Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles’s positions are most clearly, forcefully, and obsessively put forward.This book challenges the notion of a “closed economy” predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
Set against the backdrop of Europe's slide into Fascism, Blue of Noon is a blackly compelling account of depravity and violence. As its narrator lurches despairingly from city to city in a surreal sexual and mental nightmare of squalor, sadism and drunken encounters, his internal collapse mirrors the fighting and marching on the streets outside. Exploring the dark forces beneath the surface of civilization, this is a novel torn between identifying with history's victims and being seduced by the monstrous glamour of its terrible victors, and is one of the twentieth century's great nihilist works.
A poetic, philosophical, and political account of Nietzsches importance to Bataille, and of Batailles experience in Nazi-occupied France. Georges Bataille wrote On Nietzsche in the final months of the Nazi occupation of France in order to cleanse the German philosopher of the stain of Nazism. More than merely a treatise on Nietzsche, the book is as much a work of ethics in which thought is put to the test of experience and experience pushed to its limits. At once personal and political, it was written as an act of war, its publication contingent upon the German retreat. The result is a poetic and philosophicaland occasionally harrowingrecord of life during wartime. Following Inner Experience and Guilty, On Nietzsche is the third volume of Batailles Summa Atheologica. Haunted by the recognition that existence cannot be at once autonomous and viable, herein the author yearns for community from the depths of personal isolation and transforms Nietzsches will to power into his own will to chance. This new translation includes Memorandum, a selection of 280 passages from Nietzsches works edited and introduced by Bataille. Originally published separately, Bataille planned to include the text in future editions of On Nietzsche. This edition also features the full notes and annotations from the French edition of Batailles Oeuvres Complètes, as well as an incisive introductory essay by Stuart Kendall that situates the work historically, biographically, and philosophically.
The first English-language translation of an essential, early work key to understanding the French philosopher's later thought. In the decade prior to the publication of Inner Experience (L’expérience intérieure), the twentieth-century French philosopher Georges Bataille produced a nascent masterwork containing some of his most original and extensive reflections on a range of subjects. With thoughts on ritual sacrifice and military conquest, the nature of laughter, and the mechanisms of capitalism, The Limit of the Useful, as Bataille had planned to title the work, illuminates the philosopher’s later corpus, yet it remained unfinished and unpublished in his lifetime, and untranslated until now. This is the first English-language translation of what Cory Austin Knudson and Tomas Elliott argue is one of Bataille’s most structurally consistent works. Paired with draft essays and plans for The Accursed Share, along with over a hundred pages of appendixes and notes, the volume distinctively elaborates Bataille’s thought. The Limit of the Useful spans a decade of rich intellectual ferment in Bataille’s life as he first formulated his challenge to capitalism, engaging with concepts and ideas in ways not seen in his other published works. The volume bridges the gap between Bataille’s surrealist literary writings and later scientific pretensions, drawing attention to, and filling in, an overlooked lacuna in his oeuvre.
Outlines a mystical theology and experience of the sacred founded on the absence of god. Originally published in 1943, Inner Experience is the single most significant work by one of the twentieth centurys most influential writers. It outlines a mystical theology and experience of the sacred founded on the absence of god. Bataille calls Inner Experience a narrative of despair, but also describes it as a book wherein profundity and passion go tenderly hand in hand. Herein, he says, The mind moves in a strange world where anguish and ecstasy take shape. Batailles search for experience begins where religion, philosophy, science, and literature leave off, where doctrines, dogmas, methods, and the arts collapse. His method of meditation, outlined and documented here, commingles horror and delight. Laughter, intoxication, eroticism, poetry, and sacrifice are pursued not as ends in and of themselves but as means of access to a sovereign realm of inner experience. This new translation is the first to include Method of Meditation and Post-Scriptum 1953, the supplementary texts Bataille added to create the first volume of his Summa Atheologica. This edition also offers the full notes and annotations from the French edition of Batailles Oeuvres Complètes, along with an incisive introductory essay by Stuart Kendall that situates the work historically, biographically, and philosophically.
This first book in a three-volume collection of Georges Bataille's essays introduces English readers to his philosophical and critical writings. In the aftermath of the Second World War, French thinker and writer Georges Bataille forged a singular path through the moral and political impasses of his age. In 1946, animated by "a need to live events in an increasingly conscious way," and to reject any compartmentalization of intellectual life, Bataille founded the journal Critique. Adopting the format of the review essay, he surveyed the post-war cultural landscape while advancing his reflections on excess, non-knowledge, and the general economy. Focusing on literature as a mode of sovereign uselessness, he tackled prominent and divisive figures such as Henry Miller and Albert Camus. In keeping with Critique's mission to explore the totality of human knowledge, Bataille's articles did not just focus on the literary but featured important reflections on the science of sexuality, the Chinese Revolution, and historical accounts of drunkenness, among other matters. Throughout, he was attuned to how humanity would deal with the excessive forces of production and destruction it had unleashed, his aim being a way of thinking and living that would inhabit that excess. This is the first of three volumes collecting Bataille's post-war essays. Beginning with an article on Nietzsche and fascism written shortly after the liberation of Paris and running to the end of 1948, these texts make available for the first time in English the systematic diversity of Bataille's post-war thought.
Into Me/Out of Me is about the imagined, descriptive and performative acts of passing into, through and out of the human body. This book focuses on the primordial relationship between the internal and the external metabolism (eating, drinking, excreting), reproduction (intercourse, birth), and violence (shooting, impaling, perforation). Into Me/Out of Me brings together explorations and visualizations of these three processes, which deal with the wet and the dry, the inner and the outer surfaces of the body, and the material world. Spanning over 40 years and featuring an international group of more than 130 artists, Into Me/Out of Me employs a wide range of media to illuminate the literal and metaphorical ways that humans interact with each other and material matter. These daily exchanges are presented within the frameworks of natural science, historical and mythological confrontations, ritualistic practices, and self-exploration."--BOOK JACKET.
Since the publication in France of his Oeuvres Completes in the mid-1970s, the breadth of Bataille's writing and influence has become increasingly apparent across the disciplines in, for example, the fields of literature, art, art history, philosophy, critical theory, sociology, economics, and anthropology.
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