This illustrated instructional guide, by an author who teaches an accredited college course on the subject, is ideal both for beginners and experienced hairdressers eager to acquire new skills. Introducing today's state-of-the-art tools and equipment, it covers cuts, colors, perms, formal styling, and men's hair, along with business and legal issues such as staffing, décor, and safety.
This illustrated instructional guide, by an author who teaches an accredited college course on the subject, is ideal both for beginners and experienced hairdressers eager to acquire new skills. Introducing today's state-of-the-art tools and equipment, it covers cuts, colors, perms, formal styling, and men's hair, along with business and legal issues such as staffing, décor, and safety.
This unique volume provides a detailed analysis of Australia’s 300 war crimes trials of principally Japanese accused conducted in the immediate aftermath of the Second World War. Part I contains contextual essays explaining why Australia established military courts to conduct these trials and thematic essays considering various legal issues in, and historical perspectives on, the trials. Part II offers a comprehensive collection of eight location essays, one each for the physical locations where the trials were held. In Part III post-trial issues are reviewed, such as the operation of compounds for war criminals; the repatriation of convicted Japanese war criminals to serve the remainder of their sentences; and reflections of some of those convicted on their experience of the trials. In the final essay, a contemporary reflection on the fairness of the trials is provided, not on the basis of a twenty-first century critique of contemporary minimum standards of fair trial expected in the prosecution of war crimes, but by reviewing approaches taken in the trials themselves as well as from reactions to the trials by those associated with them. The essays are supported by a large collection of unique historical photographs, maps and statistical materials. There has been no systematic and comprehensive analysis of these trials so far, which has meant that they are virtually precluded from consideration as judicial precedent. This volume fills that gap, and offers scholars and practitioners an important and groundbreaking resource.
Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.
This book examines North American women's engagement with their health systems and asks to what extent national citizenship has shaped women's health. Authors provide a much-needed analysis of the dynamic decades after 1945, when both Canada and the United States began using federal funds to expand health-care access and biomedical research and authority reached new heights. (Midwest).
Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border. This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.
One night. That’s all the time a family has to decide what to do with the man they believe murdered their daughter: Do they forgive him, or do they take justice into their own hands? “A locked-room stunner that unfolds at breakneck speed.”—Kimberly Belle, USA Today bestselling author of The Personal Assistant The anonymous letters arrive in the mail, one by one: To find out what really happened to Meg, meet at this location. Don’t tell anyone you’re coming. In one night, you’ll find out everything you need to know. Ten years after her murder, the letters tell Meghan’s family exactly when and where to meet: a cliffside home on the Oregon coast. But on the night they’re promised answers, the convicted killer—her high school boyfriend, Cal, who spent only ten years in prison for murder—is found unconscious in his car after it slammed into a tree near the house where the family is sitting and waiting. Is he really the one who invited them to gather? As a storm rampages along the Pacific Northwest, the power cuts off and leaves the family with no chance of returning to the main road and finding help. So they drag Cal back to the house for the remainder of the night. How easy it would be to let him die and claim it was an accident. Or do they help him instead? As the hours tick by, it becomes an excruciating choice. Half of the family wants to kill him. The other half wants him to regain consciousness so he can tell them what he knows. But if Cal wakes up, he might reveal that someone in the family knows more than they’re letting on. And if that’s the case, who is the real killer? And are they already in the house?
Taking an interprofessional focus to reflect modern practice, this book introduces the complexity of balancing rights and risks. It helps readers to understand and evaluate their own values, knowledge and power in order to provide safer, more effective care for those they work with, including vulnerable adults and children.
Various book reviews and essays on famous plays, novels from European authors. Themes: sci-fi, colonialism, WWI, history, WWII, love and relationships, satire, paranormal, adventure, foreign customs.
ePDF and ePUB available Open Access under CC-BY-NC licence. During the consolidation of the welfare state in the 1940s, and its reshaping in the 2010s, the boundaries between the state, voluntary action, the family and the market were called into question. This interdisciplinary book explores the impact of these ‘transformational moments’ on the role, position and contribution of voluntary action to social welfare. It considers how different narratives have been constructed, articulated and contested by public, political and voluntary sector actors, making comparisons within and across the 1940s and 2010s. With a unique analysis of recent and historical material, this important book illuminates contemporary debates about voluntary action and welfare.
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
Think coal mining, and most likely you think men. This book tells a very different story. Women have long been the backbone of the coal mining industry. As wives and mothers theyve fought battles for better working conditions; established womens auxiliaries; distributed food to strikers and their families, and stood on picket lines.
A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.
Thorough revision of a comprehensive and highly readable textbook on veterinary anaesthesia A popular book amongst veterinary students and veterinary anaesthesia residents, the new edition of Veterinary Anaesthesia: Principles to Practice continues to be a comprehensive textbook covering the key principles of veterinary anaesthesia, encompassing a wide range of species. Fully revised, the information is summarised in a simple, accessible format to help readers navigate and locate relevant information quickly. Filled with technical and species-based chapters, it offers a quick reference guide to analgesic infusions, as well as emergency drug dose charts for canines, felines, and equines. Provides broad coverage of the basics of veterinary anaesthesia and how it is implemented in clinical practice Includes new information on mechanisms of general anaesthesia Features new and improved photographs and line illustrations, plus end of chapter questions to test your knowledge Covers veterinary anaesthesia for a wide range of species, including dogs, cats, horses, rabbits, donkeys, and pigs Expands example case material to increase relevance to day-to-day clinical practice Updated to contain the latest developments in the field, Veterinary Anaesthesia: Principles to Practice is designed specifically for veterinary students and those preparing to take advanced qualifications in veterinary anaesthesia. It is also a useful reference for veterinarians in practice and advanced veterinary nurses and technicians.
Dallas Durango fled her stuffy Boston girls' school for the wild West. The runaway heiress dressed as a boy and signed on the Pony Express until virile Quint Randolph rode into the scene. His handsome arrogant manner made Dallas want to shuck her disguise in favor of his steamy glances and hungry lips.
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