What motivated Beckett, in 1937, to distance himself from the 'most recent work' of his mentor James Joyce, and instead praise the writings of Gertrude Stein as better reflecting his 'very desirable literature of the non-word'? This Element conducts the first extended comparative study of Stein's role in the development of Beckett's aesthetics. In doing so it redresses the major critical lacuna that is Stein's role and influence on Beckett's nascent bilingual aesthetics of the late 1930s. It argues for Stein's influence on the aesthetics of language Beckett developed throughout the 1930s, and on the overall evolution of his bilingual English writings, arguing that Stein's writing was itself inherently bilingual. It forwards the technique of renarration – a form of repetition identifiable in the work of both authors – as a deliberate narrative strategy adopted by both authors to actualise the desired semantic tearing concordant with their aesthetic praxes in English.
What motivated Beckett, in 1937, to distance himself from the 'most recent work' of his mentor James Joyce, and instead praise the writings of Gertrude Stein as better reflecting his 'very desirable literature of the non-word'? This Element conducts the first extended comparative study of Stein's role in the development of Beckett's aesthetics. In doing so it redresses the major critical lacuna that is Stein's role and influence on Beckett's nascent bilingual aesthetics of the late 1930s. It argues for Stein's influence on the aesthetics of language Beckett developed throughout the 1930s, and on the overall evolution of his bilingual English writings, arguing that Stein's writing was itself inherently bilingual. It forwards the technique of renarration – a form of repetition identifiable in the work of both authors – as a deliberate narrative strategy adopted by both authors to actualise the desired semantic tearing concordant with their aesthetic praxes in English.
Some of the experiences which I have to record are of so unusual a character that I think it will help to a better understanding on the part of my readers if I briefly outline the drift of my existence before I became aware of the women’s movement, and in touch with that section of it known as the “Militant Suffragettes.” My father had been dead fifteen years and I was thirty-nine years old in 1906, when my narrative begins. I lived with my mother in the country. Two sisters and two brothers had left the home when they were young—the sisters to marry, the brothers to train for and enter their professions. I assumed, as did all my friends and relations, that, being past the age when marriage was likely, I should always remain at home. In my early girlhood I had a yearning to take up music professionally; again, after father’s death, when unexpected financial misfortunes caused my mother great anxiety, I had longed to try my hand at journalism; and once more, a few years later, I had the same ambition. But these wishes, finding no favour, had in each case eventually to be repressed, and in 1906 I had neither equipment, training nor inclination for an independent life. I had been more or less of a chronic invalid through the greater part of my youth. An overmastering laziness and a fatalistic submission to events as they befell were guiding factors in my existence. I was passionately fond of animals and of children, music was a great delight to me; otherwise I was not given to intellectual pursuits. So far as I know, I was an average ordinary human being, except perhaps for an exaggerated dislike of society and of publicity in any form. I had many intimate friends, both men and women, and also children. Such mental training as I have known was chiefly due to intercourse with them. I owed to them, as well as to my mother and many members of my family, a happy life, in spite of considerable physical suffering.
This magical book is both a guide to the most delightful places for garden lovers to stay and eat, and a guide to the top gardens of Ireland, providing a wonderful framework for the garden lover's Irish vacation. Simple and user friendly, the book includes around one hundred tip-top gardens, arranged by area, with up-to-the-minute practical information, photographs, and maps.
Think coal mining, and most likely you think men. This book tells a very different story. Women have long been the backbone of the coal mining industry. As wives and mothers theyve fought battles for better working conditions; established womens auxiliaries; distributed food to strikers and their families, and stood on picket lines.
More Than Meets the Eye seeks to dismantle traditional understandings of blindness through scrutiny of philosophical speculation, scientific case studies, literary depictions, and museum access programs for the blind. It introduces blind and visually impaired artists whose work has shattered stereotypes and opened up new aesthetic possibilities for everyone.
Published in 1998. This book brings together both the history of community involvement and health and ideas and proposals for further developing the potential of this approach. It explores the roots and branches of community involvement, drawing together different strands from within and outside the NHS. It explores the impact of the rapid changes in the NHS and in local government on local communities and patients and ways in which current policy can enhance and enable the general public to be more involved in their own health and effective service provision. Ideas, models and case studies are used to illustrate practical ways in which skills and knowledge can be enhanced.
Anthropologist Georgina Born presents one of the first ethnographies of a powerful western cultural organization, the renowned Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) in Paris. As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992. Born depicts a major artistic institution trying to maintain its status and legitimacy in an era increasingly dominated by market forces, and in a volatile political and cultural climate. She illuminates the erosion of the legitimacy of art and science in the face of growing commercial and political pressures. By tracing how IRCAM has tried to accomodate these pressures while preserving its autonomy, Born reveals the contradictory effects of institutionalizing an avant-garde. Contrary to those who see postmodernism representing an accord between high and popular culture, Born stresses the continuities between modernism and postmodernism and how postmodernism itself embodies an implicit antagonism toward popular culture.
This work uses narrative research, including accounts of personal experiences, to explore the margins of science and ethics. Boundaries between science and other cultural and disciplinary forms of knowledge are illuminated through studying the inter-relationships between identity, knowledge and power, using narratives both in and as a form of philosophical reflection on educational practice.
This guide describes approximately 1200 recommended establishments throughout Ireland - from a wide range of hotels, restaurants, cafes and pubs through to guest houses and farmhouses.
Thorough revision of a comprehensive and highly readable textbook on veterinary anaesthesia A popular book amongst veterinary students and veterinary anaesthesia residents, the new edition of Veterinary Anaesthesia: Principles to Practice continues to be a comprehensive textbook covering the key principles of veterinary anaesthesia, encompassing a wide range of species. Fully revised, the information is summarised in a simple, accessible format to help readers navigate and locate relevant information quickly. Filled with technical and species-based chapters, it offers a quick reference guide to analgesic infusions, as well as emergency drug dose charts for canines, felines, and equines. Provides broad coverage of the basics of veterinary anaesthesia and how it is implemented in clinical practice Includes new information on mechanisms of general anaesthesia Features new and improved photographs and line illustrations, plus end of chapter questions to test your knowledge Covers veterinary anaesthesia for a wide range of species, including dogs, cats, horses, rabbits, donkeys, and pigs Expands example case material to increase relevance to day-to-day clinical practice Updated to contain the latest developments in the field, Veterinary Anaesthesia: Principles to Practice is designed specifically for veterinary students and those preparing to take advanced qualifications in veterinary anaesthesia. It is also a useful reference for veterinarians in practice and advanced veterinary nurses and technicians.
A guidebook to the very best of Irish hospitality, North and South. This work includes a selection of Ireland's premier accommodation and restaurants arranged alphabetically by county. The 'Best Budget' category ensures the inclusion of smaller high quality establishments such as farmhouse accommodation or cafes.
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