Originally published in 1949, this book presents a selection of verse by the renowned British writer and broadcaster Gerald Bullett (1893-1958). 36 poems are contained, 25 of which appeared for the first time in this volume. The rest were selected from two previous collections: Poems in Pencil (1937) and Winter Solstice (1943). This book will be of value to anyone with an interest in the writings of Bullett and English poetry.
First published in 1940, this is the story of how young Adam Swinford, happily tipsy, forgets a weekend engagement in the country, and how in consequence his friend David Brome, waiting for Adam at Chiselbrook Station, gives a lift to beautiful Mary Wilton, with whom he falls in love. David is an outwardly comfortable, inwardly restive 40-year-old, retired on a Civil Service pension. Lydia, his nervous wife for 15 years, has a knack for making him feel stupid. One spring day in the country after weeks of hovering, David finally gets a kiss from Mary, and confesses to Lydia, whom he cannot leave. David readily comes to realize that he must accept his ordeal. Meanwhile in London, smooth Adam Swinford is carrying on his affair with a pick up named Lily Elvers. But Adam gets tired of Lily about the time that she gets pregnant. And about the same time that the irresolute David begins to bore cool Mary, she meets Adam...
This omnibus contains The History of Egg Pandervil and Nicky, Son of Egg. Bullett writes in the 1930 edition 'In this volume the two parts of one novel, divided hitherto by the accident of their several publication, appear as a continuous whole: which is to say, as originally planned by their author. It was not the tale of Egg but of Nicky that I sat down to tell... only to discover, after writing a few paragraphs, that of these two Pandervils, father and youngest son, the father, being overscored with the intimate tracery of time, was at the moment the far likelier to engage my passionate interest... So it is that the heart of Egg Pandervil, which... becomes, and remains to the end, the true heart of this novel.
First published in 1934, Eden River tells the story of the first man and woman, Adam and Eve, as they make their way in Paradise, living by the river of Eden.Here, Gerald Bullett brings his characteristic style and grace to one of the oldest stories known to man.
An unhappy wife is found dead in her bed, in circumstances that point to murder. Her husband, Roderick Strood, is arrested and put on trial. But before this happens we have become intimately acquainted not only with the Stroods and their problems, but with the individual members of the jury on whose verdict Roderick's fate is to depend. We see them first in their private lives, each unaware of the others' existence; watch them enter the jury-box; and finally go with them into the jury-room and hear them debating the issue of life and death. What is the truth? And what will the verdict be?
This is a short, meditative novel written in the first person, recollecting events in the narrator's childhood. The instigating crisis of the story is the revelation, when he is six, that he is the offspring of an adulterous affair. His biological father has just gone off to war and plays no direct part in the story. The main characters are his legal father, Robert, a man of generous spirit, his mother, relatives, and two contrasting preachers, one authentic, the other a monster of self-righteousness who meets with a grisly end. Written with meticulous skill, as is typical of this author, this is a beautiful story that everyone will enjoy.
The four Robinson children, 12 year old Rex, 10 and a half year old twins Guy and Elizabeth, and Martin, who is 7, are about to go on an astonishing adventure. Their sleepy life in a quiet London suburb will be exchanged in an instant for a dangerous sea-voyage, a battle with pirates, an encounter with cannibals, and a very serious mission to find an iced cake on a desert island.
Bullett's novel centers on the lives of three brothers growing up at the end of the 19th Century, and their adaptation to the birth of a new age following the First World War.
This omnibus contains The History of Egg Pandervil and Nicky, Son of Egg. Bullett writes in the 1930 edition 'In this volume the two parts of one novel, divided hitherto by the accident of their several publication, appear as a continuous whole: which is to say, as originally planned by their author. It was not the tale of Egg but of Nicky that I sat down to tell... only to discover, after writing a few paragraphs, that of these two Pandervils, father and youngest son, the father, being overscored with the intimate tracery of time, was at the moment the far likelier to engage my passionate interest... So it is that the heart of Egg Pandervil, which... becomes, and remains to the end, the true heart of this novel.
The four Robinson children, 12 year old Rex, 10 and a half year old twins Guy and Elizabeth, and Martin, who is 7, are about to go on an astonishing adventure. Their sleepy life in a quiet London suburb will be exchanged in an instant for a dangerous sea-voyage, a battle with pirates, an encounter with cannibals, and a very serious mission to find an iced cake on a desert island.
Originally published in 1952, this book presents a series of poems by the British literary figure Gerald Bullett on various 'items of village news'. This book will be of value to anyone with an interest in English poetry and the writings of Bullett.
First published in 1934, Eden River tells the story of the first man and woman, Adam and Eve, as they make their way in Paradise, living by the river of Eden.Here, Gerald Bullett brings his characteristic style and grace to one of the oldest stories known to man.
First published in 1940, this is the story of how young Adam Swinford, happily tipsy, forgets a weekend engagement in the country, and how in consequence his friend David Brome, waiting for Adam at Chiselbrook Station, gives a lift to beautiful Mary Wilton, with whom he falls in love. David is an outwardly comfortable, inwardly restive 40-year-old, retired on a Civil Service pension. Lydia, his nervous wife for 15 years, has a knack for making him feel stupid. One spring day in the country after weeks of hovering, David finally gets a kiss from Mary, and confesses to Lydia, whom he cannot leave. David readily comes to realize that he must accept his ordeal. Meanwhile in London, smooth Adam Swinford is carrying on his affair with a pick up named Lily Elvers. But Adam gets tired of Lily about the time that she gets pregnant. And about the same time that the irresolute David begins to bore cool Mary, she meets Adam...
Bullett's novel centers on the lives of three brothers growing up at the end of the 19th Century, and their adaptation to the birth of a new age following the First World War.
The Peacocks are five in family: father, mother, and three daughters. The year is 1870 or thereabouts. But though the opening chapter has the cool detachment of a 'period piece', it is not long before we are caught up in a passionate concern with the girls' love affairs and the undercurrent of conflict between the two generations. By his self-imposed discipline of Victorianism Mr Bullett has succeeded in creating a story more tense and exciting than many a self-styled 'thriller'- the intimate story of three marriageable young ladies, each of whom, though they are united in family affection, is a person apart, with her own special quality and character. They live in a small comfortable world, with a dryly humorous father and an affectionate mother who knows all the answers. Why should they wish to escape from such sweet security? And yet ...
This is a short, meditative novel written in the first person, recollecting events in the narrator's childhood. The instigating crisis of the story is the revelation, when he is six, that he is the offspring of an adulterous affair. His biological father has just gone off to war and plays no direct part in the story. The main characters are his legal father, Robert, a man of generous spirit, his mother, relatives, and two contrasting preachers, one authentic, the other a monster of self-righteousness who meets with a grisly end. Written with meticulous skill, as is typical of this author, this is a beautiful story that everyone will enjoy.
A fully annotated edition of more than 1600 letters from and to Gerald Finzi, spanning the composer's life from ca. the early 1920s up until his untimely death in 1956. Gerald Finzi's (1901-1956) masterpiece is the radiant and touching cantata Dies Natalis. He is also highly regarded for his Thomas Hardy song-settings, for his Intimations of Immortality, and for his fine cello and clarinet concertos. As a scholar, he championed the then neglected composers Hubert Parry and Ivor Gurney, and the eighteenth-century John Stanley, William Boyce and Richard Mudge, composers he revived with the amateur orchestra he founded. Diana McVeagh, Finzi's biographer, brings together more than 1600 letters from and to Gerald Finzi, spanning the composer's life from the early 1920s until his untimely death in 1956. His more than 160 correspondents include Ralph Vaughan Williams, Herbert Howells, Edmund Rubbra, Arthur Bliss and Howard Ferguson, Michael Tippett, Benjamin Britten and Sir John Barbirolli, the poet Edmund Blunden, and the artist John Aldridge, making this a portrait not only of Gerald Finzi but also of his group of composer, musician and artist friends in the first half of the twentieth century. In these mostly unpublished letters Finzi emerges as a multi-faceted and complex character, developing from a solitary, introverted youth into a man with strong views and wide interests: education, pacifism, vegetarianism, the Arts and Crafts movement and the English pastoral tradition, among others. From amusing trivia to the deeply serious ideas and principles Finzi set out at the onset of war and in the 1950s, these letters allow for first-hand insights into his personality and background. This definitive edition is fully annotated, offering context with substantial commentaries on the correspondence, illustrations by Joy Finzi, a chronology, bibliography and a catalogue of works.
The Trap is an Urban Fiction Crime Novel about a Notorious Drug Dealer and Murderer known as Face. Face is incarcerated and is telling his story to his Cellmate about how he survives in Prison and his life as a wealthy Drug Dealer prior to coming to Prison. Face explains it all while bagging up Marijuana brought to him by the Free Man. Face sells marijuana throughout the Prison.
A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.
An unhappy wife is found dead in her bed, in circumstances that point to murder. Her husband, Roderick Strood, is arrested and put on trial. But before this happens we have become intimately acquainted not only with the Stroods and their problems, but with the individual members of the jury on whose verdict Roderick's fate is to depend. We see them first in their private lives, each unaware of the others' existence; watch them enter the jury-box; and finally go with them into the jury-room and hear them debating the issue of life and death. What is the truth? And what will the verdict be?
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