In Poetry For The Rest Of Us, poet Gerald Daniele shares his unique wit and wisdom on nature, childhood, love, community, and much more. Throughout his collection of poems and haiku, Gerald encourages us to take delight in the simple beauty of our world, to find humor in every day, and to live without regret. From dirty fingers and Tonka Wheels to leaky garden hoses and hormonal pregnant women, Daniele offers a realistic look at the challenges and rewards of parenting. A survivor of unrequited love and heartache, he shares raw reflections on passion and relationships. Thoughts on suburban living hint at the many secrets our neighbors might be hiding. And with a creative flair uniquely his own, Gerald pokes fun at the tardy employees, whiny customers, and other headaches of deli ownership. Poetry For The Rest Of Us is a thoughtful, quirky take on the ups and downs of the every day moments that will have us examining and appreciating our own life journeys through the eyes of Gerald Daniele a.k.a. "Wazu".
Michael is the good-natured co-owner of a sandwich shop, but has strong disagreements with his opinionated wife Chris, on how to run his successful business. It becomes too much to handle. In an attempt to escape his troubled life, Michael begins to dream about Concepta, a beautiful woman who captures his heart. Michael's guiltless dreams about Concepta take over his life. Meanwhile, his wife's greed becomes the focus of her world. As the changing couple drift apart, Michael continues to turn to his dreams for comfort. Gradually, he realizes that dreams of Concepta can lead him to the hope of new love in his real life, as he derives great pleasure from the mutual love he shares with Concepta during the dark nights. In Concepta, a romantic, introspective novel about the subconscious and its power over decisions of the heart, Michael discovers that answers to the most complicated questions about love appear in his dreams, and that the woman he's been waiting for might just be closer than he realizes.
The bestselling Catholicism has now been revised and updated for an eagerly-anticipated second edition. This lucid and accessible account explains how Roman Catholicism and its beliefs and practices came to be what they are. Renowned scholars Gerald O'Collins and Mario Farrugia move through history to sum up the present characteristics of Catholic Christianity and the major challenges it faces in the third millennium. Clear and engaging, the authors present matters in a fresh and original way. They skilfully depict the Catholic heritage and show that Catholicism is a dynamic and living faith. O'Collins and Farrugia engage with contemporary moral issues and explore the challenges which Catholics and other Christians must face. This is an authoritative, lively, and up-to-date introduction to Catholicism for the twenty-first century.
The replacement or augmentation of failing human organs with artificial devices and systems has been an important element in health care for several decades. Such devices as kidney dialysis to augment failing kidneys, artificial heart valves to replace failing human valves, cardiac pacemakers to reestablish normal cardiac rhythm, and heart assist devices to augment a weakened human heart have assisted millions of patients in the previous 50 years and offers lifesaving technology for tens of thousands of patients each year. Significant advances in these biomedical technologies have continually occurred during this period, saving numerous lives with cutting edge technologies. Each of these artificial organ systems will be described in detail in separate sections of this lecture.
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
Winner of the 2022 Textbook & Academic Authors Association′s The McGuffey Longevity Award In Brain & Behavior: An Introduction to Behavioral Neuroscience, authors Bob Garrett and Gerald Hough showcase the ever-expanding body of research into the biological foundations of human behavior through a big-picture approach. With thought-provoking examples and a carefully crafted, vibrant visual program, the text allows any student to appreciate the importance and relevance of this field of study. New features to the Sixth Edition include fully revised learning objectives, a streamlined box feature program, an expanded collection of foundational animations, and updated research on timely topics such as drugs and addiction, sex and gender, and emotions and health. This title is accompanied by a complete teaching and learning package. Digital Option / Courseware SAGE Vantage is an intuitive digital platform that delivers this text’s content and course materials in a learning experience that offers auto-graded assignments and interactive multimedia tools, all carefully designed to ignite student engagement and drive critical thinking. Built with you and your students in mind, it offers simple course set-up and enables students to better prepare for class. Assignable Video with Assessment Assignable video (available with SAGE Vantage) is tied to learning objectives and curated exclusively for this text to bring concepts to life. LMS Cartridge Import this title’s instructor resources into your school’s learning management system (LMS) and save time. Don’t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site.
This book presents and explores Vatican II's developments in doctrine about divine revelation; the nature, mission, and collegialilty of the Church; religious freedom; and the divine grace that reaches all human beings. It takes up the profound significance of the Constitution on the Sacred Liturgy, which opened the way for the Council's subsequent teaching." -- back cover.
Through its engagement with different kinds of texts, Exploring the Limits of the Human through Science Fiction represents a new way of approaching both science fiction and critical theory, and its uses both to question what it means to be human in digital era.
Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.
History, literature, religion, myth, film, psychology, theory, and daily conversation all rely heavily on narrative. Cutting across many disciplines, narratology describes and analyzes the language of narrative with its regularly recurring patterns, deeply established conventions for transmission, and interpretive codes, whether in novels, cartoons, or case studies. ø Indispensable to writers, critics, and scholars in many fields, A Dictionary of Narratology provides quick and reliable access to terms and concepts that are defined, illustrated, and cross-referenced. All entries are keyed to articles or books in which the terms originated or are exemplified. This revised edition contains additional entries and updates some existing ones.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
This book follows several major European literary «echoes» still reverberating since the mysterious emergence of such archetypal figures as Faust, Hamlet, Quixote, and Don Juan alongside lingering ancient and medieval protagonists in the Renaissance. Four centuries of attempts to redefine «modern» identity are traced against the evolution of a new genre of totalizing encyclopaedic literature, the «humoristic» tradition which re-weaves the positive and negative strands of the European, and today also New World, «grand narrative.» The book's method, inspired by Joyce, is to «listen» to recurrent motifs in the cultural flow from Humanism to Postmodernism for clues to an identity transcending the personal.
The history of Canadian filmmaking is a fascinating topic and, in this book, the author takes the reader through the early years of the twentieth century when Hollywood monopolized the industry, Edison's Kinctoscope enthralled the public, and motion picture exhibitions swept across Canada.
Traditional readings of "Dubliners" have entrapped themselves in easy identifications with the narrator in the stories. Later critics have used strong overarching theories to explore the techniques through which the narrator produces these reductive effects. This study applies a different contemporary theoretical lens to each of the stories.
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