Castletown House, Ireland's largest and earliest Palladian-style house, was built between 1722 and 1729 for William Conolly, Speaker of the Irish House of Commons and the wealthiest commoner in Ireland. In 1967, the house was bought by the Hon. Desmond Guinness, founder of the Irish Georgian Society and opened to the public. In 1994, ownership of the house was transferred to the State, and it is now managed by the Office of Public Works. Castletown House, a history, is the story of that house, written by the children who grew up there, Baroness Diana Wrangle Conolly Carew, the Hon. Sarah McPherson & their brother, the Hon. Gerald Edward Ian Maitland-Carew. In this fascinating history, the character of the house is brought to life through its former residents, together with stories of their Olympic medals, the chance survival of the house through the Civil War, and tales of visiting royalty to the greatest of Ireland’s great houses.
Castletown House, Ireland's largest and earliest Palladian-style house, was built between 1722 and 1729 for William Conolly, Speaker of the Irish House of Commons and the wealthiest commoner in Ireland. In 1967, the house was bought by the Hon. Desmond Guinness, founder of the Irish Georgian Society and opened to the public. In 1994, ownership of the house was transferred to the State, and it is now managed by the Office of Public Works. Castletown House, a history, is the story of that house, written by the children who grew up there, Baroness Diana Wrangle Conolly Carew, the Hon. Sarah McPherson & their brother, the Hon. Gerald Edward Ian Maitland-Carew. In this fascinating history, the character of the house is brought to life through its former residents, together with stories of their Olympic medals, the chance survival of the house through the Civil War, and tales of visiting royalty to the greatest of Ireland’s great houses.
This lavishly illustrated and comprehensive volume is the first devoted entirely to the subject of Irish furniture and woodwork. It provides a detailed survey—encompassing everything from medieval choir stalls to magnificent drawing-room suites for the great houses—from earliest times to the end of the eighteenth century. The first part of the book presents a chronological history, illustrated with superb examples of Irish furniture and interior carving. In a lively text, the Knight of Glin and James Peill consider a broad range of topics, including a discussion of the influence of Irish craftsmen in the colonies of America. The second part of the book is a fascinating pictorial catalogue of different types of surviving furniture, including chairs, stools, baroque sideboards, elegant tea and games tables, bookcases, and mirrors. The book also features an index of Irish furniture-makers and craftsmen of the eighteenth century, compiled from Dublin newspaper advertisements and other contemporary sources.
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