I never saw so many fine and beautiful bodies. The French and English wept together at such a horrible loss of life." (As reported in London's The Standard, 1 September 1833) In August 1833, the Amphitrite, a small convict ship bound for the colonies of Australia, was wrecked in a terrible storm on the coast of France. She carried 102 female prisoners, 12 of their children, along with the captain, the crew, a medical officer and one passenger - the medical officer's wife. Only three people survived. It was the convict era's first major shipwreck. The death of so many women and children, largely due to the incompetence and blind bigotry of those responsible for their safety, was a scandal that threatened to rock the very foundations of the transportation system. The reaction of the British Government was to cover it up, refusing to release even the names of the dead, depriving those tragic women and children of their very identity, even in death. Gerald Stone, bestselling author and acclaimed journalist, has written a brilliant narrative recreation of the voyage and its disastrous end that brings these lost women back to life, revealing the world they lived in, their crimes, their loves, their hopes, their fears, and their final tragedy. Beautiful Bodies is a masterful and compelling work of living, breathing history.
Scandals, disasters, shocks and crises: 1932 could truly be described as one of the most electrifying years in Australian history, alive with unforgettable characters and momentous events. Looking back, it's hard to believe how much happened in that fateful year to become the stuff of enduring national legend: the Sydney Harbour Bridge opened by surprise with the slashing sword of Captain Francis de Groot; the birth of the Australian Broadcasting Commission; the mysterious death of the beloved race horse Phar Lap, the controversial dismissal of NSW Premier Jack Lang, and the start of cricket's infamous Bodyline series. Those were among the best remembered incidents but there were others - from an epic outback rescue of two lost aviators to the most expensive divorce case ever heard - that reflected the distinctive flavour of the times.Overshadowing all else, the Great Depression seemed to single Australians out for special punishment, pushing a fragile young society to the brink of disintegration. By 1932 - the worst of it - a third of the population had been reduced to living like refugees in their own land while a lucky few emerged rich as third world rajahs. Acclaimed journalist and author Gerald Stone takes us on an exhilarating and fascinating journey through a year that quite literally changed a nation. Evocative and brilliantly researched, this is a book that turns history into compelling reading at its very best.
Features the uncensored life story of John Singleton: his mates, his women, and his larrikin ways. Kerry Packer calls him one of the few men who he would trust with a handshake. Four of his ex-wives still think of him as the most charming, romantic man they will ever meet. Yet, he is also a figure of controversy. This work presents his biography.
Scandals, disasters, shocks and crises: 1932 could truly be described as one of the most electifying years in Australian history, alive with unforgettable characters and momentous events. Acclaimed journalist Gerald Stone takes us on a fascinating journey through a year that quite literally changed a nation.
Adrian Sherd is a teenage boy in Melbourne of the 1950s, the last years before television and the family car changed suburbia forever. Earnest and isolated, tormented by his hormones and his religious devotion, Adrian dreams of elaborate orgies with American film stars, and of marrying his sweetheart and fathering eleven children by her. He even dreams a history of the world as a chronicle of sexual frustration. A Lifetime on Clouds is funny, honest and sweetly told: a less ribald, Catholic Australian Portnoy's Complaint. Gerald Murnane was born in Melbourne in 1939. His first novel, Tamarisk Row, was published in 1974. It was followed by A Lifetime on Clouds, The Plains and five other works of fiction, the most recent of which is A History of Books. In 1999 he won the Patrick White Award. Ten years later he won the Melbourne Prize for Literature. 'Unquestionably one of the most original writers working in Australia today.' Australian 'A Lifetime on Clouds delighted me: I was particularly admiring of the author's unfailing ability to say just enough and no more.' Les Murray, Sydney Morning Herald 'Murnane draws out a great deal of comedy from the distance between what his hero does and what he dreams.' Guardian 'If you only ever read one Gerald Murnane novel in your life, I urge you to make it this one.' Andy Griffiths, in his introduction
The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.
Billings Learned Hand was one of the most influential judges in America. In Learned Hand: The Man and the Judge, Gerald Gunther provides a complete and intimate account of the professional and personal life of Learned Hand. He conveys the substance and range of Hand's judicial and intellectual contributions with eloquence and grace. This second edition features photos of Learned Hand throughout his life and career, and includes a foreword by Ruth Bader Ginsburg. Gunther, a former law clerk for Hand, reviewed much of Hand's published work, opinions, and correspondence. He meticulously describes Hand's cases, and discusses the judge's professional and personal life as interconnected with the political and social circumstances of the times in which he lived. Born in 1872, Hand served on the United States District Court for the Southern District of New York and the United States Court of Appeals for the Second Circuit. He clearly crafted and delivered thousands of decisions in a wide range of cases through extensive, conscientious investigation and analysis, while at the same time exercising wisdom and personal detachment. His opinions are still widely quoted today, and will remain as an everlasting tribute to his life and legacy.
Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.
If you must read a book on Columbus," declared the Los Angeles Times in its review of The Heirs of Columbus, "this is the one." Gerald Vizenor's novel reclaims the story of Chrisopher Columbus on behalf of Native Americans by declaring the explorer himself to be a descendent of early Mayans and follows the adventures of his modern-day, mixedblood heirs as they create a fantastic tribal nation. The genetic heirs of Christopher Columbus meet annually at the Stone Tavern at the headwaters of the Mississippi to remember their "stories in the blood" and plan their tribal nation. They are inspired by the late-night talk radio discourses of Stone Columbus, a trickster healer who became rich as the captain of the sovereign bingo barge Santa Maria Casino, anchored in the international waters of the Lake of the Woods. The heirs' plan to reclaim their heritage enrages the government and inspires the tribal nations in a comic tale of mythic proportions. Vizenor is a mixedblood Chippewa who writes fiction in the trickster mode of Native American tradition, using humor to challenge received ideas and subvert the status quo. In The Heirs of Columbus he "reveals not only how Indians have staved off the tidal wave of assimilation," noted the San Francisco Chronicle, "but also how, through humor and persistence, they sometimes reverse the direction of cultural appropriation and, in the process, transform the alien values imposed on them." "Vizenor understands the wilder, irrational, half-mad parts of the Discoverer's soul as few people ever have," noted Kirkpatrick Sale in the Nation; "Columbus is appropriated here in an entirely new way, made to be an Indian in service to his Indian descendents." And the Voice Literary Supplement said "Even more rousing than Vizenor's deconstruction of Columbus, though, is his alternative vision of an American identity.
This collection of essays on American history reflects recent scholarship. Contributors new to this edition include Gary Nash, Arthur Schlesinger, Richard P. McCormick, Gerda Lerner, Ellen C. DuBois, Vicki L. Ruiz, Nathan I. Huggins, John Lewis Gaddis, Paul Kennedy and Kevin P. Philips. Edited by Gerald N. Grob and George Athan Billias.
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
This lavishly illustrated and comprehensive volume is the first devoted entirely to the subject of Irish furniture and woodwork. It provides a detailed survey—encompassing everything from medieval choir stalls to magnificent drawing-room suites for the great houses—from earliest times to the end of the eighteenth century. The first part of the book presents a chronological history, illustrated with superb examples of Irish furniture and interior carving. In a lively text, the Knight of Glin and James Peill consider a broad range of topics, including a discussion of the influence of Irish craftsmen in the colonies of America. The second part of the book is a fascinating pictorial catalogue of different types of surviving furniture, including chairs, stools, baroque sideboards, elegant tea and games tables, bookcases, and mirrors. The book also features an index of Irish furniture-makers and craftsmen of the eighteenth century, compiled from Dublin newspaper advertisements and other contemporary sources.
In this new volume, the results of Rex E. Gerald’s 1957 excavations at the Davis Ranch Site in southeastern Arizona’s San Pedro River Valley are reported in their entirety for the first time. Annotations to Gerald’s original manuscript in the archives of the Amerind Museum and newly written material place Gerald’s work in the context of what is currently known regarding the late thirteenth-century Kayenta diaspora and the relationship between Kayenta immigrants and the Salado phenomenon. Data presented by Gerald and other contributors identify the site as having been inhabited by people from the Kayenta region of northeastern Arizona and southeastern Utah. The results of Gerald’s excavations and Archaeology Southwest’s San Pedro Preservation Project (1990–2001) indicate that the people of the Davis Ranch Site were part of a network of dispersed immigrant enclaves responsible for the origin and spread of Roosevelt Red Ware pottery, the key material marker of the Salado phenomenon. A companion volume to Charles Di Peso’s 1958 publication on the nearby Reeve Ruin, archaeologists working in the U.S. Southwest and other researchers interested in ancient population movements and their consequences will consider this work an essential case study.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
This collection of contemporary examples of chemistry in action highlights the fundamental role of chemical principles in governing everyday experiences. It is presented in a question-and-answer format of topical subjects.
Drawing heavily on the reminiscences of the Brownsville boys themselves, and skillfully integrating these with material from newspapers, books, and commentary of the time, Sorin creates an original and compelling picture of the communal and individual vitality that allowed an unusual and heartening social achievement.
Nachman provides a three-dimensional portrait of the man and the show that were part of our national consciousness for over two decades...a detailed analysis on why Sullivan mattered; Nachman is a natural storyteller...a nuanced description of Sullivan's America. Nachman's style is always accessible...a delight for anyone interested in popular culture"—Ron Simon, Curator of Television and Radio, The Paley Center for Media "A shining gem....One of those rare books you can open anywhere...and be highly entertained. As Ed himself might have said, 'Don't miss it if you can.'"—Dick Cavett, talk show host and online columnist for NYTimes/Opinion
Sports history has emerged as a popular study over the past quarter century, and scholars have fueled this interest by providing a wealth of information on baseball and its role in American culture. Despite this increasing focus on the connection between sports and societal values, football, the sport that emerged in the late nineteenth century and merged the values of winning and commercialization with the culture of higher education, has been left relatively unexplored. This gap in sports history has left many questions unanswered, including football's link to American cultural values. Gerald R. Gems has filled this gap in sports history with his latest title, For Pride, Profit, and Patriarchy: Football and the Incorporation of American Cultural Values. This intriguing resource covers a host of issues including the rise of football, football and feminism, militarism and leadership training, and multiculturalism in football. A broad and comprehensive analysis of the ways in which football addressed the cultural and ideological tensions within American society during its period of development and consolidation after the Civil War, this study is ideal for everyone from the football enthusiast to the general reader.
Merlin's descendants, some evil, some not, and some not even aware of their legacy, have survived to the modern times. On the first Tuesday of October, the kind-hearted sixteen-year-old Ellen Anderson learns that she is one of Merlin's descendants soon after her legal guardians, her brother Michael and sister-in-law Tanya, were killed in a tragic car accident. As Ellen explores her legacy she eventually befriends Jessica and Karla Harman, sixteen-year-old twin sisters who are also Merlin's descendants and powerful sorceresses. She then gets word that Jessica and Karla might not be as friendly as they seem. One or both might be hurting people with witchcraft. However, Ellen wants hard evidence of their guilt, and so she begins an investigation behind their backs to uncover the truth. About the Author: Gerald Pruett was born and raised in St. Louis. His interest in writing spans many years and is a contributor to Fan-Fiction on the internet. Continually striving to improve his writing, Gerald is currently working on his next project. Mr. Pruett's first published book was A Crossed Reality.
Psychology of Revolution, Extraordinary Popular Delusions and the Madness of Crowds, Instincts of the Herd, The Social Contract, A Moving-Picture of Democracy...
Psychology of Revolution, Extraordinary Popular Delusions and the Madness of Crowds, Instincts of the Herd, The Social Contract, A Moving-Picture of Democracy...
This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: The Social Contract (Jean-Jacques Rousseau) The Crowd: A Study of the Popular Mind (Gustave Le Bon) The Psychology of Revolution (Gustave Le Bon) Extraordinary Popular Delusions and the Madness of Crowds (Charles Mackay) Instincts of the Herd in Peace and War (Wilfred Trotter) The Behavior of Crowds: A Psychological Study (Everett Dean Martin) Crowds: A Moving-Picture of Democracy (Gerald Stanley Lee) The Group Mind: A Sketch of the Principles of Collective Psychology (William McDougall) Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. Jean-Jacques Rousseau was a Francophone Genevan philosopher, writer, and composer of the 18th century. Gustave Le Bon was a French polymath whose areas of interest included anthropology, psychology, sociology, medicine, invention, and physics. Wilfred Trotter was an English surgeon, a pioneer in neurosurgery. He was also known for his concept of the herd instinct. Everett Dean Martin was an American minister, writer, journalist, instructor, lecturer and social psychologist. Gerald Stanley Lee was an American Congregational clergyman and the author of numerous books and essays. William McDougall was an early 20th century psychologist who spent the first part of his career in the United Kingdom and the latter part in the USA. Charles Mackay was a Scottish poet, journalist, author, anthologist, novelist, and songwriter.
An inside look at the Army of the Ohio describes how this group of amateur soldiers fared throughout the Civil War, experiencing victory at Shiloh and failure at Perryville.
This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1970, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey Into Night, Tennessee William's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book and the preceding volumes of American Theatre stand as the premier history of American drama.
Sorting out the scientific facts from the unsupported hype about emotional intelligence. Emotional intelligence (or EI)—the ability to perceive, regulate, and communicate emotions, to understand emotions in ourselves and others—has been the subject of best-selling books, magazine cover stories, and countless media mentions. It has been touted as a solution for problems ranging from relationship issues to the inadequacies of local schools. But the media hype has far outpaced the scientific research on emotional intelligence. In What We Know about Emotional Intelligence, three experts who are actively involved in research into EI offer a state-of-the-art account of EI in theory and practice. They tell us what we know about EI based not on anecdote or wishful thinking but on science. What We Know about Emotional Intelligence looks at current knowledge about EI with the goal of translating it into practical recommendations in work, school, social, and psychological contexts.
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
In every glass of wine, I have found, there is such a story; and in every story worth hearing, there is wine. In these pages I will tell you some of my favorites."--Introduction, p. 13.
This is the first biography of Stanley Mosk (1912-2001), iconic protector of civil rights and civil liberties during his 37 years as a justice of the Supreme Court of California (1964 to 2001). He had quickly risen as a well liked leader among Los Angeles reformers, as executive secretary to California governor Culbert Olson and then 16 years as a superior court judge. His 1958 election and service as state attorney general soon won national attention and the promise of likely election to the U.S. Senate, but an unexpected campaign twist augured a new course. This book frames Mosk's Supreme Court years and the landmark cases in which his opinions or biting dissents continue to resonate.
Black Liberation/Red Scare is a study of an African-American Communist leader, Ben Davis, Jr. (1904-64). Though it examines the numerous grassroots campaigns that he was involved in, it is first and foremost a study of the man and secondarily a study of the Communist party from the 1930s to the 1960s. By examining the public life of an important party leader, Gerald Horne uniquely approaches the story of how and why the party rose - and fell." "Ben Davis, Jr., was the son of a prominent Atlanta publisher and businessman who was also the top African-American leader of the Republican party until the onset of the Great Depression. Davis was trained for the black elite at Morehouse, Amherst, and Harvard Law School. After graduating from Harvard, he joined the Communist party, where he remained as one of its most visible leaders for thirty years. In 1943, after being endorsed by his predecessor, Adam Clayton Powell, Jr., he was elected to the New York City Council from Harlem and subsequently reelected by a larger margin in 1945. Davis received support from such community figures as NAACP leader Roy Wilkins, boxer Joe Louis, and musician Duke Ellington. While on the council Davis fought for rent control and progressive taxation and struggled against transit fare hikes and police brutality." "With the onset of the Red Scare and the Cold War, Davis - like the Communist party itself - was marginalized. The Cold War made it difficult for the U.S. to compete with Moscow for the hearts and minds of African-Americans while they were subjected to third-class citizenship at home. Yet in return for civil rights concessions, African-American organizations such as the NAACP were forced to distance themselves from figures such as Ben Davis. In 1949 he was ousted unceremoniously (and perhaps illegally) from the City Council. He was put on trial, jailed in 1951, and not released until 1956, when the civil rights movement was gathering momentum. His friendship with the King family, based upon family ties in Atlanta, was the ostensible cause for the FBI surveillance of Dr. Martin Luther King, Jr. and COINTELPRO, the counterintelligence program of the FBI, which was aimed initially at the CP-USA, made sure to keep a close eye on Davis as well. But when the civil rights movement reached full strength in the 1960s Davis's controversial appearances at college campuses helped to set the stage for a new era of activism at universities." "Davis died in 1964. According to Horne, the time has now come when he, along with his good friend Paul Robeson and W. E. B. DuBois, should be regarded as a premier leader of African-Americans and the U.S. Left during the twentieth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
From Simon & Schuster, Hugo Black and the Judicial Revolution is "one of the prime judicial biographies of our time." (Max Lerner) A native of St. Louis, Professor Dunne is a graduate of Georgetown University and St. Louis University Law School. He is the author of Monetary Decisions of the Supreme Court and Justice Joseph Story and The Rise of the Supreme Court.
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