhoods and jazz-club havens were the backdrop of Gerald Majer's life growing up in sixties and seventies Chicago. The Velvet Lounge, an original hybrid of memoir, biography, and musical description, reflects this history and pursues a sustained meditation on jazz along with a probing exploration of race and class and how they defined the material and psychic divides of a city. With the instrument of a supple, lyrical prose style, Majer elaborates the book's themes through literary and intellectual forays as carefully constructed and as passionately articulated as a jazz master's solo. Throughout the work, issues of identity and culture, art and politics achieve a rare immediacy, as does the music itself. In portraits of Jimmy Smith, Gene Ammons, Sonny Stitt, Sun Ra, and others, Gerald Majer conveys the drama and artistry of their music as well as the personal hardships many of them endured. Vivid descriptions and telling historical anecdotes explore the music's richness through a variety of political, social, and philosophical contexts. The Velvet Lounge, named after the famous Chicago club, is also one of the few works to consider the music of such avant-garde jazz musicians as Fred Anderson, Andrew Hill, and Roscoe Mitchell. In doing so, Majer builds a bridge from the traditionalist view of jazz to the world of contemporary innovators, casts a new light on the music and its makers, and traces connections between jazz art and postmodernist thought. Present throughout Majer's spirited encounters with the worlds of jazz is Majer himself. We hear and appreciate the music through his individual sensibilities and experiences. Majer recounts growing up in racially divided Chicago—his trips to the famed Maxwell Street market, his wanderings among its legendary jazz clubs, his riding the El, and his working in a jukebox factory. We witness his awakening to the music at a crossroads of the intimately personal and the intellectually provocative.
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