Listen to George perform each one of his poems as you read through the collection and enjoy a captivating, fully immersive poetry experience. ‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs. George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in. Whether you’re searching for yourself, for answers, for change – join the search party.
For fans of the critically-acclaimed, award-winning podcast Have You Heard George's Podcast?, a stunning collection of the scripts of the podcast, plus bonus material from George the Poet.
Analyzes the heated critical debate on Heine from his own lifetime to the present. Heinrich Heine (1797-1856), one of the best known and most controversial German writers of the nineteenth century, has been the subject of intense critical debate. Heine's lyric poetry ranks second only to Goethe's in popularity and is known world wide in musical settings. He is also known for his stories and travel sketches, his writings on political, social, and cultural developments in Europe, and for essays on literature, religion, and philosophy. Peters's study records the stormy development of Heine's critical reception from his own time down to the present. As a Jew living in Paris, an outspoken critic of both repressive political policies in Germany and the stifling influence of the Catholic church, and the author of the most famous satirical poem in the German language, Deuschland. Ein Wintermärchen, Heine engendered the wrath of the conservative critics of his day, while progressive critics, particularly those supportive of his emancipatory ideals, came to his defense. Since his death, Heine criticism has continued to be partisan in tone. Twentieth-century Heine criticism has mirrored Germany's historical development, from the nationalistic fervor of the Wilhelminian era, through the tolerance of Weimar, the anti-Semitic frenzy of the Third Reich, the postwar period of competing critical views in East and West, to the final decade of the century and a period of renewed and intense critical interest. George F. Peters is professor of German and Chair of the Department of Languages and Linguistics at Michigan State University.
When I see and hear the ubiquitous hype and media coverage for celebrities receiving acclaim after facing their ordeals with breast cancer, I hear words like bravery, stamina, devastating disease, how well they are handling the diagnosis, and how heroically they are getting on with their lives. Most of these same celebrities are alive and well after their diagnosis because of the work done by women like my late wife, Lois A. Anderson. Yet most people have never heard of her. If you want to read a book about real bravery, real stamina, and the power to make real changes that matter to the breast cancer story, you need to take the time to read this book. Lois came from a poor family, coming from conditions most of us would never ascend from, and made her mark upon the world. I do not want to be forgotten, she told me after being diagnosed with stage III breast cancer at the age of thirty-nine. She lived eighteen years after that diagnosis and, in many ways, changed the world with her knowledge, support, and political advocacy. Many throw money at research in an effort to move breast cancer out of the ranks of an incurable cancer into one where most will survive it. Lois didnt have money. She didnt have the media to tell of her many battles. What she did have was a spirit of hope, which she used to battle breast cancer on all fronts. This is the story of a remarkable woman who, in spite of the odds, not only survived but also turned an ordeal that would have devastated most of us into a shining example of what one person can do even when they are facing death. Sometimes you get the chance to change things, she often told me. In her short lifetime, even with cancer raging through her body, she took the chance and did that very thing. She not only fought her own personal battle with breast cancer but also fought the war against it. Lois pursued such an astonishing life from the moment she came into the world, overcoming many obstacles in her quest to rise above the ordinary, many conquered before breast cancer entered her life. I felt her story had to be told. She lived her short life, coming from very humble beginnings, rising from all of it, making changes she hoped would better everyone, when it ended on January 17, 2011. At the time of her death, she was considered a great breast cancer advocate known at the national level. She was diagnosed with stage III breast cancer at the age of thirty-nine, six days before her fortieth birthday, in 1992. Signs that could have cautioned her remained muted by an unsuspicious bruise she sustained from an injury several months before her fortieth birthday. In time, she was treated for the initial breast cancer and remained cancer-free for almost ten years, until cancer returned in 2001. Then when the odds seemed stacked against her, she fought the disease as a stage IV breast cancer survivor (metastatic breast cancer) from the time of that dire discovery until she died in January 2011. She lived eighteen years from the time she was diagnosed, against all prognostications allowing her only five years of survival. Over the last six months of her life, I began writing a story where I escaped the realities of losing my wife to something I had no control over. In a way, it transitioned into a metaphoric fable, a parallel story of her life. Between the lines, I allowed myself the chance to create an alternate world where the real trials Lois and I experienced on our last road together eventually made some sense to me in our unpredictable world. After she died, I began the long process of chronicling her amazing biography and believed I could finish the fictional one. Both stories represent a process of coming to terms with her death and a promise I made to not let her be forgotten. I began writing her real life story in late February 2011. After I started, I found stories and journals Lois had written about herself tucked away in boxes and old folders throughout the house.
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