Never-before-published in English, Georges Perec's dream diary should be considered an important literary document. Recorded between 1968 and 1972, the dreams within are written in a deceptively simple prose that successfully captures the complex unpredictability of dreams. La Boutique Obscure opens up the mind of one of France's best known and enigmatic post-war authors and film makers, Georges Perec. This look into his most intimate dreams now brings a new and previously inaccessible aspect of this great writer to readers.
This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility.
Combining fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world and at the crux of his own identity.
Georges Perec planned a mystery novel of 28 chapters: he died before completing it. From his notebooks his friends assembled the elements of the unfinished part. The narrator is sent to the French colonies to teach maths - as well as being entrusted with tracking down an arms dealer.
The Oulipo's members have included luminaries of the calibre of Italo Calvino, Marcel Duchamp and Georges Perec. In 1979 Georges Perec wrote a brief entertainment for a publisher's catalogue: The Winter Journey. It became his most reprinted text, and revealed an extraordinary literary discovery, a secret concealed at the heart of modern French literature. Following Perec's death, the group began writing sequels to this tale, and gradually this became a sort of initiation to the group: new members were encouraged to write a Winter Journey'. And so a loose narrative was born.
Here, in one volume, are three "easy pieces" by the master of the verbal firecracker and Gallic wit. The novella "The Exeter Text" contains all those e's that were omitted from A Void (Perec hated waste) and no other vowel (honest). In "Which Moped with Chrome-Plated Handlebars at the Back of the Yard?" we are introduced to Sergeant Henri Pollak and his vehicle (the aforementioned moped) that carried him between Vincennes and Montparnasse; in "A Gallery Portrait", the sensation of the 1913 exhibition in Pittsburgh depicts the artists' patron, beer baron Hermann Raffke, sitting in front of his huge art collection, which includes (of course) "A Gallery Portrait" of the baron sitting before "A Gallery Portrait," etc." -- From publisher's website.
Portrait of a Man [Il Condottiere] dates from 1957-1960 and is the first novel Perec ever completed: it was rejected by Gallimard and Seuil back when Perec was nobody, so it is ironic that Seuil has brought it out now. Back in 1960, Perec put it away, as he wrote to a friend: Will leave it where it is, for the moment at least. Will take it up again in ten years, and it will either become a masterwork or [I] will wait in my grave for a faithful exegete to find it in an old trunk. The novel was subsequently found by David Bellos, and it is a thriller, combining art forgery and murder. The protagonist (Winkler) devotes months on end to making a fake for a client of the famous painting Il Condottiere by Renaissance artist Antonella da Messina, which is in the Louvre. As classic mysteries begin, this one starts with a murder on the first page: but it is Winkler who murders his client. The novel investigates the motive for the crime: one of its reasons will center on the forger s frustration over his inability to produce a work rivaling the original. The theme of forgery in painting crosses much of Perec s work. And the character Winckler also appears in Life: A User s Manual and in W, or the Remembrance of Childhood. Our version also includes a brief introduction by Bellos.
Combining poetic and inquisitive text with a wide array of lavish images, a tour of Ellis Island shares the experiences of men and women who passed through its portals when immigrating to the United States. Original.
One Of The Most Dazzling And Ingeniously Contrived Works Of Twentieth-Century Fiction, An Entire Microcosm Brought To Life In A Paris Apartment Block. Serge Val-Ne, One Of The Inhabitants Of The Apartment Block, Has Conceived The Idea Of A Painting Which Will Show In Exact Detail The Inside Of Each Apartment Within The Building, Every Person, Every Object. As He Thinks Of His Picture, He Contemplates The Lives Of All The People He Has Ever Known Or Heard About In Sixty Years Living There. Chapter By Chapter, Room By Room, The Narrative Moves Around The Building, Revealing As It Does So A Marvellously Diverse Cast Of Characters In A Series Of Ever More Unlikely Tales, Which Range From An Avenging Murderer To An Eccentric English Millionaire Who Has Devised The Ultimate Pastime-
The posthumously published first novel from the acclaimed French author of Life: A User’s Manual offers “glimpses of Perec’s future greatness” (The New Yorker). Puckish and playful, Georges Perec infused avant-garde and experimental fiction with a wit and wonder that belied the serious concerns and concepts that underpinned it. A prominent member of the OuLiPo, and an abiding influence on fiction writers today, Perec used formal constraints to dazzling effect in such works as A Void—a murder mystery that contains nary an “e”—and Life: A User’s Manual, in which an apartment building, systematically canvassed, unfolds secrets and, ultimately offers a reflection on creation, destruction, and the devotion to art. Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man. His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec’s death, David Bellos discovered the manuscript, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec’s later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life: A User’s Manual and W, or The Memory of Childhood. Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec’s career, Portrait of a Man is sure to charm the many fans of this postmodern master. “Fascinating.” —The Guardian
The beguiling, never-before-translated dream diary of Georges Perec In La Boutique Obscure Perec once again revolutionized literary form, creating the world’s first “nocturnal autobiography.” From 1968 until 1972—the period when he wrote his most well-known works—the beloved French stylist recorded his dreams. But as you might expect, his approach was far from orthodox. Avoiding the hazy psychoanalysis of most dream journals, he challenged himself to translate his visions and subconscious churnings directly into prose. In laying down the nonsensical leaps of the imagination, he finds new ways to express the texture and ambiguity of dreams—those qualities that prove so elusive. Beyond capturing a universal experience for the first time and being a fine document of literary invention, La Boutique Obscure contains the seeds of some of Perec’s most famous books. It is also an intimate portrait of one of the great innovators of modern literature.
This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility.
Two trailblazing novels by Georges Perec, Things: Jerome and Sylvie, the young upwardly mobile couple, lust for the good life. They wanted life's enjoyment, but this equated to ownership. A Man Asleep: A nameless student attempts to purify himself entirely of material desires and ambitions.
The narrator of this posthumous novel investigates the disappearance of a famous French crime writer. The only clues he has are codes in a manuscript. A half-finished novel completed by its editors.
Over twenty years ago, Godine published the first English translation of Georges Perec's masterpiece, Life A User's Manual, hailed by the Times Literary Supplement, Boston Globe, and others as "one of the great novels of the century." We are now proud to announce a newly revised twentieth anniversary edition of Life. Carefully prepared, with many corrections, this edition of Life A User's Manual will be the preferred reference edition for the future. Life is an unclassified masterpiece, a sprawling compendium as encyclopedic as Dante's Commedia and Chaucer's Canterbury Tales and, in its break with tradition, as inspiring as Joyce's Ulysses. Structured around a single moment in time — 8:00 p.m. on June 23, 1975 — Perec's spellbinding puzzle begins in an apartment block in the XVIIth arrondissement of Paris where, chapter by chapter, room by room, like an onion being peeled, an extraordinary rich cast of characters is revealed in a series of tales that are bizarre, unlikely, moving, funny, or (sometimes) quite ordinary. From the confessions of a racing cyclist to the plans of an avenging murderer, from a young ethnographer obsessed with a Sumatran tribe to the death of a trapeze artist, from the fears of an ex-croupier to the dreams of a sex-change pop star to an eccentric English millionaire who has devised the ultimate pastime, Life is a manual of human irony, portraying the mixed marriages of fortunes, passions and despairs, betrayals and bereavements, of hundreds of lives in Paris and around the world. But the novel is more than an extraordinary range of fictions; it is a closely observed account of life and experience. The apartment block's one hundred rooms are arranged in a magic square, and the book as a whole is peppered with a staggering range of literary puzzles and allusions, acrostics, problems of chess and logic, crosswords, and mathematical formula. All are there for the reader to solve in the best tradition of the detective novel.
A moving hybrid work about Ellis Island and immigration by the marvelous Georges Perec Georges Perec, employing lyrical prose meditations, lists, and inventories, conjures up the sixteen million people who, between 1890 to 1954, arrived as foreigners and stayed on to become Americans. Perec (who by the age of nine was an orphan: his father was killed by a German bullet, and his mother perished in Auschwitz) is wide-awake to the elements of chance in immigration and survival: “To me Ellis Island is the ultimate place of exile. That is, the place where place is absent, the non-place, the nowhere. Ellis Island belongs to all those whom intolerance and poverty have driven and still drive from the land where they grew up.” Ellis Island is a slender Perec masterwork, unique among his many singular works. The acclaimed poet and scholar Mónica de la Torre contributes an afterword that keeps Perec's writing front and center while situating Ellis Island in the context of America’s current fierce battles over immigration.
Darkly funny account of the office worker’s mindset by the celebrated French novelist A long-suffering employee in a big corporation has summoned up the courage to ask for a raise. But as he runs through the looming encounter in his mind, his neuroses come to the surface: What is the best day to see the boss? What if he doesn’t offer you a seat when you go into his office? The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world,with its rigid hierarchies and hostility to new ideas. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset? Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968.
Combining fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world and at the crux of his own identity.
Darkly funny account of the office worker’s mindset by the celebrated French novelist A long-suffering employee in a big corporation has summoned up the courage to ask for a raise. But as he runs through the looming encounter in his mind, his neuroses come to the surface: What is the best day to see the boss? What if he doesn’t offer you a seat when you go into his office? The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world,with its rigid hierarchies and hostility to new ideas. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset? Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968.
...a daunting triumph of will pushing its way through imposing roadblocks to a magical country, an absurdist nirvana of humor, pathos, and loss."--Time magazine A Void is a metaphysical whodunit, a story chock-full of plots and subplots, of trails in pursuit of trails, all of which afford Perec occasion to display his virtuosity as a verbal magician. It is also an outrageous verbal stunt: a 300-page novel that never once employs the letter E. The year is 1968, and as France is torn apart by social and political anarchy, the noted eccentric and insomniac Anton Vowl goes missing. Ransacking his Paris flat, his best friends scour his diary for clues to his whereabouts. At first glance these pages reveal nothing but Vowl's penchant for word games, especially for "lipograms," compositions in which the use of a particular letter is suppressed. But as the friends work out Vowl's verbal puzzles, and as they investigate various leads discovered among the entries, they too disappear, one by one by one, and under the most mysterious circumstances . . .
In the beginning was the pun," Samuel Beckett once wrote. And so it was that Georges Perec brought the good word to his friends and acquaintances on a yearly basis, as an expression of his best wishes for the New Year. Wishes gathers together these ten pamphlets of homophonic wordplay that Perec sent out from 1970 until his death in 1982, printed at his own expense in limited quantities. This paean to the pun consists of a series of short prose pieces, each concluding with a list of the everyday bits of language lying at their root. English proverbs, Latin phrases, the names of musicians, filmmakers, novelists and book titles are all fodder for Perec's homophonic translations: John Coltrane turns into an anecdote about a wanderer with a severe ring around the collar; Antonioni's first movie transforms into a prophecy of a murderous holiday; the phrase "All's well that ends well" becomes a pregnant cow named Alice hailed by a drunk Satan; and Maurice Ravel proves to be a warning against corpses with a predilection for root vegetables. These texts and their marriage of sound to meaning present a challenge to any translation, and bring into stark relief the choices translators are often forced to make. This English edition sidesteps such choices, offering two alternate translations: a traditional one focused on the literal content of Perec's texts, and another focused on their formal phonological play. Georges Perec (1936-82) was a French novelist, essayist and filmmaker whose linguistic talents ranged from fiction to crossword puzzles to palindromes. Winner of the prix Renaudot in 1965 for his first novel, Things, and the prix Médicis in 1978 for his most acclaimed novel, Life A User's Manual, Perec was also a member of Oulipo.
Aby Warburg’s Mnemosyne Atlas (1925–1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg’s allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his great work, Georges Didi-Huberman leaps from Mnemosyne Atlas into a set of musings on the relation between suffering and knowledge in Western thought, and on the creative results of associative thinking. Deploying writing that delights in dramatic jump cuts reminiscent of Warburg’s idiosyncratic juxtapositions, and drawing on a set of sources that ranges from ancient Babylon to Walter Benjamin, Atlas, or the Anxious Gay Science is rich in Didi-Huberman’s trademark combination of elan and insight.
The threshold as both boundary and bridge: investigations of spaces, public and private, local and global. Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres—the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life. Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two: the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters. If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house—or does the house, evolving into a series of microdevices, inhabit the body?
“Stress,” “burn out,” “mental overload”: the twentieth and twenty-first centuries have witnessed an unrelenting expansion of the meaning of fatigue. The tentacles of exhaustion insinuated themselves into every aspect of our lives, from the workplace to the home, from our relationships with friends and family to the most intimate aspects of our lives. All around us are the signs of a “burn-out society,” a society in which fatigue has become the norm. How did this happen? This pioneering book explores the rich and little-known history of fatigue from the Middle Ages to the present. Vigarello shows that our understanding of fatigue, the words used to describe it, and the symptoms and explanations of it have varied greatly over time, reflecting changing social mores and broader aspects of social and political life. He argues that the increased autonomy of people in Western societies (whether genuine or assumed), the positing of a more individualized self, and the ever expanding ideal of independence and freedom have constantly made it more difficult for us to withstand anything that constrains or limits us. This painful contradiction causes weariness as well as dissatisfaction. Fatigue spreads and becomes stronger, imperceptibly permeating everything, seeping into ordinary moments and unexpected places. Ranging from the history of war, religion and work to the history of the body, the senses and intimacy, this history of fatigue shows how something that seems permanently centered in our bodies has, over the course of centuries, also been ingrained in our minds, in the end affecting the innermost aspects of the self.
so having weighed the pros and cons you've decided to approach your boss to ask for that well-earned raise in salary but before you schedule the all-important meeting you decide to dip into this handy volume in the hope of finding some valuable tips but instead find a hilarious, mind-bending farcical account of all the many different things that may or may not happen on the journey to see your boss which uses no punctuation or capitalisation and certainly no full stops. Georges Perec famously wrote a whole novel without using the letter 'e'. Now, in this playful short novel, brilliantly translated by David Bellos, Perec once again dispenses with the normal rules for literary compostion, with similarly pyrotechnic results.
Georges Ifrah is the man. This book, quite simply, rules. . . . It is outstanding . . . a mind-boggling and enriching experience." –The Guardian (London) "Monumental. . . . a fascinating journey taking us through many different cultures."–The Times (London)"Ifrah’s book amazes and fascinates by the scope of its scholarship. It is nothing less than the history of the human race told through figures." –International Herald Tribune Now in paperback, here is Georges Ifrah’s landmark international bestseller–the first complete, universal study of the invention and evolution of numbers the world over. A riveting history of counting and calculating, from the time of the cave dwellers to the twentieth century, this fascinating volume brings numbers to thrilling life, explaining their development in human terms, the intriguing situations that made them necessary, and the brilliant achievements in human thought that they made possible. It takes us through the numbers story from Europe to China, via ancient Greece and Rome, Mesopotamia, Latin America, India, and the Arabic countries. Exploring the many ways civilizations developed and changed their mathematical systems, Ifrah imparts a unique insight into the nature of human thought–and into how our understanding of numbers and the ways they shape our lives have changed and grown over thousands of years. "Dazzling."–Kirkus Reviews "Sure to transfix readers."–PublishersWeekly
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